Tian Yuan Tan (; born ) is a Singaporean scholar of Chinese literature. Since 2019, he has served as

Shaw Professor of Chinese The position of Shaw Professor of Chinese is one of the permanent professorships at the University of Oxford, England. It was established in 1876 as the Professor of Chinese, and is now associated with a professorial Oxbridge Fellow, fellowship a ...

at the

University of Oxford The University of Oxford is a collegiate university, collegiate research university in Oxford, England. There is evidence of teaching as early as 1096, making it the oldest university in the English-speaking world and the List of oldest un ...

and a Professorial Fellow of

University College In a number of countries, a university college is a college institution that provides tertiary education but does not have full or independent university status. A university college is often part of a larger university. The precise usage varies f ...

. Prior to his appointment at Oxford, he was Professor of Chinese Studies at

SOAS, University of London The School of Oriental and African Studies (SOAS University of London; ) is a public university, public research university in London, England, and a constituent college, member institution of the federal University of London. Founded in 1916, ...

Early life

Tan is from Singapore, where he did his secondary education at

The Chinese High School The Chinese High School () was an independent school in Singapore offering secondary education. The school merged with Hwa Chong Junior College on 1 January 2005 to form the integrated Hwa Chong Institution. Founded on 21 March 1919, The Chin ...

(now part of the

Hwa Chong Institution Hwa Chong Institution (HCI) is an independent Secondary school, secondary educational institution in Bukit Timah, Central Region, Singapore, Central Region, Singapore. It was established in 2005 by the merger of The Chinese High School (Singapor ...

) and his bachelor's degree at the

National University of Singapore The National University of Singapore (NUS) is a national university, national Public university, public research university in Singapore. It was officially established in 1980 by the merging of the University of Singapore and Nanyang University ...

. He obtained his PhD from

Harvard University Harvard University is a Private university, private Ivy League research university in Cambridge, Massachusetts, United States. Founded in 1636 and named for its first benefactor, the History of the Puritans in North America, Puritan clergyma ...

in 2006 under the supervision of

Wilt L. Idema Wilt Lukas Idema (born 12 November 1944) is a Dutch scholar and Sinologist who taught at University of Leiden and Harvard University (2000–13), presently emeritus at both universities. He specializes in Chinese literature, with interests in ear ...

, Wai-yee Li, and Stephen Owen.

Career

Tan's main areas of research include pre-modern Chinese literature, with a special focus on late imperial drama, fiction, and poetry; Chinese literary history and historiography; court theatre and performance; and cross-cultural contacts between China and the world. His 2011 Chinese-language publication ''A Critical Edition of Kang Hai's Songs with Notes, and Two Essays'', the first critical edition of the complete ''

sanqu ''Sanqu'' () is a fixed-rhythm form of Classical Chinese poetry or "literary song".Crump (1990), 125 Specifically ''sanqu'' is a subtype of the '' qu'' formal type of poetry. ''Sanqu'' was a notable Chinese poetic form, possibly beginning in th ...

'' songs of

Kang Hai Kang Hai (康海; 1475–1541) was a poet, dramatist, and prose writer of Ming dynasty China. One of the Seven Early Masters (前七子), his works are still studied today. Early life Kang Hai was born in Wugong County, Shaanxi. His great-great ...

(1475–1541), was awarded second prize in both the 2011 National Excellent Classical Books Award () and Excellent Classical Books of East China Region Award (). He is an editorial board member of several academic journals and book series and served as Secretary-General of the European Association for Chinese Studies (EACS) from 2012 to 2018.

Selected publications

Monographs

* ''Passion, Romance, and Qing: The World of Emotions and States of Mind in Peony Pavilion''. 3 Volumes. Leiden: Brill, 2014. (Co-authored with Paolo Santangelo) * ''Kang Hai sanqu ji jiaojian'' (''A Critical Edition of Kang Hai's Songs with Introduction, Notes, and Two Essays''). Hangzhou: Zhejiang guji chubanshe, 2011. (Single-authored; PI of British Academy funded project, 2008-2010) * '' Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China''. Cambridge, MA: Harvard University Asia Center, 2010. (Single-authored)

