This Town Ain't Big Enough For Both Of Us
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"This Town Ain't Big Enough for Both of Us" is a song by American
pop Pop or POP may refer to: Arts, entertainment, and media * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop! (British group), a UK pop group * Pop! featuring Angie Hart, an Australian band Album ...
band Sparks. Written by
Ron Mael Ronald David Mael (born August 12, 1945) is an American musician, songwriter, composer and record producer. He is the keyboard player and principal songwriter in the band Sparks (band), Sparks, which he founded with vocalist, occasional songwrit ...
, it is the opening track on their third studio album '' Kimono My House'' (1974), and was the lead single from the album. Although it did not chart on the ''Billboard'' Hot 100, "This Town Ain't Big Enough for Both of Us" achieved major success in Europe, peaking within the top ten of the charts in the Netherlands, Switzerland and the United Kingdom. In the latter country, the song peaked at number two on the UK Singles Chart, where it remained for two consecutive weeks. The song has become the highest-charting for Sparks on the UK Singles Chart, held off from the top spot by
The Rubettes The Rubettes are an English pop/glam rock band put together in 1974 after the release of " Sugar Baby Love", a recording assembled of studio session musicians in 1973 by the songwriting team of Wayne Bickerton, the then head of A&R at Polydor ...
'
bubblegum pop Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is marketed for children and adolescents. The term also refers to a more specific rock and pop subgenre, originating in the United States in the late 1960s, th ...
song "
Sugar Baby Love "Sugar Baby Love" is a bubblegum pop song by English musical group the Rubettes, released as their debut single. Written by Wayne Bickerton and Tony Waddington and produced by Bickerton, the song was recorded in late 1973 and released in Januar ...
".


Background

The original idea for the song was that after each verse
Russell Mael Russell Craig Mael (born October 5, 1948) is an American singer best known as the lead singer for the band Sparks (band), Sparks, which he formed in 1971 with his elder brother Ron Mael. Mael is known for his wide vocal range, in particular his f ...
would sing a movie dialogue
cliché A cliché ( or ; ) is a saying, idea, or element of an artistic work that has become overused to the point of losing its original meaning, novelty, or literal and figurative language, figurative or artistic power, even to the point of now being b ...
, one of which was "This town ain't big enough for both of us", used in the 1932 film ''
The Western Code ''The Western Code'' is a 1932 American Western film directed by John P. McCarthy and starring Tim McCoy, Nora Lane, and Mischa Auer. The film contains the first known instance of the phrase "This town ain't big enough for the both of us" in p ...
''. They dropped the idea of having different phrases and instead used only the one in the title. The original working title of the song was "Too Hot to Handle". The record's producer
Muff Winwood Mervyn "Muff" Winwood (born 15 June 1943, Erdington, Birmingham, England) is an English songwriter and record producer. The elder brother of Steve Winwood, both were members of The Spencer Davis Group in the 1960s, in which Muff played bass gui ...
used distinctive
Western movie The Western is a film genre defined by the American Film Institute as films which are "set in the American West that mbodythe spirit, the struggle, and the demise of the new frontier." Generally set in the American frontier between the Californi ...
-style gunshots on the recording after Ron and Russell "went through a whole BBC library and found the perfect gunshot for that song." The Maels frequently told the story that Winwood had bet his friend
Elton John Sir Elton Hercules John (born Reginald Kenneth Dwight; 25 March 1947) is a British singer, songwriter and pianist. His music and showmanship have had a significant, lasting impact on the music industry, and his songwriting partnership with l ...
that the song would become a top-five hit on the UK Singles Chart and that John, saying it would not, lost the bet. However, in his Sparks biography ''Talent Is an Asset'', Daryl Easlea reports that this was a "great tale" propagated by the Mael brothers but contradicted by Winwood himself. Winwood said that he was unsure of how commercial the track would be, so he played it to John, who told him, "Listen, I'll bet you a hundred quid that that makes the Top 3". Winwood's wife agreed, and his doubts were allayed.


