The
Partitas,
BWV
The (, ; BWV) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in ...
825–830, are a set of six
keyboard
Keyboard may refer to:
Text input
* Keyboard, part of a typewriter
* Computer keyboard
** Keyboard layout, the software control of computer keyboards and their mapping
** Keyboard technology, computer keyboard hardware and firmware
Music
* Mus ...
suites written by
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
, published individually beginning in 1726, then together as ''
Clavier-Übung
Clavier-Übung, in more modern spelling Klavierübung, is German for "keyboard exercise". In the late 17th and early 18th centuries this was a common title for keyboard music collections: first adopted by Johann Kuhnau in 1689,Wollf (1991) p.189Boy ...
I'' in 1731, the first of his works to be published under his own direction. They were, however, among the last of his keyboard suites to be composed, the others being the six
English Suites, BWV 806-811
The ''English Suites'', BWV 806–811, are a set of six suites written by the German composer Johann Sebastian Bach for harpsichord (or clavichord) and generally thought to be the earliest of his 19 suites for keyboard (discounting several less ...
and the six
French Suites, BWV 812-817, as well as the
Overture in the French style, BWV 831
The ''Overture in the French style'', BWV 831, original title ''Ouvertüre nach Französischer Art'', also known as the ''French Overture'' and published as the second half of the '' Clavier-Übung II'' in 1735 (paired with the '' Italian Concert ...
.
History

The six partitas for keyboard form the last set of
suites that Bach composed, and are the most technically demanding of the three. They were composed between 1725 and 1730 or 1731. As with the
French and
English Suites, the autograph manuscript of the Partitas is no longer extant.
In keeping with a nineteenth-century naming tradition that labelled Bach's first set of Suites ''English'' and the second ''French,'' the Partitas are sometimes referred to as the ''German'' Suites. This title, however, is a publishing convenience; there is nothing particularly German about the Partitas. In comparison with the two earlier sets of suites, the Partitas are by far the most free-ranging in terms of structure. Unlike the English Suites, for example, wherein each opens with a strict
prelude, the Partitas feature a number of different opening styles including an ornamental
Overture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which ...
and a
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virt ...
.
Although each of the Partitas was published separately under the name ''
Clavier-Übung
Clavier-Übung, in more modern spelling Klavierübung, is German for "keyboard exercise". In the late 17th and early 18th centuries this was a common title for keyboard music collections: first adopted by Johann Kuhnau in 1689,Wollf (1991) p.189Boy ...
'' (Keyboard Practice), they were subsequently collected into a single volume in 1731 with the same name, which Bach himself chose to label his Opus 1. Unlike the earlier sets of suites, Bach originally intended to publish seven Partitas, advertising in the spring of 1730 upon the publication of the fifth Partita that the promised collected volume would contain two more such pieces. The plan was then revised to include a total of eight works: six Partitas in Part I (1731) and two larger works in Part II (1735), the
Italian Concerto
The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two- manual harpsichord solo composed by Johann Sebastian Bach and published in 173 ...
, BWV 971, and the
Overture in the French style, BWV 831
The ''Overture in the French style'', BWV 831, original title ''Ouvertüre nach Französischer Art'', also known as the ''French Overture'' and published as the second half of the '' Clavier-Übung II'' in 1735 (paired with the '' Italian Concert ...
. The second of these is an eight-movement partita, the largest such keyboard work Bach ever composed, and may in fact be the elusive "seventh partita" mentioned in 1730. The Overture in the French style was originally written in C minor, but was transposed a half step down for publication to complete the tonal scheme of Parts I and II as described below.
Tonalities
The tonalities of the six Partitas (B major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). This key sequence continues into ''
Clavier-Übung II
''Clavier-Übung II'' is a collection of harpsichord compositions by Johann Sebastian Bach. It was published in 1735. Written for performance on a two- manual harpsichord, it contrasts the Italian style of that time with the French style. While ...
'' (1735) with the two larger works: the
Italian Concerto
The ''Italian Concerto'', BWV 971, originally titled ''Concerto nach Italiænischen Gusto'' (''Concerto in the Italian taste''), is a three-movement concerto for two- manual harpsichord solo composed by Johann Sebastian Bach and published in 173 ...
