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"" ("Never was a shade…"), also known as "Largo from ''Xerxes''" or "Handel's Largo", is the opening
aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...
from the
opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
''
Serse ''Serse'' (; English title: ''Xerxes''; HWV 40) is an opera seria in three acts by George Frideric Handel. It was first performed in London on 15 April 1738. The Italian libretto was adapted by an unknown hand from that by Silvio Stampiglia (16 ...
'' (1738) by
George Frideric Handel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, H ...
.


Context

The opera was a commercial failure, lasting only five performances in London after its premiere. In the 19th century, however, the aria was rediscovered and became one of Handel's best-known pieces. Handel adapted the aria from the setting by
Giovanni Bononcini Giovanni Bononcini (or Buononcini) (18 July 1670 – 9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers. He was a rival ...
, who, in turn, adapted it from the setting by
Francesco Cavalli Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Venetian composer, organist and singer of the early Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading op ...
. All three composers had produced settings of the same opera
libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
by
Nicolò Minato Count Nicolò Minato (b. Bergamo, ca. 1627; d. Vienna, 28 February 1698) was an Italian poet, librettist and impresario. His career can be divided into two parts: the years he spent at Venice, from 1650 to 1669, and the years at Vienna, from 1669 u ...
.


Music

Originally composed to be sung by a soprano
castrato A castrato (Italian; : castrati) is a male singer who underwent castration before puberty in order to retain a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice can also occur in one who, due to an endocrino ...
(and typically sung in modern performances of ''Serse'' by a
countertenor A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a ...
,
contralto A contralto () is a classical music, classical female singing human voice, voice whose vocal range is the lowest of their voice type, voice types. The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to ...
or a
mezzo-soprano A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A bel ...
; sometimes even by a
tenor A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below m ...
or high
baritone A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the ...
an
octave In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referr ...
below), it has been arranged for other
voice type A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura ...
s and instruments, including solo organ, solo piano, violin or cello and piano, and string ensembles, often under the title "Largo from ''Xerxes''" or (as in Thornton Wilder's ''
Our Town ''Our Town'' is a three-act play written by American playwright Thornton Wilder in 1938. Described by Edward Albee as "the greatest American play ever written", it presents the fictional American town of Grover's Corners between 1901 and 1913 ...
'') simply "Handel's Largo", although the original tempo is marked ''
larghetto In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmos ...
''. In the opera, the aria is preceded by a short ''
recitativo accompagnato Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines ...
'' of 9 bars, setting the scene ("Frondi tenere e belle"). The aria itself is also short; it consists of 52 bars and typically lasts three to four minutes. The
instrumentation Instrumentation is a collective term for measuring instruments, used for indicating, measuring, and recording physical quantities. It is also a field of study about the art and science about making measurement instruments, involving the related ...
is for a
string section The string section of an orchestra is composed of bowed instruments belonging to the violin family. It normally consists of first and second violins, violas, cellos, and double basses. It is the most numerous group in the standard orchestra. In ...
: first and second
violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
s,
viola The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...
, and basses. The
key signature In Western musical notation, a key signature is a set of sharp (), flat (), or rarely, natural () symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the cl ...
is
F major F major is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat.Music Theory'. (1950). United States: Standards and Curriculum Division, Training, Bureau of Naval Personnel. 28. Its relati ...
, the
time signature A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates th ...
is
3/4 time Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 ( compound) in the upper figure of the time signature, with , a ...
. The
vocal range Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of stud ...
covers C4 to F5 with a
tessitura In music, tessitura ( , , ; ; ) is the most acceptable and comfortable vocal range for a given singer (or, less frequently, musical instrument). It is the range in which a given type of voice presents its best-sounding (or characteristic) tim ...
from F4 to F5.


