Philæ

The Philae temple complex (; ,  , Egyptian: ''p3-jw-rķ' or 'pA-jw-rq''; , ) is an island-based temple complex in the reservoir of the Aswan Low Dam, downstream of the Aswan Dam and Lake Nasser, Egypt.

Originally, the temple complex was located on Philae Island, near the expansive First Cataract of the Nile in Upper Egypt. These rapids and the surrounding area have been variously flooded since the initial construction of the Aswan Low Dam in 1902. With the construction of the modern dam in Aswan (1960 - 1970) a few kilometers upstream, this temple was going to face total flooding and was initially omitted from the Nubia Campaign project to rescue all temples in the area and avoid what had previously happened with the Aswan Low Dam and the Temple of Philae. However, the importance of the monumental complex, formerly known as the Pearl of the Nile, remembered for the description by Pierre Loti in his literary work Mort de Philae, led to further commitment from UNESCO member countries, which launched an international competition to save the monuments of Philae.

The solution proposed by a consortium of Egyptian designers prevailed, which involved dismantling the ninety-five monumental structures on the island and reconstructing them at a higher site, 12.40 meters above the original location, by leveling the nearby islet of Agilkia. The contract for the execution of the works was awarded by UNESCO in 1974, through the Egyptian Ministry of Culture, to two Italian companies: Condotte Acque from Rome and Mazzi Estero from Verona, later joined as Condotte-Mazzi Estero S.p.A. The two companies were tasked with documenting, dismantling, and restoring the Philae monumental complex, as well as transferring and reconstructing it at the new site on Agilkia Island. A third Egyptian company, the High Dam Company, which had previously built the Aswan High Dam, was assigned the task of draining the original monumental site and preparing the reinforced concrete foundations and landscaping of Agilkia. The Italian architect Giovanni Joppolo was entrusted with the supervision and responsibility for all operations under the Italian consortium's jurisdiction. The whole operation lasted from 1977 to 1980. The hieroglyphic reliefs of the temple complex are being studied and published by the Philae Temple Text Project of the Austrian Academy of Sciences, Vienna (Institute OREA).

Geography

Philae is mentioned by numerous ancient writers, including Strabo, Diodorus Siculus, Ptolemy, Seneca, and Pliny the Elder. It was, as the plural name indicates, the appellation of two small islands situated in latitude 24° north, just above the First Cataract near Aswan (Egyptian ''Swenet'' "Trade"; ). Groskurd computes the distance between these islands and Aswan at about .

Despite being the smaller island, Philae proper was, from the numerous and picturesque ruins formerly there, the more interesting of the two. Before the inundation, it was not more than long and about broad. It is composed of syenite, Philae was so much resorted to, partly by pilgrims to the tomb of Osiris, partly by persons on secular errands, that the priests petitioned Ptolemy VIII Physcon (170–117 BC) to prohibit public functionaries at least from coming there and living at their expense.

In the nineteenth century, William John Bankes took the Philae obelisk on which this petition was engraved to England. When its Egyptian hieroglyphs were compared with those of the Rosetta Stone, it threw great light upon the Egyptian consonantal alphabet.

The islands of Philae were not, however, merely sacerdotal abodes; they were also the centres of commerce between Meroë and Memphis. The rapids of the cataracts were at most seasons not navigable, and the commodities exchanged between Egypt and Nubia were reciprocally landed and re-embarked at Syene and Philae.

The neighbouring granite quarries also attracted a numerous population of miners and stonemasons. For the convenience of this traffic, a gallery or road was formed in the rocks along the east bank of the Nile, portions of which are still extant.

Philae also was remarkable for the singular effects of light and shade resulting from its position near the Tropic of Cancer. As the sun approached its northern limit the shadows from the projecting cornices and moldings of the temples sink lower and lower down the plain surfaces of the walls, until, the sun having reached its highest altitude, the vertical walls are overspread with dark shadows, forming a striking contrast with the fierce light which illuminates all surrounding objects.

Construction

The most conspicuous feature of both islands was their architectural wealth. Monuments of various eras, extending from the Pharaohs to the Caesars, occupy nearly their whole area. The principal structures, however, lay at the south end of the smaller island.

The most ancient was a temple for Isis, built in the reign of Nectanebo I during 380–362 BC, which was approached from the river through a double colonnade. Nekhtnebef was his ancient Egyptian royal titulary and he became the founding pharaoh of the Thirtieth and last native dynasty when he deposed and killed Nepherites II.

For the most part, the other ruins date from the Ptolemaic Kingdom, more especially with the reigns of Ptolemy II Philadelphus, Ptolemy V Epiphanes, and Ptolemy VI Philometor (282–145 BC), with many traces of Roman work in Philae dedicated to Ammon-Osiris.

In front of the propyla were two colossal lions in granite, behind which stood a pair of obelisks, each high. The propyla were pyramidal in form and colossal in dimensions. One stood between the dromos and pronaos, another between the pronaos and the portico, while a smaller one led into the sekos or adyton. At each corner of the adytum stood a monolithic shrine, the cage of a sacred hawk. Of these shrines one is now in the Louvre, the other in the Museum at Florence.

Beyond the entrance into the principal court are small temples, one of which, dedicated to Isis, Hathor, and a wide range of deities related to midwifery, is covered with sculptures representing the birth of Ptolemy Philometor, under the figure of the god Horus. The story of Osiris is everywhere represented on the walls of this temple, and two of its inner chambers are particularly rich in symbolic imagery. Upon the two great propyla are Greek inscriptions intersected and partially destroyed by Egyptian figures cut across them.

The monuments in both islands indeed attested, beyond any others in the Nile valley, the survival of pure Egyptian art centuries after the last of the Pharaohs had ceased to reign. Great pains have been taken to mutilate the sculptures of this temple. The work of deletion is attributable, in the first instance, to the zeal of the early Christians, and afterwards, to the policy of the Iconoclasts, who curried favour for themselves with the Byzantine court by the destruction of images as well as Christian ones. Images/icons of Horus are often less mutilated than the other carvings. In some wall scenes, every figure and hieroglyphic text ''except'' that of Horus and his winged solar-disk representation has been meticulously scratched out by early Christians. This is presumably because the early Christians had some degree of respect for Horus or the legend of Horus - it may be because they saw parallels between the stories of Jesus and Horus (see Jesus in comparative mythology#Iconography and #Dying-and-rising god archetype).

The soil of Philae had been prepared carefully for the reception of its buildings–being leveled where it was uneven, and supported by masonry where it was crumbling or insecure. For example, the western wall of the Great Temple, and the corresponding wall of the dromos, were supported by very strong foundations, built below the pre-inundation level of the water, and rested on the granite which in this region forms the bed of the Nile. Here and there steps were hewn out from the wall to facilitate the communication between the temple and the river.

At the southern extremity of the dromos of the Great Temple was a smaller temple, apparently dedicated to Hathor; at least the few columns that remained of it are surmounted with the head of that goddess. Its portico consisted of twelve columns, four in front and three deep. Their capitals represented various forms and combinations of the palm branch, the doum palm

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