''Semirâma'' is an

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

in three acts by Ottorino Respighi to a

libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...

by Alessandro Cerè based on

Voltaire François-Marie Arouet (; 21 November 169430 May 1778), known by his ''Pen name, nom de plume'' Voltaire (, ; ), was a French Age of Enlightenment, Enlightenment writer, philosopher (''philosophe''), satirist, and historian. Famous for his wit ...

's 1748 play ''Sémiramis'', the same subject used for Rossini's '' Semiramide''. ''Semirâma'' premiered on 20 November 1910 at the Teatro Comunale di Bologna. The première obtained a great success, with several calls for the composer and the singers. In this opera, which often exploits the exotic cues offered by the subject, it is possible to find influences of ''

Salome Salome (; , related to , "peace"; ), also known as Salome III, was a Jews, Jewish princess, the daughter of Herod II and princess Herodias. She was granddaughter of Herod the Great and stepdaughter of Herod Antipas. She is known from the New T ...

'' by

Richard Strauss Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Roman ...

Roles

Instrumentation

''Semirâma'' is scored for the following instruments: piccolo, 2

flutes The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In th ...

, 2

oboe The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, ...

English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn (mainly North America), is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially ...

, E-flat clarinet, 2

clarinet The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instrume ...

s, 2

bassoon The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...

s, double bassoon, 6 horns, 3

trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...

s, 3

trombone The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air c ...

s, bass tuba,

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, ...

triangle A triangle is a polygon with three corners and three sides, one of the basic shapes in geometry. The corners, also called ''vertices'', are zero-dimensional points while the sides connecting them, also called ''edges'', are one-dimension ...

, sistrum,

cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sou ...

celesta The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music ...

bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The head ...

, xylophone, tam-tam,

harp The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...

, strings On stage: 2

, sistrum

Synopsis

:Place:

Babylon Babylon ( ) was an ancient city located on the lower Euphrates river in southern Mesopotamia, within modern-day Hillah, Iraq, about south of modern-day Baghdad. Babylon functioned as the main cultural and political centre of the Akkadian-s ...

Act 1: The return

An unknown but brave warrior, Merôdach, returns home after victorious combats. The queen Semirâma, lover of the tetrarch Falâsar, who several years before to conquer the woman had her husband killed and her son Ninya banished, becomes infatuated with the mysterious hero. Merôdach, after his arrival, meets Susiâna, a woman that was a close friend of his during their childhood. They remind their old friendship, but the passion of Semirâma looms over them.

Act 2: The response

Falâsar, afraid of losing Semirâma, consults the wizard Ormus. Semirâma announces clearly to Falâsar that she intends to marry Merôdach. Falâsar tries to convince Semirâma that Merôdach is her own son Ninya, returning from exile as a valiant soldier, but Semirâma does not believe him. The response of Ormus is ominous.

Act 3: The matricide

The wedding between Semirâma and Merôdach is about to take place. Susiâna, informed by Falâsar of the true identity of Merôdach, reveals the story to her old friend. Merôdach thinks this is a slander and tries to kill Falâsar, but in the darkness instead of striking the tetrarch kills his own mother.

Recordings

References

{{DEFAULTSORT:Semirama Operas Italian-language operas 1910 operas Operas by Ottorino Respighi Operas based on plays Operas based on works by Voltaire Operas set in Mesopotamia Works set in Babylon