San Filippo Neri, Siracusa
   HOME

TheInfoList



OR:

San Filippo Neri is a
baroque The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from ...
-style,
Roman Catholic The Catholic Church (), also known as the Roman Catholic Church, is the largest Christian church, with 1.27 to 1.41 billion baptized Catholics worldwide as of 2025. It is among the world's oldest and largest international institut ...
church located on via Vittorio Veneto, facing seaside, on the island of
Ortigia Ortygia ( ; ; ) is a small island which is the historical centre of the city of Syracuse, Sicily. The island, also known as the (Old City), contains many historical landmarks. The name originates from the Ancient Greek (), which means "quail". ...
, in the historic city center of Siracusa in Sicily, Italy.


Description

The
Oratorians An Oratorian is a member of one of the following religious orders: * Oratory of Saint Philip Neri (Roman Catholic), who use the postnominal letters C.O. * Oratory of Jesus (Roman Catholic) * Oratory of the Good Shepherd (Anglican) * Teologisk Orator ...
established a home in Siracusa in 1650 under the patronage of the aristocrat Margherita De Grandi, whose grandson was a priest. A church at this site was refurbished in 1669 by designs of Giovanni Vermexio. A prior church here belonged to the benedictine monastery of Santa Caterina da Siena, founded in 1614, but which was fused with the Benedictine monastery ''dell'Annunziata''. This new church was rebuilt after the
1693 Sicily earthquake The 1693 Sicily earthquake was a natural disaster that struck parts of southern Italy near Sicily, then a territory part of the Crown of Aragon by the Kings of Spain Calabria and Malta, on 11 January at around 21:00 local time. This earthquake was ...
, standing next to the former Interlandi palace, with its broad rounded portal, asymmetrically placed on the facade. The two story facade is framed by echoing doric pilasters and a protruding first floor cornice. The portal tympanums are comprised by triangles, and a semicircular central tympanum. There is a sparsity of sculptural decoration, except for the whimsical masks and sireneic caryatids around the central portal, with windows reserved for the second story. Just lateral to the upper left corner of the central portal, there is a small lizard carving, a signature insignia of the architect Vermexio, who also worked on Santa Lucia extra moenia and Santa Lucia al Sepolcro. The interior has an roughly oval interior, with a white sandstone floor with floral dark basalt inlays. The interior layout and decoration is attributed in part to the architect
Rosario Gagliardi Rosario Gagliardi (1698–1762) was an Italian architect born in Syracuse. He was one of the leading architects working in the Sicilian Baroque. Despite never leaving Sicily, his work showed great understanding of the style, but was a progression ...
. In 1741, the oratory was converted in the Collegio di San Carlo, and places under the adeministration of the Bishop Monsignor Testa. The rebuilt church was not reconsecrated until 1770. The Oratorians and the Collegio were suppressed in 1866. The locale was used as a high school, but the church was soon granted to a local lay confraternity, once associated with the church of Santa Maria d'Idria. Later it served as a neighborhood parish. The church suffered damage during World War I. In the past century, a passage from the adjacent convent was made into the apse, and two altars from the former church of San Tommaso in via Mirabella were moved here. The altarpiece flanking the right nave is a 19th century depiction of ''Christ in the Orchard'' by Giuseppe Mancinelli, was commissioned by Marchesa Anna Gargallo. A number of late baroque canvases, including the main altarpiece in the church appear to be from followers of
Mario Minniti Mario Minniti (8 December 1577 – 22 November 1640) was an Italian Baroque painter active in Sicily after 1606. Born in Syracuse, Sicily, he arrived in Rome in 1593, where he became the friend, collaborator, and model of the key Baroque paint ...
.Derived from ''Architettura religiosa in Ortigia'' by Lucia Acerra; published by Ediprint (1995); cited i
Antonio Randazzo
site describing churches o Syracuse.


References

{{DEFAULTSORT:Filippo Neri Siracusa 17th-century Roman Catholic church buildings in Italy 18th-century Roman Catholic church buildings in Italy