The Center Won't Hold
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''The Center Won't Hold'' is the ninth studio album by American rock band
Sleater-Kinney Sleater-Kinney ( ) is an American rock band that formed in Olympia, Washington, in 1994. The band's lineup features Corin Tucker (vocals and guitar) and Carrie Brownstein (guitar and vocals), following the departure of longtime member Janet We ...
, released on August 16, 2019 by
Mom + Pop Music Mom + Pop Music is a New York City–based independent record label. Founded by Michael Goldstone in 2008, its roster includes Alicia Keys, Courtney Barnett, Magdalena Bay, Madeon, Tom Morello, Porter Robinson, Maya Hawke, Tycho, Tash Sul ...
. The album was produced by
St. Vincent Saint Vincent may refer to: People Saints * Vincent of Saragossa (died 304), a.k.a. Vincent the Deacon, deacon and martyr * Saint Vincenca, 3rd century Roman martyress, whose relics are in Blato, Croatia * Vincent, Orontius, and Victor (died 305 ...
and is the last album with drummer
Janet Weiss Janet Lee Weiss (born September 24, 1965) is an American rock drummer, a member of Quasi (band), Quasi and former member of Sleater-Kinney. She was the drummer for Stephen Malkmus and the Jicks, leaving after the album ''Mirror Traffic'', and co ...
, who announced her departure from the band on July 1, 2019, a month before the album was released, and the last album to date featured as a trio. Upon release, the album received generally favorable reviews from critics.


Recording and release

By January 2018, the band was said to be working on their follow-up to ''
No Cities to Love ''No Cities to Love'' is the eighth studio album by American rock band Sleater-Kinney, released on January 20, 2015, through Sub Pop. It is the first album following a decade-long hiatus and the band's 2005 release, '' The Woods''. The album recei ...
'', though
Carrie Brownstein Carrie Rachel Brownstein (born September 27, 1974) is an American musician, actress, writer, director, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the rock trio Sleater-Kinney. During a long hiatu ...
has said that they're "going to do this very slowly".
Carrie Brownstein Carrie Rachel Brownstein (born September 27, 1974) is an American musician, actress, writer, director, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the rock trio Sleater-Kinney. During a long hiatu ...
suggested to
Jeff Tweedy Jeffrey Scot Tweedy (born August 25, 1967) is an American musician, singer songwriter, author, and record producer best known as the lead vocalist and guitarist of the band Wilco. Tweedy, originally from Belleville, Illinois, began his music care ...
that he produce some songs with the band but they began working with St. Vincent first and they enjoyed working with her so much that they decided to continue with her. In January 2019, the band announced that a new album would be expected the same year, produced by St. Vincent.


Singles

"Hurry On Home" was released as the album's lead single on May 29, 2019. The band performed the song on ''
The Tonight Show Starring Jimmy Fallon ''The Tonight Show Starring Jimmy Fallon'' is an American late-night talk show hosted by actor and comedian Jimmy Fallon that airs on NBC. The show premiered on February 17, 2014, and is produced by Broadway Video and Universal Television. It i ...
'' on June 19, 2019. "Can I Go On" serves as the second single, impacting Triple A radio on August 5, 2019. A promotional single, "The Future Is Here", was released on June 14, 2019. The title track was released as the second promotional single on July 17, 2019.


Composition

With ''The Center'', Sleater-Kinney was credited with adding the explicit "artiness" of
post-punk Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experiment ...
"to their
punk Punk or punks may refer to: Genres, subculture, and related aspects * Punk rock, a music genre originating in the 1970s associated with various subgenres * Punk subculture, a subculture associated with punk rock, or aspects of the subculture s ...
roar." It is also seen as a "sleek ndsharp" fusion of industrial music and
synth-pop Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s b ...
. According to Janet Weiss, Corin Tucker and Carrie Brownstein made it clear during the making of the album that Weiss would no longer be a creative equal in the band and would just serve as the band's drummer. Upon completion of recording, Weiss felt reluctant to perform the album's songs live due to her lack of involvement in the creation process and opted to leave the band prior to the album's release.


