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''Saint Jerome in His Study'' () is a copper engraving of 1514 by the German artist
Albrecht Dürer Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prin ...
. Saint
Jerome Jerome (; ; ; – 30 September 420), also known as Jerome of Stridon, was an early Christian presbyter, priest, Confessor of the Faith, confessor, theologian, translator, and historian; he is commonly known as Saint Jerome. He is best known ...
is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the
Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the
Resurrection Resurrection or anastasis is the concept of coming back to life after death. Reincarnation is a similar process hypothesized by other religions involving the same person or deity returning to another body. The disappearance of a body is anothe ...
. The lion in the foreground is part of the traditional
iconography Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct fro ...
of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the '' Golden Legend'' (c. 1260), which contained fanciful hagiographies of saints. ''St. Jerome in His Study'' is often considered as part of a group of three Dürer engravings (his Meisterstiche), the other two being the well-known '' Melencolia I'' (1514) and '' Knight, Death and the Devil'' (1513). Together they have been viewed as representing the three spheres of activity recognized in medieval times: ''Knight, Death, and the Devil'' belongs to the moral sphere and the "active life"; ''Melencolia I'' represents the intellectual; and ''St. Jerome'' the theological and contemplative life. The composition is intimate, but the viewer has difficulty locating himself in relation to the picture's space. Thomas Puttfarken suggests that while the scene is very close to the observer, Dürer did not intend the viewer to feel present: "the intimacy is not ours, but the saint's as he is engrossed in study and meditation" (94). Art historian
Erwin Panofsky Erwin Panofsky (March 30, 1892 – March 14, 1968) was a German-Jewish art historian whose work represents a high point in the modern academic study of iconography, including his hugely influential ''Renaissance and Renascences in Western Art ...
comments on the perspective:
The position of the sight point, quite far off centre, strengthens the impression of a representation determined not by the objective law of the architecture but by the subjective standpoint of the spectator who is just entering – a representation which owes to precisely this perspective arrangement a large part of its peculiarly 'intimate' effect. (Qtd. in Puttfarken, 94)


Jonah and the gourd vine

Using a dried
gourd Gourds include the fruits of some flowering plant species in the family Cucurbitaceae, particularly '' Cucurbita'' and '' Lagenaria''. The term refers to a number of species and subspecies, many with hard shells, and some without. Many gourds ha ...
hanging from the rafters, Dürer memorializes Jerome's
courage Courage (also called bravery, valour ( British and Commonwealth English), or valor (American English)) is the choice and willingness to confront agony, pain, danger, uncertainty, or intimidation. Valor is courage or bravery, especially in ...
, in the face of a long brewing
philological Philology () is the study of language in oral and written historical sources. It is the intersection of textual criticism, literary criticism, history, and linguistics with strong ties to etymology. Philology is also defined as the study of ...
controversy with St. Augustine in his preference for Greek over Latin nomenclature for the fast-growing plant known in Hebrew as קיקיון (qiyqayown) encountered only this once, in the
Book of Jonah The Book of Jonah is one of the twelve minor prophets of the Nevi'im ("Prophets") in the Hebrew Bible, and an individual book in the Christian Old Testament where it has four chapters. The book tells of a Hebrew prophet named Jonah, son of Amitt ...
. The
Old Testament The Old Testament (OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible, or Tanakh, a collection of ancient religious Hebrew and occasionally Aramaic writings by the Isr ...
text closes abruptly () with an epistolary warningCatholic Encyclopedia article titled Jonah http://www.newadvent.org/cathen/08497b.htm based on the
emblem An emblem is an abstract art, abstract or representational pictorial image that represents a concept, like a moral truth, or an allegory, or a person, like a monarch or saint. Emblems vs. symbols Although the words ''emblem'' and ''symbol'' ...
atic trope of a fast-growing vine present in Persian narratives, and popularized widely in certain collections of
Aesop's fables Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a Slavery in ancient Greece, slave and storyteller who lived in ancient Greece between 620 and 564 Before the Common Era, BCE. Of varied and unclear origins, the stor ...
such as
The Gourd and the Palm-tree The Gourd and the Palm-tree is a rare fable of West Asian origin that was first recorded in Europe in the Middle Ages. In the Renaissance a variant appeared in which a pine took the palm-tree's place and the story was occasionally counted as one of ...
. Jerome elected to use ''
hedera ''Hedera'', commonly called ivy (plural ivies), is a genus of 12–15 species of evergreen climbing or ground-creeping woody plants in the family Araliaceae, native to Western Europe, Central Europe, Southern Europe, Macaronesia, northwestern ...
'' (from the Greek, meaning ivy) over the more common Latin '' cucurbita'' from which the related English plant name ''cucumber'' is derived, perhaps to avoid confusion while making a more perfect analogy to the typology of Christ ''"I am the Vine, you are the branches"''. In fact Augustine's view had already prevailed by Dürer's time.


Skull and Crucifix, and the Hourglass

The positioning of the
Crucifix A crucifix (from the Latin meaning '(one) fixed to a cross') is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the (Latin for 'body'). The cru ...
on Jerome's desk is such that when he looks at it he can also see the skull by the window. Looking at the crucifix reminds of the resurrection of Jesus, which righted the wrongs of Adam leading to death, represented by the skull. The hourglass represents the finite space of time that is a man's life. Viewing these symbols together leads to the thought of man's mortality, and the method by which to save the immortal soul.


See also

* List of engravings by Albrecht Dürer * List of woodcuts by Albrecht Dürer


References


Sources

* Puttfarken, Thomas (2000). ''The Discovery of Pictorial Composition: Theories of Visual Order in Painting 1400–1800.'' New Haven & London:
Yale University Press Yale University Press is the university press of Yale University. It was founded in 1908 by George Parmly Day and Clarence Day, grandsons of Benjamin Day, and became a department of Yale University in 1961, but it remains financially and ope ...
. . * Courtney, Jennifer. Sanford, Courtney (2018). ''Marvelous To Behold.'' Classical Conversations, Inc. {{DEFAULTSORT:Saint Jerome in His Study Prints by Albrecht Dürer 1514 works 16th-century engravings Durer Lions in art Dogs in art Books in art Skulls in art Catholic engraving