Edited books

* ''1616: Shakespeare and Tang Xianzu's China''. London: Bloomsbury Arden Shakespeare, 2016. (Lead Editor and PI of CCKF funded project (2014-15), with Paul Edmondson and Shih-pe Wang) * ''Yingyu shijie de Tang Xianzu yanjiu lunzhu xuanyi'' (''An Anthology of Critical Studies on Tang Xianzu in Western Scholarship''). Hangzhou: Zhejiang guji chubanshe, 2013. (Co-editor, with Xu Yongming; funded by Harvard-Yenching Institute and PRC International Project Network Grant) * ''Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema''. Leiden: Brill, 2009. xii, 468pp. (Co-editor, with Maghiel van Crevel and Michel Hockx)

Journal articles

* “Springtime Passion and Literary Tradition in ''Peony Pavilion''”, ''International Communication of Chinese Culture'', Volume 3, Issue 1 (2016): 57–65. * “Emerging from Anonymity: The First Generation of Writers of Songs and Drama in Mid-Ming Nanjing,” ''T’oung Pao'' 96 (2010): 125–164. * “The Transmission of ''Sanqu'' Songs, Writers’ Reputation, and Literati Network in the Mid Ming: Local and Translocal Considerations,” ''Ming Qing Studies'' (2010): 193-215. * “A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection ''Pandong yuefu houlu'',” (Part 2) (in Chinese), with revisions by Sun Chongtao, ''Studies in Culture & Art'' (''Wenhua yishu yanjiu''), Volume 2, No. 5 (2009): 145–175. * “A Collation and Annotation of Kang Hai’s Newly Discovered Song Collection ''Pandong yuefu houlu'',” (Part 1) (in Chinese), with revisions by Sun Chongtao, ''Studies in Culture & Art'' (''Wenhua yishu yanjiu''), Volume 2, No.4 (2009): 117–134. * “Contending with Displacement: Two Forms of Retirement in Wang Jiusi’s Songs and Drama,” (in Chinese), ''Journal of Theater Studies'' (''Xiju yanjiu''), 3 (2009): 49–74. * “The Wolf of Zhongshan and Ingrates: Problematic Literary Contexts in Sixteenth-Century China,” ''Asia Major'', Third Series, Volume 20, Part 1 (2007): 105–131. * “The New Discovery of Kang Hai’s (1475-1541) ''Sanqu'' Collection and Its Significances,” (in Chinese), ''Zhongguo wenzhe yanjiu tongxun'' (Taipei: Academia Sinica), Volume 16, No.2 (2006): 75–91. * “Prohibition of ''Jiatou Zaju'' in the Ming Dynasty and the Portrayal of the Emperor on Stage,” ''Ming Studies'', Number 49 (Spring 2004): 82-111.

