HOME

TheInfoList



OR:

"The Death of a Soldier" is a poem by Wallace Stevens. It is among those added to the 1931 reissue of Stevens' first collection Harmonium (New York: Knopf, 1923). The poem was originally part of the unpublished ''Lettres d'un Soldat'' (1914–1915). The poem uses
free verse Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free ...
to describe the death of a soldier.


Interpretation

The poem's longevity reinforces the naturalistic austerity of its depiction of death. One interpretive viewpoint asks whether Stevens is writing about any death, or rather, as Longenbach asserts, the death of the soldier—"and not an ambiguously 'fictive' soldier but
Eugène Lemercier Eugène Lemercier (7 November 1886 – 6 April 1915) was a French artist and soldier in World War I. His letters to his mother are a first-hand account of the war, and are preserved in the National Library of Ireland. He is believed to be the ...
he young French painter killed in 1915 whose letters were collected as ''Lettres d'un soldat'' and read by Stevens in the summer of 1917" Lemercier was the grandson of Irish artist
Harriet Osborne O'Hagan Harriet Osborne O'Hagan (1830–1921) was an Irish portrait artist. Life Harriet Osborne was born in Dublin in 1830. She initially studied with George Sharp RHA. At least one Dublin address can be discerned from her exhibited works, 195 Great B ...
. Longenbach claims that the poem's "utter bareness derives from the fact that Stevens was writing not about natural death ... but about a new kind of unnatural death, the daily death of thousands of soldiers on French battlefields." One response to Longenbach's interpretation is to invoke Stevens's distinction between the true subject of a poem and the poetry of the subject, as he draws it in "The Irrational Element in Poetry".
Now, just as the choice of subject is unpredictable at the outset, so its development, after it has been chosen, is unpredictable. One is always writing about two things at the same time in poetry and it is this that produces the tension characteristic of poetry. One is the true subject and the other is the poetry of the subject.
Then Lemercier's death would be the true subject, and the poetry of the subject would be anyone's death. "The Death of a Soldier" and other works by Stevens lead Bates to describe Stevens as "a war poet, after his fashion", and Ramazani's "Stevens and the War Elegy" expands on that idea, especially as it relates to post-''Harmonium'' poems that are informed by World War II. Bates compares the poem to "
The Snow Man "The Snow Man" is a poem from Wallace Stevens's first book of poetry, ''Harmonium'', first published in the October 1921 issue of the journal ''Poetry''. Overview Sometimes classified as one of Stevens' "poems of epistemology", it can be read ...
", particularly its final stanza, in which the snow man must be "nothing himself" in order to behold "the nothing that is". In this respect "The Death of a Soldier" adopts the snow man's point of view, according to Bates. The soldier has a "Lockean mind": "He is the sum of his impressions", Bates writes, "identical, in this instance, with the nothing he does behold". The soldier's "blank slate" (
tabula rasa ''Tabula rasa'' (; Latin for "blank slate") is the idea of individuals being born empty of any built-in mental content, so that all knowledge comes from later perceptions or sensory experiences. Proponents typically form the extreme "nurture" ...
) becomes a blank, so to speak, leaving the clouds to go in their direction. The poem marks a departure from Romantic and Victorian conceptions of death; Stevens does not personify death. Compare to Stevens’ treatment of death in "
Invective Against Swans "Invective Against Swans" is a poem by Wallace Stevens from his first book of poetry, ''Harmonium'' (1923). Analysis Stevens's ironic mode It has been observed that Stevens has two modes. The first mode is a pure and orgiastic—Dionysian—ce ...
". The analogy between death and the season of autumn supports the interpretive idea that Stevens's care about the weather is interwoven with reflections on deeper themes such as death and the nature of time. (See the issue between Vendler and Bloom in the main
Harmonium The pump organ or reed organ is a type of organ that uses free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a va ...
essay, the section "The musical Imagist".) Buttel includes "The Death of a Soldier" as among a handful of ''
Harmonium The pump organ or reed organ is a type of organ that uses free reeds to generate sound, with air passing over vibrating thin metal strips mounted in a frame. Types include the pressure-based harmonium, the suction reed organ (which employs a va ...
'' poems that most notably anticipate the "more reflective, more meditative, more serene, but no less intense" poems of Stevens' later work, not excluding "those magnificent, direct, fervent and profound poems in ''The Rock'' at the end—and possibly the summit—of his career".Buttel, p. 250. The others that Buttel picks out are "Sunday Morning", "The Snow Man", "Another Weeping Woman", and "From the Misery of Don Joost".


Notes


References

* Bates, Milton J. ''Wallace Stevens: A Mythology of Self''. 1985: University of California Press. * Buttel, Robert. ''Wallace Stevens: The Making of Harmonium''. 1967: * Kermode, Frank and Joan Richardson. Stevens: Collected Poetry and Prose. 1997: Library of America * Longenbach, James. ''Wallace Stevens: The Plain Sense of Things''. 1991: Oxford University Press. * Ramazani, Jahan. "Stevens and the War Elegy". Wallace Stevens Journal 15 1 (Spring 1991), pp. 24–36. Princeton University Press. {{DEFAULTSORT:Death Of A Soldier 1918 poems American poems Poetry by Wallace Stevens