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St. James's Hall was a
concert hall A concert hall is a cultural building with a stage (theatre), stage that serves as a performance venue and an auditorium filled with seats. This list does not include other venues such as sports stadia, dramatic theatres or convention ...
in London that opened on 25 March 1858, designed by architect and artist
Owen Jones Owen Jones (born 8 August 1984) is a left-wing British newspaper columnist, commentator, journalist, author and political activist. He writes a column for ''The Guardian'' and contributes to the ''New Statesman'', ''Tribune (magazine), Tribune ...
, who had decorated the interior of
the Crystal Palace The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around ...
. It was situated between the Quadrant in
Regent Street Regent Street is a major shopping street in the West End of London. It is named after George IV of the United Kingdom, George, the Prince Regent (later George IV) and was laid out under the direction of the architect John Nash (architect), J ...
and
Piccadilly Piccadilly () is a road in the City of Westminster, London, England, to the south of Mayfair, between Hyde Park Corner in the west and Piccadilly Circus in the east. It is part of the A4 road (England), A4 road that connects central London to ...
, and
Vine Street Vine Street is a street in Hollywood, Los Angeles, California, that runs north–south between Franklin Avenue, Los Angeles, and Melrose Avenue. The intersection of Hollywood and Vine being symbolic of Hollywood itself. The intersection has be ...
and George Court. There was a frontage on Regent Street, and another in Piccadilly. Taking the orchestra into account, the main hall had seating for slightly over 2,000 persons. It had a grand hall long and broad, the seating was distributed between ground floor, balcony, gallery and platform and it had excellent acoustics. On the ground floor were two smaller halls, one square; the other by . The Hall was decorated in the 'Florentine' style, with features imitating the great Moorish Palace of the Alhambra. The Piccadilly facade was given a Gothic design, and the complex of two restaurants and three halls was hidden behind Nash's Quadrant.Hobhouse, Hermione. ''History of Regent Street'' (Macdonald and Jane's, London, 1975), p. 84 Sir George Henschel recalled its 'dear old, uncomfortable, long, narrow, green-upholstered benches (pale-green horse-hair) with the numbers of the seats tied over the straight backs with bright pink tape, like office files.' The Hall was built jointly by two music publishing firms, Chappell & Co. and Cramer & Co., in the hope of attracting the growing audiences for fine musical performances that attended the Crystal Palace and the halls being built in the provinces. It stood empty for nearly a year after its opening. For almost half a century thereafter, the Hall was London's principal concert hall,Survey of London: volumes 31 and 32, Chapter IV
/ref> to be succeeded by
Queen's Hall The Queen's Hall was a concert hall in Langham Place, London, Langham Place, London, opened in 1893. Designed by the architect Thomas Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. Fro ...
in the 1900s and later by
Wigmore Hall The Wigmore Hall is a concert hall at 36 Wigmore Street, in west London. It was designed by Thomas Edward Collcutt and opened in 1901 as the Bechstein Hall; it is considered to have particularly good building acoustics, acoustics. It specialis ...
, the
Royal Albert Hall The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London, England. It has a seating capacity of 5,272. Since the hall's opening by Queen Victoria in 1871, the world's leading artists from many performance genres ...
and
Royal Festival Hall The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London, England. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a G ...
. It became famous for its 'Monday Pops' concerts and Ballad Concerts, as the home of the Philharmonic Society and the Christy Minstrels and for the many famous conductors and performers who gave important performances there.


Opening

The first performance at the hall was '' The Hymn of Praise'', sung by the Vocal Association, under Julius Benedict.C. Pearce, ''Sims Reeves - Fifty Years of Music in England'' (Stanley Paul, London 1924), pp. 205-07. Sims Reeves sang
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
's 'Adelaide' there (the first of many successes), accompanied by Arabella Goddard, in a concert at the end of May 1858. According to Reeves' biographer, 'The hall itself met with general approval, but the arrangements for chorus and orchestra were severely condemned.' In the same year, one of the first complete performances of J.S. Bach's ''
St Matthew Passion The ''St Matthew Passion'' (), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of th ...
'' to be heard in England was given there under William Sterndale Bennett, with Sims Reeves, Helen Lemmens-Sherrington, Charlotte Sainton-Dolby and Willoughby Weiss.