Musical style

The song was written without any regard for the vocal style of Russell Mael. Songwriter Ron Mael has explained:
"This Town Ain't Big Enough for Both of Us" was written in A, and by God it'll be sung in A. I just feel that if you're coming up with most of the music, then you have an idea where it's going to go. And no singer is gonna get in my way.
Russell Mael has claimed in reply:
When he wrote "This Town Ain't Big Enough for Both of Us", Ron could only play it in that key. It was so much work to transpose the song and one of us had to budge, so I made the adjustment to fit in. My voice ain't a "rock" voice. It's not soulful, in the traditional rock way; It's not about "guts". It's untrained, unschooled, I never questioned why I was singing high. It just happened, dictated by the songs. Ron has always written Sparks' lyrics and never transposed them into a rock key for me to sing. He always packed each line with words and I had to sing them as they were.


Re-recordings

An acoustic version of the song was recorded in 1985 for the B-side of the "Change" single. In 1997, Sparks recorded two new versions of the song for their album ''
Plagiarism Plagiarism is the representation of another person's language, thoughts, ideas, or expressions as one's own original work.From the 1995 ''Random House Dictionary of the English Language, Random House Compact Unabridged Dictionary'': use or close ...
''. The first was an orchestral reworking arranged and conducted by
Tony Visconti Anthony Edward Visconti (born April 24, 1944) is an American record producer, musician and singer. Since the late 1960s, he has worked with an array of performers. His first hit single was T. Rex's " Ride a White Swan" in 1970, the first of man ...
which reinstated a verse that Winwood had cut from the original. The other was as a collaboration with
Faith No More Faith No More is an American Rock music, rock band from San Francisco, California, formed in 1979. Before September 1983, the band performed under the names Sharp Young Men and later Faith No Man. Bassist Billy Gould, keyboardist/rhythm guitarist ...
, which was released as a single and peaked at number 40 on the UK Singles Chart.


Reception

''
The Guardian ''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardi ...
'' said the song "was like a three-minute warning that Sparks were a band different from any other: octave-leaping vocals, gunshots, incomprehensible lyrics and an unrelenting sense of drama."


Track listing

* 1974 original release # "This Town Ain't Big Enough for Both of Us" – 3:06 # "Barbecutie" – 3:10


Personnel

*
Russell Mael Russell Craig Mael (born October 5, 1948) is an American singer best known as the lead singer for the band Sparks (band), Sparks, which he formed in 1971 with his elder brother Ron Mael. Mael is known for his wide vocal range, in particular his f ...
– vocals *
Ron Mael Ronald David Mael (born August 12, 1945) is an American musician, songwriter, composer and record producer. He is the keyboard player and principal songwriter in the band Sparks (band), Sparks, which he founded with vocalist, occasional songwrit ...
– keyboards *
Martin Gordon Martin Gordon (born 3 May 1954) is an English musician who plays bass guitar, double bass, and piano. After a long period as band member and session musician, he embarked on a solo career in 2004. His most recent album release was in 2024. Bi ...
– bass *
Adrian Fisher Adrian Fisher may refer to: * Adrian Fisher (maze designer) (born 1951), British maze and puzzle designer * Adrian Fisher (musician) Adrian Fisher (2 September 1952 – 31 March 2000) was an English guitarist and a member of the bands Toby (a ...
– guitar *
Norman "Dinky" Diamond Norman Victor "Dinky" Diamond (15 December 1950 – 10 September 2004) was a British drummer who played with the rock band Sparks at the height of their fame in the UK in the early 1970s, playing on the albums '' Kimono My House'' (1974), ''Pro ...
– drums


Chart positions

Original release (1974) Sparks vs. Faith No More (1997)


