Pedro De Camprobín
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Pedro de Camprobín Passano (1605, Almagro - 22 July 1674,
Seville Seville ( ; , ) is the capital and largest city of the Spain, Spanish autonomous communities of Spain, autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the Guadalquivir, River Guadalquivir, ...
) was a Spanish
Baroque The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from ...
painter who specialized in
still-life A still life (: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, ...
s; primarily flowers.


Life and work

His father, Pedro, was a silversmith and his mother, Juana (née Passano) was descended from the Peroli brothers; painters from
Genoa Genoa ( ; ; ) is a city in and the capital of the Italian region of Liguria, and the sixth-largest city in Italy. As of 2025, 563,947 people live within the city's administrative limits. While its metropolitan city has 818,651 inhabitan ...
who had worked on the
fresco Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting become ...
es at the . At the age of fourteen, he was apprenticed to Luis Tristán in
Toledo Toledo most commonly refers to: * Toledo, Spain, a city in Spain * Province of Toledo, Spain * Toledo, Ohio, a city in the United States Toledo may also refer to: Places Belize * Toledo District * Toledo Settlement Bolivia * Toledo, Or ...
. He does not appear on the official record again until 1630, when he passed the exam for the painter's guild in Seville. It is presumed that he completed his training in Madrid with
Juan van der Hamen Juan van der Hamen y (Gómez de) León (baptized 8 April 1596 – 28 March 1631) was a Spanish painter, a master of still life paintings, also called bodegón, bodegones. Prolific and versatile, he painted allegories, landscapes, and large-scal ...
, due to comparable stylistic elements in his early works.Pérez Sánchez, Alfonso E. (1992). ''Pintura barroca en España 1600-1750''. Madrid : Ediciones Cátedra. From 1632 to 1634, he created the "Magdalena Repentant" at the , which is the only religious work he is known to have produced. The figures show the influence of
Francisco de Zurbarán Francisco de Zurbarán ( , ; baptized 7 November 1598 – 27 August 1664) was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanis ...
, but his still-life sensibility is displayed in the items arranged on a table, in the style of a "
vanitas ''Vanitas'' is a genre of symbolizing the temporality, transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires. The paintings involved still life imagery of transitory i ...
". He married and had two daughters, but was already a widower when he made out his will in 1670. Ten years earlier, he and other notable artists, such as
Bartolomé Esteban Murillo Bartolomé Esteban Murillo ( , ; late December 1617, baptized January 1, 1618April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contempor ...
,
Juan de Valdés Leal Juan de Valdés Leal (4 May 1622 – 15 October 1690) was a Spanish painter and etcher of the Baroque era. Career Valdés was born in Seville in 1622. He became a painter, sculptor, and architect. By his twenties, he was studying under Anton ...
and Francisco Herrera, had participated in the creation of the "Academia de dibujo de Sevilla" (drawing academy), in which he collaborated until his death. Although he painted a wide variety of still lifes, his true specialty was floral arrangements; always presented in bowls or vases, with a casual look, and occasionally accompanied by living creatures, such as butterflies. Some have architectural perspectives; in the style of contemporary Italian models. He has been credited with the painting, "Death and the Knight", at the Hospital de la Caridad; an attribution based on the arrangement and symbolic value of numerous everyday objects.


References


Further reading

* * ''Lo fingido verdadero. Bodegones españoles de la colección Naseiro adquiridos para el Prado'', exhibition catalog, edited by Javier Portús, Madrid, 2006, Museo Nacional del Prado.


External links

Spanish bodegón painters Spanish Baroque painters Painters from Seville 17th-century Spanish painters Spanish male painters 1605 births 1674 deaths {{Spain-painter-stub