The Christy Minstrels

The hall became known for its continuous production of blackface minstrelsy from 1862 until 1904. Known as the Christy Minstrels and later the Moore and Burgess Minstrels, the Hall's resident minstrel troupe performed in one of the smaller halls located on the ground floor near the restaurant, below the main hall.
Gilbert and Sullivan Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen com ...
's 1893
comic opera Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a ne ...
, ''
Utopia, Limited ''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a ...
'', contains a joke in which the Court of St. James's is purposely confused with St. James's Hall and its minstrel shows, and a parody of a minstrel number is included in the same scene. In residence for the whole active life of the hall, the Minstrels had their permanent home there, but their interests often conflicted with those of the main hall. In January 1890, for instance,
George Bernard Shaw George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 188 ...
wrote:
At the Hallé orchestral concert... I was inhumanly tormented by a quadrille band which the proprietors of St James's Hall (who really ought to be examined by two doctors) had stationed within earshot of the concert-hall. The heavy tum-tum of the basses throbbed obscurely against the rhythms of Spohr and Berlioz all the evening, like a toothache through a troubled dream; and occasionally, during a ''pianissimo'', or in one of Lady Hallé's eloquent pauses, the cornet would burst into vulgar melody in a remote key, and set us all flinching, squirming, shuddering, and grimacing hideously.'
Only a fortnight later, the band, at first subdued, broke out in a 'wild strain of brazen minstrelsy' during the final bars of the funeral march in the Eroica Symphony. After the movement was applauded a member of the audience began calling out that a complaint should be lodged, and won general approval, ''hear, hear'', and people standing up to look at him. On one occasion Lady Henschel and her daughter went to hear
Joseph Joachim Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian Violin, violinist, Conducting, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely ...
play at a Saturday 'Pop', but were so aware of the 'rhythmic gay sounds, thumping and shimmering away in a most enlivening manner', that they decided to go and hear Moore and Burgess instead.


Monday and Saturday 'Pops' and Ballad Concerts

Samuel Arthur Chappell, one of the brothers in the Chappell & Co. firm of
Bond Street Bond Street in the West End of London links Piccadilly in the south to Oxford Street in the north. Since the 18th century the street has housed many prestigious and upmarket fashion retailers. The southern section is Old Bond Street and the l ...
music publishers, who concentrated on selling brass and woodwind instruments, together with his brother Thomas, devised the idea of the Monday Popular Concerts, which established the fame and popularity of the hall.
George Bernard Shaw George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 188 ...
reported that the concerts at the hall contributed greatly to the spread and enlightenment of musical taste in England. Monday 'Pops' were held in the evening, and Saturday 'Pops' on Saturday afternoons. These were chamber-concerts. Their programmes were almost exclusively 'classical', and consisted of piano and organ recital, singers, violinists, string quartets and other chamber ensemble. They were managed by John Boosey, and later by William Boosey, together with Chappell. In 1861 the ''Musical World'' observed: 'classical chamber music of the highest order is brought week after week within the reach of the shilling paying masses as it has now been no less than fifty-two times at St James's Hall.... swelling the total of the Monday Popular Concerts to no less than sixty-three within two years of their foundation.... Such a result is unparalleled in the history of musical entertainments.' George Bernard Shaw gives an interesting narrative of the 'Pops' between 1888 and 1894. Shaw admired the Joachim Quartet, led either by Joachim himself or often by Mme Wilma Norman-Neruda (Lady Hallé) (and later still by
Eugène Ysaÿe Eugène-Auguste Ysaÿe (; 16 July 185812 May 1931) was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar". Early years Born in Liège, Ysaÿe began ...
), with ('modest') L. Ries (2nd violin), ('solemn') Herr Strauss (viola) and the ('gentle') cellist Alfredo Piatti. This was certainly the 'star turn' in that period. They frequently played full works, or even groups of works, at the 'Pops': their larger ensemble was often heard in the Beethoven ''septet''. Among soloists heard in 1888-90 (the 31st and 32nd seasons) were
Charles Hallé Sir Charles Hallé (born Karl Halle; 11 April 181925 October 1895) was a Prussian and British pianist and conductor. In 1858, he founded the Hallé Orchestra. Life Charles Frederick Hallé was born Carl Friederich Halle on 10 April 1819 in H ...
, Alma Haas (Beethoven op. 110), Agnes Zimmerman (Waldstein),
Edvard Grieg Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic music, Romantic era composers, and his music is part of the standard classical repertoire worldwid ...
, Bernhard Stavenhagen (
Schumann Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber ...
''Papillons''), Arthur de Greef (Chopin), pianists;
Joseph Joachim Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian Violin, violinist, Conducting, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely ...
(Brahms), Mme Norman Neruda, (Bach concerto for 2 violins), violin; Bertha Moore, Charles Santley ('' Erlkönig'', ''To Anthea''), Marguerite Hall (Schubert, Brahms, Henschel), singers. The concerts were mixed, often consisting of a chamber-work, some songs, and instrumental solos. The Hall became known for the "London Ballad Concerts", which began in the 1860s and moved in January 1894 to Queen's Hall. They "were started... by Messrs Boosey 'for the performance of the CHOICEST ENGLISH VOCAL MUSIC by the MOST EMINENT ARTISTS'."


