Quss Ibn Sa'ida Al-Iyadi

Quss Ibn Sa'ida al-Iyadi (; d. . 610 AD) was a pre-Islamic Arabian bishop of Najran, which is located in Saudi Arabia. He lived in the 6th and early 7th seventh centuries, and his genealogy took him back to the North Arabian Iyad tribe. He was famous for his eloquence in his poetry, rhymed prose (saj'), sermons, and rhetoric, and Quss was held up as a model for literary excellence, if not the greatest orator of all the tribes. One of his sermons has survived, and his ascribed oeuvre has been collected. A proverb known from a 717 AD Meccan inscription is occasionally attributed to him too. Quss was a preacher of both theology and monotheism. Quss was a sage, judge, and more. When he died, he was buried in north Syria, probably at Mount Simon. Sources differ in saying how long he lived, some saying he reached the age of 380, others 600 or 700, old enough to have known the disciples of Jesus. He is considered a legendary or, at least, a semi-legendary figure, and is only known from Muslim sources. Islamic writers including Ibn Abd Rabbihi, Al-Masudi, Al-Bayhaqi, and Abu Hayyan al-Tawhidi say that Quss met with the Byzantine emperor Heraclius (r. 610–641) to discuss ethics concerned with monotheism, life in this world, and life in the next world. Some modern historians have speculated that Quss was an Arian.

Quss became a cultural hero in Arab culture. Literature was written about him, like the ''Hadith Quss Ibn Sa’ida'' ('The Story of Quss Ibn Sa’ida'). He became the subject of proverbs, like ''ablagh min Quss'' – 'more eloquent than Quss', or ''adha min Quss'' – 'more intelligent than Quss'. "Qussi", or "Qussian", evolved into an alternative manner in signifying excellence. In Shia sources, he was said to have prophesied the Twelve Imams. Until recently, Arabic students memorized his surviving sermon by heart. In 2012, a "Festival of Quss Ibn Sa’ida" was held in Najran.al-Ḥayyānī, ʿAlī (2012): Masraḥ li-malḥamat al-Ukhdūd fi Mahrajān Quss ibn Sāʿida he Theatre for the Epos of al-Ukhdūd During the Festival of Quss ibn Sāʿida in: Ash Sharq, 03/03/2012 iii

As a cultural hero, Quss became a part of the ''awāʾil'' genre of Islamic literature, which identifies certain figures as being the first to have held a belief or developed a practice. According to the ''Kitāb al-ʿawāʾil'' ('The Book of Pioneers') of the renowned philologist and writer Abu Hilal al-Askari (died 1010), Quss was the first to believe in the one God of Mecca before Islam and believe in Resurrection. In addition to Quss, Al-Shahrastani (died 1153) also cites his contemporaries Waraqah ibn Nawfal and Zayd ibn Amr as among the first Arab monotheists. This list is repeated by Al-Suyuti (died 1505). As Al-Askari goes on, Quss was the first to lean on a staff, a notion that contains implications of prophetic resemblance (such as to the Staff of Moses). Quss was the first to use the ''amma bad'' phrase, an expression that usually occurs at the beginning or near the beginning of ''khutbas'' (sermons), ''wasiyyas'' (testaments) and ''risalas'' (letters). Along with Quss, other attributions for the "first" of this tradition included David and Muhammad's grandfather Abd al-Muttalib. Quss's placement alongside men of this stature indicate that he was seen highly among Islamic authors. He is also first to write the ''min Fulan ila Fulan formula'' ('from Such and Such to Such and Such'), this being the most popular manner in opening letters. Quss is also said to have invented a juridical rule whereby "proof is incumbent on the plaintiff and the defendant who denies his guilt must speak an oath".

Quss and Muhammad

Encounters between Muhammad and Quss are reported in Islamic tradition. These are said to have occurred in the marketplace of Ukaz, which is near Mecca. Quss would preach in this marketplace, hoping to bring people to Christianity. Muhammad is said to have listened in on some of his sermons, with this happening before Muhammad's first revelation in 610 in some sources, or before the Hijrah in 622 in others. Irfan Shahid argues that Muhammad's encounter with Christian preachers in Ukaz, especially Quss, would have served as an important and natural way for Muhammad to have become familiar with Christian tradition. Shahid also argues that Quss would have acted as a natural source of stylistic influence on Muhammad. Nicholson writes:

At ‘Ukádh, we are told, the youthful Muhammad listened, as though spellbound, to the eloquence of Quss b. Sá῾ida, Bishop of Najrán; and he may have contrasted the discourse of the Christian preacher with the brilliant odes chanted by heathen bards.