, a seventh down (E to F), and the
Overture in the French style
The ''Overture in the French style'', BWV 831, original title ''Ouvertüre nach Französischer Art'', also known as the ''French Overture'' and published as the second half of the ''Clavier-Übung II'' in 1735 (paired with the '' Italian Concerto ...
, an augmented fourth up (F to B). Thus this sequence of tonalities customary for 18th-century keyboard compositions is complete, beginning with the first letter of his name (B in German is Bach's "home" key of B) and ending with the last letter (H in German is B) while including both A and C along the way.
Six partitas
* Partita No. 1 in B major, BWV 825
:
Praeludium,
Allemande
An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach ...
,
Corrente
The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically pair ...
,
Sarabande
The sarabande (from ) is a dance in triple metre, or the music written for such a dance.
History
The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zara ...
,
Menuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually written in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''.
The term also describes the musical form that ...
I, Menuet II,
Gigue
The gigue ( , ) or giga () is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th centuryBellingham, Jane"gigue."''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July ...
*
Partita No. 2 in C minor, BWV 826
:
Sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and Φωνή (s ...
, Allemande, Courante, Sarabande,
Rondeau,
Capriccio
* Partita No. 3 in A minor, BWV 827
:
Fantasia, Allemande, Corrente, Sarabande, Burlesca,
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often r ...
, Gigue
*
Partita No. 4 in D major, BWV 828
:
Ouverture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were ...
, Allemande, Courante,
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...
, Sarabande,
Menuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually written in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''.
The term also describes the musical form that ...
, Gigue
* Partita No. 5 in G major, BWV 829
:Praeambulum, Allemande, Corrente, Sarabande, Tempo di Minuetto,
Passepied
The passepied (, "pass-foot", from a characteristic dance step) is a French court dance. Originating as a kind of Breton branle, it was adapted to courtly use in the 16th century and is found frequently in 18th-century French opera and balle ...
, Gigue
*
Partita No. 6 in E minor, BWV 830
:
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virt ...
, Allemande, Corrente,
Air
An atmosphere () is a layer of gases that envelop an astronomical object, held in place by the gravity of the object. A planet retains an atmosphere when the gravity is great and the temperature of the atmosphere is low. A stellar atmosph ...
, Sarabande, Tempo di
Gavotta, Gigue
Notable recordings
On clavichord
*
Richard Troeger (Lyrichord Discs, 2000) first recorded the partitas on clavichord.
*
Menno van Delft (Resonus Classics, 2018)
On harpsichord

*
Wanda Landowska
Wanda Aleksandra Landowska (5 July 1879 – 16 August 1959) was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in t ...
(1935 or 1936)
*
Ralph Kirkpatrick
Ralph Leonard Kirkpatrick (; June 10, 1911April 13, 1984) was an American harpsichordist and musicologist, widely known for his chronological catalog of Domenico Scarlatti's keyboard sonatas as well as for his performances and recordings.
Life an ...
(1958)
*
Helmut Walcha
Arthur Emil Helmut Walcha (27 October 1907 – 11 August 1991) was a German Organ (music), organist, harpsichordist, music teacher and composer who specialized in the works of the Dutch and German Baroque music, Baroque masters.
Blind since h ...
(EMI, 1962)
*
Gustav Leonhardt
Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
Leo ...
(Deutsche Harmonia Mundi, 1964–70 and Virgin, 1986)
*
Martin Galling (1964)
*
Karl Richter (TELDEC Telefunken-Decca, 1960, SAWT9913-B SAWT9914-B)
*
Blandine Verlet
Blandine Verlet (27 February 1942 – 30 December 2018) was a French harpsichordist and a harpsichord teacher, who is known internationally for her recordings of works by François Couperin.
Career
Born in Paris into a musical family of art hist ...
(Philips, 1978 and Naïve, 2001)
*
Kenneth Gilbert
Kenneth Albert Gilbert (December16, 1931April15, 2020) was a Canadian harpsichordist, organist, musicologist, and music educator.
Biography
Born in Montreal, Gilbert studied at the Conservatoire de musique du Québec à Montréal under Yvonn ...
(Harmonia Mundi, 1985)
*
Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor.
He is best known for his association with the period-performance orchestra The English Concert, which he helped found and direct ...