The Philharmonic Society

The Philharmonic Society of London, founded 1813, until 1869 gave its concerts in its rooms at Hanover Square, which had seating for only about 800. The Society decided to move permanently to St James's Hall, and a complimentary additional concert, held at St James's Hall, was given to its subscribers at the end of the 1868–69 season. Charles Santley,
Charles Hallé Sir Charles Hallé (born Karl Halle; 11 April 181925 October 1895) was a Prussian and British pianist and conductor. In 1858, he founded the Hallé Orchestra. Life Charles Frederick Hallé was born Carl Friederich Halle on 10 April 1819 in H ...
, Thérèse Tietjens and
Christina Nilsson Christina Nilsson, Countess de Casa Miranda, also called Christine Nilsson (20 August 1843 – 22 November 1921) was a Swedish operatic dramatic coloratura soprano. Possessed of a pure and brilliant voice (B3-F6), first three then two and a ha ...
were the soloists. When the move was made, the Society remodelled its charges to obtain a wider audience and compete with
the Crystal Palace The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around ...
and other large venues, and introduced annotated programmes. The Society remained at the hall until 28 February 1894, when it moved to the Queen's Hall. There were major events in 1870–71, when a
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
centenary season was held, with all nine symphonies performed. The bust of Beethoven by Johann Nepomuk Schaller was presented to the Society and collected (in
Pest, Hungary Pest () is the part of Budapest, the capital city of Hungary, that lies on the eastern bank of the Danube. Pest was administratively unified with Buda and Óbuda in 1873; prior to this, it was an independent city. In colloquial Hungarian langua ...
) by Sir William Cusins. It was exhibited at the Society's first concert in 1871, and a replica was placed at the front of the platform at every Philharmonic concert thereafter. The Society's Gold Medal incorporated an image of the bust. Another major event of 1871 was the original presentation of medals to ten distinguished musicians.


