Simhendramadhyamam is a
raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
m in
Carnatic music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha.
It is o ...
(musical scale of South Indian classical music). It is the 57th ''
melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melaka ...
'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in
Muthuswami Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar) (, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer, veena player, and a prolific composer of Indian classical music. He was the youngest member of what is re ...
school of Carnatic music.
[''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications][''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras] It is said to be borrowed into
Hindustani music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ...
from Carnatic music.
Structure and Lakshana
It is the 3rd rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Go''. The mnemonic phrase is ''sa ri gi mi pa dha nu''.
Its ' structure (ascending and descending scale) is as follows (see
''swaras'' in Carnatic music for details on below notation and terms):
*
:
*
:
It is also equivalent to
Hungarian Minor Scale that is also called as Gypsy Minor Scale in Western Music.
This musical scale uses the notes ''chatushruti rishabham, sadharana gandharam, prati madhyamam, shuddha daivatam'' and ''kakali nishadham''. As it is a ''melakarta'' rāgam, by definition it is a
''sampūrṇa'' rāgam (has all seven notes in ascending and descending scale). It is the ''prati madhyamam'' equivalent of ''
Kiraṇāvali'' ( also known by name kīravāṇi ), which is the 21st ''melakarta''.
''Janya'' rāgams
''Simhendramadhyamam'' has a few minor ''
janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a vari ...
'' rāgams (derived scales) associated with it, of which ''Vijaya Saraswati'', a scale first used by
Muthiah Bhagavatar is sung in concerts. See
List of ''janya'' rāgams for all scales associated with ''Simhendramadhyamam''.
Compositions
Here are a few common compositions sung in concerts, set to ''Simhendramadhyamam''.
*''Needu charanamule'' by Tyagaraja
*''Kamakshi Kamakoti peetha vaasini'', ''Neelachala Natham Bhajeham'' and ''Pamarajanapalini'' by
Muthuswami Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar) (, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer, veena player, and a prolific composer of Indian classical music. He was the youngest member of what is re ...
(with
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
name ''Sumadyuti''
mudra
A mudra (; , , "seal", "mark", or "gesture"; ) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers.
As well as being spiritual ges ...
in it)
*''Ashaindhadum mayil onDru'' by
Oottukkadu Venkata Kavi
*''Ninne Nammithi nayya'' by
Mysore Vasudevacharya
Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...
*''Innum orutharam'' by
Muthu Thandavar
*''Ayyappa'' by
Yesudas
*''UnnaiyallAl vErE gati'' by
Koteeswara Iyer
*''Rama rama guna seema'' by
Swathi Thirunal Rama Varma
Sri Swathi Thirunal Rama Varma III (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He was a great musician and composer who has to his credit over 400 classical compositions in both Carnatic and Hindustani st ...
*''Marakata Simhasana'' by
M. Balamuralikrishna
*''Iha Param yennum'' and ''Nin charana malare'' by
Papanasam Sivan
Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema a ...
Here two famous Bengali songs composed by
Rabindranath Tagore
Rabindranath Thakur (; anglicised as Rabindranath Tagore ; 7 May 1861 – 7 August 1941) was a Bengalis, Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer, and painter of the Bengal Renai ...
&
Kazi Nazrul Islam
Kazi Nazrul Islam (24 May 1899 – 29 August 1976) was a Bengalis, Bengali poet, short story writer, journalist, lyricist and musician. He is the national poet of Bangladesh. Nazrul produced a List of works by Kazi Nazrul Islam, large body of ...
, set to ''Simhendramadhyamam''.
* Baje Koruno Sure (Rabindra Sangeet)
* Paradesi Megh Jao Re fire (Nazrul Geeti)
Film songs
Language:
Tamil
Tamil may refer to:
People, culture and language
* Tamils, an ethno-linguistic group native to India, Sri Lanka, and some other parts of Asia
**Sri Lankan Tamils, Tamil people native to Sri Lanka
** Myanmar or Burmese Tamils, Tamil people of Ind ...
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
''Simhendramadhyamam's'' notes when shifted using ''
Graha bhedam
''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic (music), Tonic note (''Śruti (music), śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani cl ...
'', yields 2 other ''melakarta'' rāgams, namely, ''
Mayamalavagowla
Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th '' melakarta'' raga under Venkatamakhin's '' melakarta'' system. Originally known as ''malavagowla'', "maya" was p ...
'' and ''
Rasikapriya''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. For further details and an illustration refer ''
Graha bhedam on Mayamalavagowla''.
Notes
References
{{Janya, state=collapsed
Melakarta ragas