Certifications


Cover versions

*
Siouxsie and the Banshees Siouxsie and the Banshees ( ) were a British Rock music, rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Post-punk pioneers, they were widely influential, both over their contemporaries and later ...
included a rendition of the song on their 1987 covers album ''
Through the Looking Glass ''Through the Looking-Glass, and What Alice Found There'' is a novel published in December 1871 by Lewis Carroll, the pen name of Charles Lutwidge Dodgson, a mathematics lecturer at Christ Church, University of Oxford. It was the sequel to h ...
'' as the opening track. * Heavens Gate included a version on their 1996 album Planet E. * British Whale (recording alias of The Darkness singer/songwriter
Justin Hawkins Justin David Hawkins (born 17 March 1975) is an English musician, Internet personality, singer, and songwriter best known as the founder, lead singer, and lead guitarist of The Darkness, of which his younger brother Dan is also a member. He is ...
) released a version as his debut single in August 2005, which peaked at number six on the UK Singles Chart. Ron and Russell Mael appear in the video for the song, as game show hosts. * Portuguese band Humanos in their concerts performed a live version, mashing it with "O Corpo É Que Paga" by Portuguese 1980's icon
António Variações António Joaquim Rodrigues Ribeiro, (3 December 1944 – 13 June 1984) was a Portugal, Portuguese singer and songwriter. Despite his short-lived career due to his premature death at the age of thirty-nine, using the stage name of António Var ...
, which is available on their live DVD. * In live concerts, the Los Angeles/San Francisco glam rock band
Celebrity Skin ''Celebrity Skin'' is the third studio album by American alternative rock band Hole, released on September 8, 1998, in the United States on DGC Records and internationally on Geffen Records. It was the last album released by the band before the ...
performed the song regularly during live performances beginning in 1987. * Sparks' 1997 album ''
Plagiarism Plagiarism is the representation of another person's language, thoughts, ideas, or expressions as one's own original work.From the 1995 ''Random House Dictionary of the English Language, Random House Compact Unabridged Dictionary'': use or close ...
'' included two collaborations with
Faith No More Faith No More is an American Rock music, rock band from San Francisco, California, formed in 1979. Before September 1983, the band performed under the names Sharp Young Men and later Faith No Man. Bassist Billy Gould, keyboardist/rhythm guitarist ...
– "This Town Ain't Big Enough for Both of Us" and "Something for the Girl with Everything". Faith No More performed the song live during their 1997–1998 and reunion tours. * In a deleted scene from ''
The Sparks Brothers ''The Sparks Brothers'' is a 2021 documentary film about Ron and Russell Mael, members of the pop and rock duo Sparks. The film, directed by Edgar Wright, and produced by Wright, Nira Park, George Hencken and Laura Richardson, premiered at the ...
''
"Weird Al" Yankovic Alfred Matthew "Weird Al" Yankovic ( ; born October 23, 1959) is an American comedy musician, writer, and actor. He is best known for writing and performing Comedy music, comedy songs that often Parody music, parody specific songs by contempo ...
played the song instrumentally on the accordion. * In August 2024,
The Last Dinner Party The Last Dinner Party are a British indie rock band from London, formed in 2021. The band consists of Abigail Morris (vocals), Lizzie Mayland (vocals, guitar), Emily Roberts (lead guitar, mandolin, flute), Georgia Davies (bass) and Aurora ...
released a rendition of the song as the first single from the expanded version of their album '' Prelude to Ecstasy''.


In popular culture

The song appears in a
dream sequence A dream sequence is a technique used in storytelling, particularly in television and film, to set apart a brief interlude from the main story. The interlude may consist of a flashback, a flashforward, a fantasy, a vision, a dream, or some other ...
, in an episode of the British sitcom ''
Green Wing ''Green Wing'' is a British sitcom set in the fictional East Hampton Hospital. It was created by the same team behind the Sketch comedy, sketch show ''Smack the Pony'' – Channel 4 commissioner Caroline Leddy and producer Victoria Pile – and ...
''. The original track is mimed by two of the characters, Dr. "Mac" Macartney and Dr Alan Statham, who pretend to be Russell and Ron Mael respectively. The original Sparks version of the song is heard in the 2010 movie '' Kick-Ass''. The song is used in episode 2 of Telltale's video game series ''
Guardians of the Galaxy The Guardians of the Galaxy are a fictional superhero team appearing in American comic books published by Marvel Comics. Comic book teams 1969 team The 1969 version of the Guardians of the Galaxy (1969 team), Guardians of the Galaxy were the origi ...
''. The song is used in Season 1, Episode 8 of '' Justified: City Primeval'' in a scene with a confrontation between two characters.


References

{{Authority control Faith No More songs 1974 singles Glam rock songs Progressive pop songs Songs written by Ron Mael Sparks (band) songs Song recordings produced by Muff Winwood 1974 songs Island Records singles