(Archiv, 1985 and Hänssler, 1998–99)
*
Huguette Dreyfus
Pauline Huguette Dreyfus (30 November 1928 – 16 May 2016) was a French harpsichordist.
Biography
Dreyfus was born in Mulhouse, Alsace, France, on 30 November 1928 to Fernand and Marguerite Dreyfus. The doctor incorrectly wrote Pauline Huguet ...
(Denon, 1986)
*
Scott Ross (Erato, 1988)
*
Christophe Rousset
Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conducting, conductor, who specializes in the performance of Baroque music on Authentic performance, period instruments. He is also a musicologist, particularly of opera and ...
(L'Oiseau-Lyre, 1992)
*
Andreas Staier
Andreas Staier (born 13 September 1955 in Göttingen) is a German pianist and harpsichordist. Life
Staier studied piano and harpsichord in the Hochschule für Musik in Hanover and Amsterdam. He studied piano with Kurt Bauer and Erika Haase, a ...
(Deutsche Harmonia Mundi, 1993)
* Siegbert Rampe (EMI Music Germany, 2000)
*
Masaaki Suzuki
is a Japanese organist, harpsichordist, conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for whi ...
(BIS, 2001)
*
Zuzana Růžičková
Zuzana Růžičková () (14 January 1927 – 27 September 2017) was a Czech harpsichordist. An interpreter of Classical music, classical and Baroque music, baroque music, Růžičková was the first harpsichordist to record Johann Sebastian Bach' ...
(Supraphon, 1984)
*
Pascal Dubreuil (Ramée, 2008)
*
Benjamin Alard (Alpha, 2010)
*
Peter Watchorn (Musica Omnia, 2013)
* Martin Gester (Ligia, 2015)
* Mireille Lagacé (
Calliope
In Greek mythology, Calliope ( ; ) is the Muse who presides over eloquence and epic poetry; so called from the ecstatic harmony of her voice. Hesiod and Ovid called her the "Chief of all Muses".
Mythology
Calliope had two famous sons, OrpheusH ...
, 2015)
*
Jory Vinikour (Sono Luminus, 2016)
*
Colin Tilney
Colin Graham Tilney (31 October 1933 – 17 December 2024) was a British-Canadian harpsichordist, fortepianist and teacher.
He is well known for his historically-informed approach to performance practice, performing on original or copied ins ...
(Music and Arts, 2020)
* Giulia Nuti (Arcana, 2024)
On piano
*
Rosalyn Tureck
Rosalyn Tureck (December 14, 1913 – July 17, 2003) was an American pianist and harpsichordist who was particularly associated with the music of Johann Sebastian Bach. However, she had a wide-ranging repertoire that included works by composers ...
(1949/50)
*
Dinu Lipatti
Constantin "Dinu" Lipatti (; 2 December 1950) was a Romanian classical pianist and composer whose career was cut short by his death from effects related to Hodgkin's disease at age 33. He was elected posthumously to the Romanian Academy. He comp ...
(BWV 825), (EMI Classics, 1950)
*
Glenn Gould
Glenn Herbert Gould (; né Gold; 25 September 19324 October 1982) was a Canadian classical pianist. He was among the most famous and celebrated pianists of the 20th century, renowned as an interpreter of the keyboard works of Johann Sebastian ...
(Sony 1957, 1980)
*
Friedrich Gulda
Friedrich Gulda (16 May 1930 – 27 January 2000) was an Austrian pianist and composer who worked in both the classical and jazz fields.
Biography Early life and career
Born in Vienna the son of a teacher, Gulda began learning to play the piano ...
(Philips, 1972)
*
Tatiana Nikolayeva
Tatiana Petrovna Nikolayeva (; May 4, 1924November 22, 1993) was a Soviet and Russian pianist, composer, and teacher.
Life
Nikolayeva was born in Bezhitsa, in the Bryansk Oblast, Bryansk district, on May 4, 1924. Her mother was a professional p ...
(Melodija 1981)
*
Jean Louis Steuerman (Philips, 1984)
*
András Schiff
Sir András Schiff (; born 21 December 1953) is a Hungarian-born British classical pianist and conductor. He has received numerous awards and honours, including the Grammy Award, Gramophone Award, Mozart Medal, and Royal Academy of Music Bac ...