Book chapters

* “Song of Dragon Well Tea and Other Court Plays: Spectacle and Panegyrics”, in Patricia Sieber and Regina Llamas, eds. ''How to Read Chinese Drama''. Columbia: Columbia University Press, under preparation. * “Ming Qing gongting juben zhi bianzhuan ji zuozhe wenti chutan” 明清宮廷剧本之編撰及作者問題初探 (A Preliminary Study of the Compilation and Authorship of Drama in Ming and Qing Imperial Courts), in ''Ming Qing gongtingshi xueshu yantaohui lunwenji'', Vol. 2 (2017). Beijing: Gugong chubanshe, pp 435–447. * “Jiang Shiquan juzuo zhong de xi yu qu” 蔣士銓劇作中的“戲”與“曲” (Performance and Poetry in Jiang Shiquan's Dramatic Works), in Tsung-Cheng Lin and Zhang Bowei, eds., ''Cong chuantong dao xiandai de Zhongguo shixue'' 從傳統到現代的中國詩學 (From Tradition to Modernity: Poetic Transition from 18th to Early 20th Century China). Shanghai: Shanghai guji chubanshe, 2017, pp.30-47. * “Traditions and Transitions in Eighteenth-Century ''Qu'' Poetry: The Case of Jiang Shiquan (1725-1785)”, in Tiziana Lippiello, Chen Yuehong and Maddalena Barenghi, eds., ''Linking Ancient and Contemporary: Continuities and Discontinuities in Chinese Literature''. Venice: Edizioni Ca'Foscari, 2016, pp.229-245. (Sinica Venetiana series) * “Introduction.,” in Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang, eds., ''1616: Shakespeare and Tang Xianzu's China''. London: Bloomsbury Arden Shakespeare, pp. 1–4. * “Sixty Plays from the Ming Palace, 1615-18”, in Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang, eds., ''1616: Shakespeare and Tang Xianzu's China''. London: Bloomsbury Arden Shakespeare, 2016, pp. 96-107. * “Shared Words and Worlds of Love in Peony Pavilion,” in Tian Yuan Tan and Paolo Santangelo, eds. ''Passion, Romance, and Qing: The World of Emotions and States of Mind in Peony Pavilion (3 vols.)''. Leiden, Boston: Brill, 2014, pp. 1454–1481. * “Tang Xianzu and Shakespeare: Two Theatrical Cultures in Global Perspective,” (in English and Chinese) in ''Tang Xianzu-Shashibiya wenhua gaofeng luntan ji Tang Xianzu he Wan Ming wenhua xueshu yantaohui lunwen ji'', ed. Society of Chinese Theatre Studies (Tang Xianzu Branch) and Suichang Association of Social Sciences. Hangzhou: Zhejiang University Press, 2012, 24–29. * “Reflections on the Study of Court Theatre in Late Imperial China” (in Chinese), in ''Ming Qing gongtingshi xueshu yantaohui lunwenji'' (Volume 1), ed. Palace Museum. Beijing: Jijincheng chubanshe, 2011, pp.467-477. * “Rethinking Li Kaixian’s Editorship of ''Revised Plays by Yuan Masters: A Comparison with His Banter about Lyrics'',” in ''Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema'', ed. Maghiel van Crevel, Tian Yuan Tan, and Michel Hockx. Leiden: Brill, 2009, pp.139-152. * “A Study of Kang Hai’s Composition of Southern Songs in His Later Years, Along with a Discussion on the Tune Title ''Langtaosha'',” (in Chinese) ''Mingdai wenxue lunji'', ed. Chen Qingyuan. Fuzhou: Haixia wenyi chubanshe, 2009, pp.1065-1076. * “The Sovereign and the Theater: Reconsidering the Impact of Ming Taizu’s Prohibitions,” Chapter 9 in ''Long Live the Emperor: Uses of the Ming Founder across Six Centuries of East Asian History'', ed. Sarah Schneewind. Ming Studies Research Series, Number 4. Minneapolis: Society for Ming Studies, 2008, pp.149-169. * “The Discovery of Materials Related to the Mid Ming Writer Kang Hai and Its Significances,” (in Chinese) in ''Zhongguo Xiju: Cong Chuantong dao Xiandai'' (Chinese Drama: From Traditional to Modern Forms), ed. Dong Jian and Rong Guangrun. Beijing: Zhonghua shuju, 2006, pp.179-196. * “A Study of a ‘New’ ''Huaben'' Story in ''Jingshi tongyan'': ‘Ye Fashi Fushi Zhenyao’ (Exorcist Ye Subdues the Demon with a Charmed Rock),” (in Chinese) in ''Mingdai xiaoshuo mianmianguan: Mingdai xiaoshuo guoji xueshu yantaohui lunwenji'' (Aspects of Ming Dynasty Fiction: Proceedings of the International Conference on Ming Fiction), ed. Kow Mei Kao and Huang Lin. Shanghai: Xuelin chubanshe, 2002, pp.354-371.

Recent research projects

* ERC-funded project “TEXTCOURT: Linking the Textual Worlds of Chinese Court Theater, ca. 1600-1800”, Principal Investigator * CCKF-funded project “Textual Forms and the Construction of Knowledge in Late Ming Qu Anthologies”, Co-Director (in collaboration with National Taiwan University) *CCKF-funded project “Brave New Theatres: 1616 in China and England” *

British Academy The British Academy for the Promotion of Historical, Philosophical and Philological Studies is the United Kingdom's national academy for the humanities and the social sciences. It was established in 1902 and received its royal charter in the sa ...

-funded project “'Lost Songs' of Kang Hai (1475-1541)”

References

{{DEFAULTSORT:Tan, Tian Yuan 1970s births Living people Academics of the University of Oxford Academics of SOAS University of London Hwa Chong Institution alumni National University of Singapore alumni Harvard University alumni Fellows of University College, Oxford