Notable Philharmonic performers at St James's Hall

In 1871,
Charles Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
conducted a concert of his music. In 1873
Brahms Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid- Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied ye ...
's '' A German Requiem'' had its English premiere; Edward Lloyd first sang before the Society; and
Hans von Bülow Freiherr Hans Guido von Bülow (; 8 January 1830 – 12 February 1894) was a German conductor, pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishi ...
made his London debut, playing Beethoven's "Emperor" concerto and
Bach Johann Sebastian Bach (German: �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the or ...
's '' Chromatic Fantasia and Fugue''. In 1874,
Pablo de Sarasate Pablo Martín Melitón de Sarasate y Navascués (; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish violinist, composer and Conducting, conductor of the Romantic music, Romantic period. His best known work ...
and
Camille Saint-Saëns Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano ...
played there, and in 1875,
August Wilhelmj __NOTOC__ August Emil Daniel Ferdinand Wilhelmj ( ; 21 September 184522 January 1908) was a German violinist and teacher. Wilhelmj was born in Usingen and was considered a child prodigy; when Henriette Sontag heard him in 1852 at seven years ol ...
. Other Philharmonic Society highlights of the next few years included performances by George Henschel, Xaver Scharwenka, Émile Sauret,
Joseph Joachim Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian Violin, violinist, Conducting, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely ...
and Edward Dannreuther. Changes of management were introduced in 1881 following the Society's recovery from a financial crisis. Concerts were moved from Monday to Thursday evenings, to make way for the Monday Night Popular Chamber-Concerts, known as the 'Pops'. The 1881 season included two performances of
Berlioz Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'' ...
's '' Roméo et Juliette''; Scharwenka gave the British premiere of his Piano Concerto No. 2, and Eugen d'Albert and Emma Albani appeared before the Society. Over the next two years many choral works were given with the Philharmonic Choir, including works by
Franz Liszt Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six ...
,
Anton Rubinstein Anton Grigoryevich Rubinstein (; ) was a Russian pianist, composer and conductor who founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein, who founded the Moscow Conservatory. As a pianist, Rubinstein ran ...
, Weber, Beethoven and Brahms. In 1883, Cusins retired as conductor, and for one season there was a team of honorary conductors.
Antonín Dvořák Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predec ...
conducted his Sixth Symphony (although it was referred to as "Symphony No. 1") in March 1884. Sir
Arthur Sullivan Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinaf ...
conducted the concerts of 1885–87, and as guest conductors, Dvořák, Moritz Moszkowski and Saint-Saëns were heard in works written for the Society. Among the soloists were Tivadar Nachéz, Fanny Davies,
Lillian Nordica Lillian Nordica (December 12, 1857 – May 10, 1914) was an American opera singer who had a major stage career in Europe and her native country. Nordica established herself as one of the foremost dramatic sopranos of the late 19th and early 20t ...
, Ella Russell, Emma Nevada, Józef Hofmann and František Ondříček. Most notably Saint-Saëns's Symphony No. 3 (Saint-Saëns) written at the behest of the Society, and premiered there on 19 May 1886. F. H. Cowen succeeded Sullivan as conductor from 1888–92. In his first season
Edvard Grieg Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic music, Romantic era composers, and his music is part of the standard classical repertoire worldwid ...
played his Piano Concerto in A minor and
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popula ...
made his first appearance before an English audience, introducing two works. Johan Svendsen and Charles-Marie Widor also conducted in that season, and
Clara Schumann Clara Josephine Schumann (; ; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic music, Romantic era, she exerted her influence o ...
made her farewell performance to the Society. Tchaikovsky returned in 1889 to conduct his Piano Concerto No. 1 with Wassily Sapellnikoff making his English debut (who three years later created a furor with the Liszt E flat concerto); and Agathe Backer-Grøndahl and
Eugène Ysaÿe Eugène-Auguste Ysaÿe (; 16 July 185812 May 1931) was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar". Early years Born in Liège, Ysaÿe began ...
also made their English debuts. In 1890, Dvořák conducted his Fourth Symphony. Paderewski, who gave four recitals at St. James's Hall for his début in 1890, returned there for the Society in 1891 to perform the Saint-Saëns' C minor, and the Rubinstein D minor, concerti. Leonard Borwick and Frederic Lamond also performed there for the Society. Cowen gave many concerts of contemporary English composers such as Sullivan,
Hubert Parry Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918), was an English composer, teacher and historian of music. Born in Richmond Hill, Bournemouth, Parry's first major works appeared in 1880. As a composer he is ...
, Alexander Mackenzie,
Charles Villiers Stanford Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic music, Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was ed ...
, and of his own works. In 1892 Alexander Mackenzie succeeded Cowen. In the 1893 season, Tchaikovsky gave the English premiere of his Fourth Symphony, Saint-Saëns conducted his ''Le Rouet d'Omphale'' and played his G minor concerto, and
Max Bruch Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic Music, Romantic composer, violinist, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin ...
conducted his own Second Violin Concerto with Ladislas Gorski as soloist. In November 1893, a presentation was made to the Society's Secretary Francesco Berger in appreciation of ten years service. Soon afterwards, Queen's Hall opened its doors, and the Society moved there in the following February.


