The
Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Sh ...
contains a number of dialogue hymns ('s) in the form of
dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is c ...
s, representing the earliest surviving sample of this genre.
It can be argued to be an early precursor of
Indian classical drama. They are found in the youngest part of the Rigveda (
RV 1 and
RV 10), dating to roughly the 12th to 10th centuries BC, with the exception of the older River hymn (
RV 3.33), where the rivers answer in reply to Vishvamitra's prayer.
*1.179
Agastya
Agastya ( kn, ಅಗಸ್ತ್ಯ, ta, அகத்தியர், sa, अगस्त्य, te, అగస్త్యుడు, ml, അഗസ്ത്യൻ, hi, अगस्त्य) was a revered Indian sage of Hinduism. In the I ...
and
Lopamudra
Lopamudra, ( sa, लोपामुद्रा) also known as Kaushitaki and Varaprada, was a philosopher according to ancient Vedic Indian literature. She was the wife of the sage Agastya who is believed to have lived in the Rigveda period ...
(5
trishtubh
''Trishtubh'' ( sa, त्रिष्टुभ्, , IAST: ) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% o ...
s, 1
brhati
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines.
Overview
In addition to these seven, there are fourteen less frequent ...
)
*3.33
Vishvamitra
Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mant ...
and the
Rivers
A river is a natural flowing watercourse, usually freshwater, flowing towards an ocean, sea, lake or another river. In some cases, a river flows into the ground and becomes dry at the end of its course without reaching another body of wate ...
(12 trishtubhs, 1
anushtubh)
*10.10: dialogue of
Yama and Yami (12 anushtubhs)
*10.51
Agni
Agni (English: , sa, अग्नि, translit=Agni) is a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism. He is also the guardian deity of the southeast direction and is typically found in southeast corners of Hindu ...
and the gods (9 trishtubhs)
*10.86
Indrani
Indrani (Sanskrit: इन्द्राणी, IAST: ''Indrāṇī, lit.'' Indra's queen), also known as Shachi (Sanskrit: शची, IAST: ''Śacī''), is the queen of the devas in Hinduism. Described as tantalisingly beautiful, proud and ki ...
,
Indra
Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> I ...
, the "he-ape"
Vrshakapi and his wife
*10.95: dialogue of
Pururavas
Pururavas (Sanskrit: पुरूरवस्, ''Purūravas'') is a character in Hindu literature, a king who served as the first of the Lunar dynasty.
According to the Vedas, he is a legendary entity associated with Surya (the sun) and Usha ...
and
Urvashi
Urvashi ( sa, उर्वशी, Urvaśī}) is the most prominent apsara (celestial nymph) in Hindu mythology, considered to be the most beautiful of all the apsaras, and an expert dancer. She is mentioned in both ''Vedic'' and ''Puranic'' s ...
(18 trishtubhs)
*10.183: dialogue between the sacrificer and his wife (3 trishtubhs)
See also
*
Gambler's Lament (a Rigvedic "monologue" hymn)
References
{{DEFAULTSORT:Rigvedic Dialogue Hymns
Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is c ...