Vieux Carré (play)
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''Vieux Carré'' (1977) is a play by
Tennessee Williams Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), known by his pen name Tennessee Williams, was an American playwright and screenwriter. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three ...
. Referring to the French term for the French Quarter, it is a semi-autobiographical play set in
New Orleans New Orleans (commonly known as NOLA or The Big Easy among other nicknames) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the U.S. state of Louisiana. With a population of 383,997 at the 2020 ...
. Although he began writing the play shortly after moving to
New Orleans New Orleans (commonly known as NOLA or The Big Easy among other nicknames) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the U.S. state of Louisiana. With a population of 383,997 at the 2020 ...
from St. Louis in 1938, Williams did not complete it for nearly 40 years. Drawing on earlier writings, Williams wrote most of the play in 1976. He prepared revisions for its New York premiere in 1977 and for two productions in England in 1978. The revised text was published by New Directions in 1979.


Synopsis

Set in the late 1930s in a dilapidated
boarding house A boarding house is a house (frequently a family home) in which lodging, lodgers renting, rent one or more rooms on a nightly basis and sometimes for extended periods of weeks, months, or years. The common parts of the house are maintained, and ...
at 722 Toulouse Street in the
French Quarter The French Quarter, also known as the (; ; ), is the oldest neighborhood in the city of New Orleans. After New Orleans () was founded in 1718 by Jean-Baptiste Le Moyne de Bienville, the city developed around the ("Old Square" in English), a ...
of New Orleans, the play focuses on a nameless writer, who has newly arrived from St. Louis. He is struggling as a young man with his writing career, poverty, loneliness, homosexuality, and a cataract. He gradually becomes involved with other residents, including Mrs. Wire, his manipulative landlady; Nightingale, an older, predatory, tubercular artist who refuses to accept his condition; Jane, a New Rochelle society girl dying of
leukemia Leukemia ( also spelled leukaemia; pronounced ) is a group of blood cancers that usually begin in the bone marrow and produce high numbers of abnormal blood cells. These blood cells are not fully developed and are called ''blasts'' or '' ...
; her sexually ambiguous, drug-addicted lover Tye, who works as a bouncer in a strip club; Mary Maud and Miss Carrie, two eccentric, poor, elderly women, who are literally starving to death; and a gay photographer with a passion for orgies.


Broadway production

Following 11 previews, the original Broadway production, directed by
Arthur Allan Seidelman Arthur Allan Seidelman (born 1937 in New York City) is an American television director, television, film director, film, and theatre director and an occasional writer, producer, and actor. His works are distinguished by a humane, probing, and sympa ...
, opened on May 11, 1977 at the St. James Theatre. It closed after five performances. The cast included Richard Alfieri as the writer, Tom Aldredge as Nightingale, and
Sylvia Sidney Sylvia Sidney (born Sophia Kosow; August 8, 1910 – July 1, 1999) was an American stage, screen, and film actress whose career spanned 70 years. She rose to prominence in dozens of leading roles in the 1930s. She was nominated for the Academy ...
as Mrs. Wire.
Galt MacDermot Arthur Terence Galt MacDermot (December 18, 1928 – December 17, 2018) was a Canadian-American composer, pianist and writer of musical theater. He won a Grammy Award for the song "African Waltz" in 1960. His most successful musicals were ''Hair ...
composed incidental music and co-wrote the songs "Sugar in the Cane" and "Lonesome Man" with Williams. The scenic and lighting designs were by James Tilton, and Jane Greenwood designed the costumes.


Critical reception

In his 1977 review in ''The New York Times'', Clive Barnes wrote
Is ''Vieux Carre'' a good play? Probably not. But it depends what you mean by good. It is a play of blatant melodrama and crepuscular atmosphere — poetically speaking, and he never tried anything less; Mr. Williams always writes of violence at twilight. Its qualities are those of texture rather than form. It is a series of vignettes, based on fact, falsified by art, transformed into short stories, and woven into a play...If we always expect the unexpected to happen—and as playgoers we do—nothing happens. And the play has no structures other than the interweaving of caricatured characters. Yet it has a haunting nature — you leave the theater with the impression of having been told a secret. Not necessarily a truth, but a secret...And it is unquestionably, the murmurings of genius, not a major statement. Yet beneath those murmurings, through the meanderings, is an authentic voice of the 20th-century theater. It is slight but not negligible. Which, considering so many dramas, is a pleasant reversal."
The play has been produced many times since its premiere in New York. A critic covering a 2008 production in St. Louis wrote "This semi-autobiographical account of an innocent young writer being exposed to illness and death, love and violence in a seedy boarding house intrigues both as one of Williams' earliest — and also as one of his final — works."Dennis Brown, " ''Vieux Carre''s a thrill for Williams buffs only"
''Riverfront Times'', 20 February 2008; accessed 22 March 2019


References


External links


''Vieux Carré'' at the Internet Broadway Database
{{DEFAULTSORT:Vieux Carre (play) 1977 plays Broadway plays Plays by Tennessee Williams Plays set in New Orleans Autobiographical plays New Directions Publishing books