Subscription Concerts

Hans Richter often conducted
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
concerts at St. James's Hall, beginning in 1877. These 'Orchestral Festival Concerts' (established regularly in 1879 by the violinist Hermann Franke), which commenced after Easter, were among the chief rivals to the Philharmonic Society programmes. At the time of Arthur Sullivan's resignation of the Philharmonic conductorship, the Society suggested to Richter that he might become its conductor, and the two series of concerts might be amalgamated under the Society's supervision. Richter did not accept the plan. In addition to Richter's series, there was also a nine-year winter series of subscription concerts established and conducted by George Henschel, including a full cycle of Beethoven symphonies in one year, and a rare performance of
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
's Symphony. The content was planned against a 'permanent background' of Beethoven and Brahms. Helen Henschel refers to 'the famous Wagner cat' which inhabited the Hall. It was said to walk onto the stage during rehearsals whenever any work by Wagner was being played, but never otherwise. Shaw refers to both, noting that Richter's concerts were too expensive, and that Henschel's orchestra was too small.


Readings by Charles Dickens

In 1868, famed Victorian author
Charles Dickens Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English novelist, journalist, short story writer and Social criticism, social critic. He created some of literature's best-known fictional characters, and is regarded by ...
presented a final series of "Farewell Readings," at the hall, which commenced on the evening of October 6, with a program devoted to "Doctor Marigold" (from the ''Christmas Story'') and "The Trial" from ''Pickwick''. He had settled with his tour managers, Chappell & Co., on 100 readings for the princely sum of £8,000. Attendees would receive printed programs and Chappell's advertisements included the following statement:
''It is scarcely necessary for Messrs. CHAPPELL and Co. to add that any announcement made in connexion with these FAREWELL READINGS will be strictly adhered to and considered final; and that on no consideration whatever will Mr. DICKENS be induced to appoint an extra night in any place in which he shall have been once announced to read for the last time.
The stalls were priced at five
shillings The shilling is a historical coin, and the name of a unit of modern currencies formerly used in the United Kingdom, Australia, New Zealand, other British Commonwealth countries and Ireland, where they were generally equivalent to 12 pence ...
, balcony seats at three, and general admission at one shilling. A new amenity, sofa stalls ("of which there will be a limited number only"), went for seven shillings. The following year Dickens would have to cut a provincial tour short after collapsing showing symptoms of a mild stroke in Preston on 22 April 1869. When he had regained sufficient strength, he arranged, with medical approval, for a series of readings to partially make up to Chappell & Co. what they had lost due to his illness. There were to be twelve final performances, running starting on 11 January 1870 back at the hall. Dickens would give his last public reading here at 8:00 pm on the 15 March 1870. He died shortly thereafter on 9 June, having suffered another stroke.