Quss is said to have been one of the Christians most praised by Muhammad. According to one hadith, when Quss preached "indeed, there is no religion with God which is better than the religion that you follow", Muhammad "invoked divine mercy upon ussand said: 'he shall be raised up on judgment day as a separate nation'." When Muhammad learned that Quss died, he recited one of his speeches that he heard at Ukaz. He had someone (Abu Bakr or someone else) remind him of some lines he forgot. Muhammad is also said to have exclaimed "I hope that on the Day of Resurrection, he wil return to life and form a people of his own".

Rhymed prose

Quss was a composer of saj' (rhymed prose). As translated by Qutbuddin, the following are compositions attributed to him:

O People! Listen and retain! He who lives dies. He who dies is lost orever Everything that could happen will happen. A dark night…a bright day…a sky that has zodiacal sign…stars that shine…seas hose watersroar…mountains firmly anchored...an earth spread out…rivers made to flow. Indeed, there are signs in the sky. There are lessons in the earth. What is the state of the people—going and never returning? Have they been satisfied, thus choosing to reside here Or were they abandoned, re theysleeping? Quss swears an oath by God in which there is no sin: God has a religion that is more satisfactory to Him and better than the religion in which you believe. Indeed, you do evil deeds.

In those that went before in eons past, are instances for us to take heed. When I looked at the watering holes of death, from which there is no returning—henI saw my people towards them going, young and old—The one who passed not coming back to me and not from those who remain, he who goes. I became convinced that I—without a doubt—will go where the people have gone.

Another translation of some of the material attributed to Quss is by Dadoo:

O People! Listen and heed! Once you have heeded, benefit from it! Each one who lives will die. And he who dies will go into oblivion. Everything that is to transpire shall come to pass. In the rains and vegetation, sustenance and provisions, mothers and fathers, living and dead, groups and individuals, are recurring signs. There is information to be gained from the skies and admonition from the earth as well as in dark nights, and in the heavens with constellations, and in the earth with gateways and the oceans with waves. Why do I see people going; never to return? Were they pleased with their status that they could live on? Or did they leave behind items there that they could sleep on? Quss swears an unblemished oath in God’s name: God has a religion more beloved to Him than the one you observe. The time for a new prophet’s arrival has come. His era has already cast its shadow over you. And He has made you understand his epoch. Glad tidings be to the one that believed in him and his guidance; and cursed be he that disobeys him and rebels against him. Cursed be the leaders of negligence among preceding generations and times. O people of Iyād! Where are the people of Thamūd and the ᷾Ād? Where is the sick person and his visitor? And the mighty pharaohs? Where is the one that built and fortified buildings; and embellished and reinforced them? Did wealth and children deceive him? Where is the oppressor who amassed wealth and stored it; and then said ‘I am your lord most high?’ Were they not wealthier than you, and aspired to more things than you and had longer lives than you? The dust pulverised them and destroyed them with its extended reach. There lie their decayed bones and their vacant homes in which only howling wolves live. Indeed! God is the only one worthy of worship; without father or son.

Michael Sells has argued that this style

contains many of the features found in the short-verse, apocalyptic suras f the Quran">Quran.html" ;"title="f the Quran">f the Quranascribed to the first period of qurʾānic prophecy: intense use of rhyme along with striking shifts in rhyme; highly rhythmic but not strictly metric verses; and the feature notable in passages such as Sūra 82:1–6 of several very short, staccato verses of adjuration followed by a longer versed and assonance-rich proclamation.

References

Sources

*
*
*
*
*
*
*
*
*

Further reading

*
{{DEFAULTSORT:Quss Ibn Saida al-Iyadi
6th-century Arabic-language poets
7th-century Arabic-language poets
Christianity and Islam
Life of Muhammad
People from Najran