(Decca Classics, 1985)
*
Maria Tipo (EMI, 1991)
*
Wolfgang Rübsam
Wolfgang Friedrich Rübsam (born October 16, 1946, in Gießen) is a German-American organist, pianist, composer and pedagogue.
Biography
After his musical training with Erich Ackermann in Fulda, Germany, Rübsam studied at the Musikhochschule in ...
(Naxos, 1992)
*
Risto Lauriala (Alba, 1992)
*
Maria João Pires
Maria João Alexandre Barbosa Pires (; born 23 July 1944) is a Portuguese classical pianist, widely regarded as one of the leading interpreters of the repertoire of the 18th and 19th centuries.
Early life and education
Pires was born in Lisbon, ...
(
DGG 447 894-2, 1995)
*
Sergey Schepkin (Ongaku, 1996–97)
*
Angela Hewitt
Angela Hewitt (born July 26, 1958) is a Canadian classical pianist. She is best known for her Bach interpretations.
Career
Hewitt was born in Ottawa, Ontario, daughter of the Yorkshire-born Godfrey Hewitt (thus she also has British nationality) ...
(Hyperion, 1997)
*
Richard Goode
Richard Goode (born June 1, 1943) is an American classical pianist who is especially known for his interpretations of Mozart and Beethoven.
Early life
Goode was born in the East Bronx, New York. He studied piano with Elvira Szigeti, Claude Fran ...
(Nonesuch, 2003)
*
Gianluca Luisi (
OnClassical, 2005–07)
*
Martha Argerich
Martha Argerich (; ; born 5 June 1941) is an Argentine classical concert pianist. Born and raised in Buenos Aires, Argerich gave her debut concert at the age of eight before receiving further piano training in Europe. At an early age, she won sev ...
(Verbier Festival, 2008)
*
Murray Perahia
Murray David Perahia ( ; born April 19, 1947) is an American pianist and conductor. He has been considered one of the greatest living pianists. He was the first North American pianist to win the Leeds International Piano Competition, in 1972. ...
(Sony, 2008 and 2009)
*
Vladimir Ashkenazy
Vladimir Davidovich Ashkenazy (, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is a Soviet-born Icelandic pianist, chamber music performer, and conductor. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, ...
(
Decca
Decca may refer to:
Music
* Decca Records or Decca Music Group, record label
* Decca Gold, classical music record label owned by Universal Music Group
* Decca Broadway, musical theater record label
* Decca Studios, recording facility in West ...
, 2010)
*
Andres Carciente (Noromusic, 2012)
*
Igor Levit
Igor Levit (; born 10 March 1987) is a Russian-German pianist who focuses on the works of Bach, Beethoven, and Liszt. He is also a professor at the Musikhochschule Hannover. He lives in Berlin.
Biography
Born in Gorky (now Nizhny Novgorod) to ...
(Sony, 2014)
*
Yuan Sheng (Piano Classics, 2017)
*
Christian Zacharias
Christian Zacharias (born 27 April 1950 in Jamshedpur, India) is a German pianist and conductor.
Music career
Zacharias studied piano with Irene Slavin and Vlado Perlemuter in Paris. He won second prize at both the Geneva Competition in 1969 an ...
(MDG, 2021)
*
Tingshuo Yang (Luxembourg Classics, 2024)
On guitar
*
Judicael Perroy Partita no.2 (Naxos Records, 2011)
See also
*
Works for keyboard by Johann Sebastian Bach
Keyboard works () by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, both of which list compositions for a solo keyboard instrument like the harpsichord or the clavicho ...
*
English Suites, BWV 806-811
The ''English Suites'', BWV 806–811, are a set of six suites written by the German composer Johann Sebastian Bach for harpsichord (or clavichord) and generally thought to be the earliest of his 19 suites for keyboard (discounting several less ...
*
French Suites, BWV 812-817
*
Notes
References
* (contains detailed preface by Engler)
*
External links
*
Essay by Yo Tomita on Bach's Partitas*
{{Authority control
Suites by Johann Sebastian Bach
Compositions for harpsichord
1731 compositions
de:Clavierübung#Clavierübung Teil I: Partiten
he:רשימת יצירות באך#פרטיטות (לכלי מקלדת) (825-830)