Other uses

The Bach Choir, established in 1875 under a founding committee including Sir
George Grove Sir George Grove (13 August 182028 May 1900) was an English engineer and writer on music, known as the founding editor of ''Grove's Dictionary of Music and Musicians''. Grove was trained as a civil engineer, and successful in that profession ...
and Sir
John Stainer Sir John Stainer (6 June 1840 – 31 March 1901) was an English composer and organist whose music, though seldom performed today (with the exception of ''The Crucifixion (Stainer), The Crucifixion'', still heard at Passiontide in some Angli ...
, had as a primary aim the introduction to England of
Bach Johann Sebastian Bach (German: �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the or ...
's Mass in B Minor. With a choir of between 200 and 250 voices, including the Swedish Nightingale,
Jenny Lind Johanna Maria Lind (Madame Goldschmidt) (6 October 18202 November 1887) was a Swedish opera singer, often called the "Swedish Nightingale". One of the most highly regarded singers of the 19th century, she performed in soprano roles in opera in ...
, and under the baton of her husband, conductor Otto Goldschmidt, the Mass came to performance in April 1876 at St James's Hall, and a second performance was given a month later. Henry J. Wood performed the E minor organ concerto of Ebenezer Prout at the Hall with an orchestra under Joseph Barnby, in the late 1880s. Although the performance earned him much praise, he referred to the instrument as 'that terrible box of whistles at St. James's Hall'. This had not seemed to bother
Camille Saint-Saëns Charles-Camille Saint-Saëns (, , 9October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano ...
when he premiered his third Symphony there (in which two sections make extensive use of the organ) in 1886. Saint-Saëns was a fine organist, and was titulaire of Église de la Madeleine in
Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of ci ...
. If he had any objections to the organ of St. James Hall for the premier of his symphony, they do not appear in his writings. The Stock Exchange Orchestral Society, founded 1883, originally played in the
Prince's Hall Prince's Hall was a concert venue in Piccadilly, London. It was part of the premises of the Royal Institute of Painters in Water Colours, at 190–195 Piccadilly, situated behind the galleries where annual exhibitions of the Institute took place. ...
Piccadilly, but transferred to St. James's Hall until 1894, when they moved to Queen's Hall. In December 1893 Harry Plunket Greene and Leonard Borwick began their celebrated partnership in lieder recitals at the hall, which continued well into the new century. In 1895, the 16-year-old pianist Mark Hambourg gave a concert there under Henry J. Wood, in which he played three piano concerti. The First Internationale would use the hall as their meeting place.


The end of the Hall

The Chappell ballad concerts were being managed by William Boosey in 1902, when the hall was owned by a private company. The controlling share was held by T. P. Chappell, chairman of Chappell's: he turned down a good offer to buy the hall because Boosey felt strongly about its old connection with the Saturday and Monday 'Pops' and the Chappell ballad concerts. But Chappell died in June 1902, and the other shareholders accepted a new offer without consulting Boosey, who was badly put out. Then
Queen's Hall The Queen's Hall was a concert hall in Langham Place, London, Langham Place, London, opened in 1893. Designed by the architect Thomas Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. Fro ...
came into the market, and a friend of Boosey's acting in that interest pointed out that Queen's Hall would be worth much more if St James's Hall ceased to operate. Boosey realised that Messrs Chappell could benefit most by becoming lessors of Queen's Hall, and it was immediately arranged with the result that Chappell's controlled Queen's Hall from 1902 down to 1944. The 11-year-old violinist Franz von Vecsey made his English debut at St James's Hall in April or early May 1904. It continued in use until February 1905 when it was demolished. The Piccadilly Hotel was afterwards built on the site.Elkin 1944, 16, n.


1907 building

A new St. James's Hall at
Great Portland Street Great Portland Street is a commercial road in the West End of London which links Oxford Street with the A501 road, A501 Marylebone Road. A mixed-use street of residents and businesses, it divides Fitzrovia, to the east, from Marylebone to the ...
, (on a site previously occupied by St Paul's Church) had its foundation stone laid by the Lord Mayor and Sherriffs on 20 April 1907. It opened on 25 April 1908 with a series of promenade concerts performed by the newly formed St. James's Hall Orchestra under the musical directorship of Mr. Lyell Taylor."Concerts", ''
The Times ''The Times'' is a British Newspaper#Daily, daily Newspaper#National, national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its modern name on 1 January 1788. ''The Times'' and its si ...
'', 6 April 1908, p. 8


References


External links


Victorian London - St James's Hall
(Victorian London)
Images of the first hall
(British History On-line)
"The St. James's Hall Christy Minstrels' Illustrated 'Christmas Annual'" - 1868
{{DEFAULTSORT:Saint James's Hall Former buildings and structures in the City of Westminster Former concert halls in London Music venues completed in 1858 1858 establishments in England 1905 disestablishments