Critical reception

''
The A.V. Club ''The A.V. Club'' is an online newspaper and entertainment website featuring reviews, interviews, and other articles that examine films, music, television, books, games, and other elements of pop-culture media. ''The A.V. Club'' was created in ...
'' included "Hurry On Home" as part of its list of the 30 best queer rock tracks of 2019 and reviewer Katie Rife gave it a positive assessment, writing: "Sleek and shredded, the song bears the stamp of producer St. Vincent, whose slinky sexiness collides with Sleater-Kinney’s heavy riffage with all the power—and entertainment value—of Godzilla battling King Kong." Upon the album's release, Rife praised the relevance of the songwriting and St. Vincent's production. Comparing ''The Center Won't Hold'' to the band's previous albums, ''
The Fader ''The Fader'' is a magazine established in 1999 as an outlet for Cornerstone Agency, a marketing and public relations firm established by Rob Stone and Jon Cohen. The magazine covers music, style and culture. History and work It is owned by T ...
'' called the album a "beastlier-sounding record than any of those, with wide-open expanses full of slime and bile and some of the band’s most vicious lyrics, blown up to occupy every part of the mix". In '' Uncut'', Sharon O'Connell called it "furiously, vitally Sleater-Kinney". Caryn Rose, writing for ''Pitchfork'', described the production as standing out from the rest of the band's discography, but still keeping the elements they are known for. While ambivalent about St. Vincent's "polished" arty production,
Robert Christgau Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became a ...
gave the album an A-minus and observed a hooky "musical efficiency" throughout, along with allusive political content "from its
Yeats William Butler Yeats (, 13 June 186528 January 1939), popularly known as W. B. Yeats, was an Irish poet, dramatist, writer, and literary critic who was one of the foremost figures of 20th-century literature. He was a driving force behind the ...
ian opener to a closer that invokes both #MeToo and Hillary '16 if you want it to". Kate Hutchinson of ''
The Observer ''The Observer'' is a British newspaper published on Sundays. First published in 1791, it is the world's oldest Sunday newspaper. In 1993 it was acquired by Guardian Media Group Limited, and operated as a sister paper to ''The Guardian'' ...
'' was less positive, suggesting that Sleater-Kinney is trying too hard, when they "have always felt effortless". Writing for
Tiny Mix Tapes ''Tiny Mix Tapes'' (also ''TMT'' or ''tinymixtapes'') is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, and sometimes surreal news, ...
, Jeremy Klein gave a mixed review, with a score of three out of five, calling the collaboration with St. Vincent ultimately disappointing and calling the band "lost" while giving a positive reception to several tracks.


Track listing


Personnel

Sleater-Kinney *
Carrie Brownstein Carrie Rachel Brownstein (born September 27, 1974) is an American musician, actress, writer, director, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the rock trio Sleater-Kinney. During a long hiatu ...
 – guitar, vocals, piano on "Broken" *
Corin Tucker Corin Lisa Tucker (born November 9, 1972) is an American singer, songwriter, and guitarist best known for her work with rock band Sleater-Kinney. Tucker is also a member of the alternative rock supergroup Filthy Friends, and previously record ...
 – guitar, vocals *
Janet Weiss Janet Lee Weiss (born September 24, 1965) is an American rock drummer, a member of Quasi (band), Quasi and former member of Sleater-Kinney. She was the drummer for Stephen Malkmus and the Jicks, leaving after the album ''Mirror Traffic'', and co ...
 – drums Technical personnel *
Tom Elmhirst Tom Elmhirst (born 8 June 1971) is a British mix engineer. He has worked with artists including Adele, Beck, David Bowie, Cage the Elephant, Lady Gaga, Residente, and Amy Winehouse, among many others. Elmhirst has received numerous accolades ...
– mixing * Cian Riordan – engineering *
St. Vincent Saint Vincent may refer to: People Saints * Vincent of Saragossa (died 304), a.k.a. Vincent the Deacon, deacon and martyr * Saint Vincenca, 3rd century Roman martyress, whose relics are in Blato, Croatia * Vincent, Orontius, and Victor (died 305 ...
– production Artwork * Clare Byrne – styling * Charlie Engman – photography *
Humberto Leon Humberto Leon (born June 7, 1975) is an American fashion designer, retailer and creative director, working in partnership with Carol Lim. He is currently the creative director for the Los Angeles based girl group Katseye, aiding in the group's ...
– creative direction * João Moraes/Framework – art direction * Tina Outen – hair * Brian Phillips – creative direction * Kanako Takase – makeup * McLayne Ycmat – design


Charts


Album


Singles


References


External links

* *
Song Exploder
episode on "The Future Is Here" {{DEFAULTSORT:Center Won't Hold 2019 albums Albums produced by St. Vincent (musician) Industrial albums by American artists Mom + Pop Music albums Sleater-Kinney albums