Libretto

The title translates from the Italian as "Never was a shade". It is sung by the main character,
Xerxes I Xerxes I ( – August 465 BC), commonly known as Xerxes the Great, was a List of monarchs of Persia, Persian ruler who served as the fourth King of Kings of the Achaemenid Empire, reigning from 486 BC until his assassination in 465 BC. He was ...
of Persia, admiring the shade of a
plane tree ''Platanus'' ( ) is a genus consisting of a small number of tree species native to the Northern Hemisphere. They are the sole living members of the family Platanaceae. All mature members of ''Platanus'' are tall, reaching in height. The type ...
. Frondi tenere e belle del mio platano amato per voi risplenda il fato. Tuoni, lampi, e procelle non v'oltraggino mai la cara pace, né giunga a profanarvi austro rapace. Ombra mai fu di vegetabile, cara ed amabile, soave più. Tender and beautiful fronds of my beloved plane tree, let Fate smile upon you. May thunder, lightning, and storms never disturb your dear peace, nor may you by blowing winds be profaned. Never was a shade of any plant dearer and more lovely, or more sweet. Because the piece is often sung out of the context of the opera there exist numerous
contrafacta In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". The earliest known examples of this "lyrical adaptation" date back to the 9th century in Gregor ...
both secular and sacred as well as paraphrases and translations. An example of the latter is "Beneath these leafy trees sweet peace receives me" from the chapter entitled "The EE vowel" in ''Functional Lessons in Singing''.


Media and film

On 24 December 1906,
Reginald Fessenden Reginald Aubrey Fessenden (October 6, 1866 – July 22, 1932) was a Canadian-American electrical engineer and inventor who received hundreds of List of Reginald Fessenden patents, patents in fields related to radio and sonar between 1891 and 1936 ...
, a Canadian inventor and radio pioneer, broadcast the first AM radio program, which started with a phonograph record of "". A 1980s electronic mix instrumental version of the aria can be heard in the cherry blossom viewing scene and forms a central part of
Kon Ichikawa was a Japanese film director and screenwriter. His work displays a vast range in genre and style, from the anti-war films '' The Burmese Harp'' (1956) and '' Fires on the Plain'' (1959), to the documentary '' Tokyo Olympiad'' (1965), which won t ...
's 1983 film ''
The Makioka Sisters is a novel by Japanese writer Jun'ichirō Tanizaki that was serialized from 1943 to 1948. It follows the lives of the wealthy Makioka family of Osaka from the autumn of 1936 to April 1941, focusing on the family's attempts to find a husband fo ...
''. The song is also used in the Stephen Frears film ''
Dangerous Liaisons ''Dangerous Liaisons'' is a 1988 American period romantic drama film directed by Stephen Frears from a screenplay by Christopher Hampton, based on his 1985 play ''Les Liaisons dangereuses'', itself adapted from the 1782 French novel of the s ...
'' (1989) during a private performance in an aristocratic salon. The song was performed by the Portuguese soloist, Paulo Abel do Nascimiento. In the 1995 BBC adaptation of Jane Austen's ''
Pride and Prejudice ''Pride and Prejudice'' is the second published novel (but third to be written) by English author Jane Austen, written when she was age 20-21, and later published in 1813. A novel of manners, it follows the character development of Elizabe ...
'', the character Mary Bennet (played by
Lucy Briers Lucy Jane Briers is an English actress. Her film, stage and television roles have included appearances in ''Pride and Prejudice'' (1995) and sitcom '' Game On''. Early life and education Lucy Jane Briers was born in Hammersmith, London. She is ...
) plays and sings the song (though rendered in English as "Slumber, dear maid") during a critical scene at the Netherfield Ball. The song plays a prominent role in
Sebastián Lelio Sebastián Lelio Watt (born 8 March 1974) is a Chilean director, screenwriter, editor and producer. He received critical acclaim for directing the films '' Gloria'' (2013) and '' A Fantastic Woman'' (2017), the latter of which won an Academy Awa ...
's 2017 film ''
A Fantastic Woman ''A Fantastic Woman'' () is a 2017 drama film directed by Sebastián Lelio, written by Lelio and Gonzalo Maza. Produced by Juan de Dios and Pablo Larraín, the film stars Daniela Vega and Francisco Reyes. It won the Academy Award for Best For ...
'', in which Marina, a
transgender A transgender (often shortened to trans) person has a gender identity different from that typically associated with the sex they were sex assignment, assigned at birth. The opposite of ''transgender'' is ''cisgender'', which describes perso ...
woman and singer, performs the aria before an audience towards the end of the film. The song is played during the end credits of the 2023 mystery thriller film ''
The Tutor ''The Tutor'' () is an 18th-century German play by Jakob Michael Reinhold Lenz. It has the subtitle "Or The Benefits of a Private Education". In the 20th century, it was adapted into a play of the same name by Bertolt Brecht Eugen Berthol ...
'', performed by Alexander Bornstein and Edward Underhill. The song plays during the closing scenes of the 2023 Christmas comedy-drama film ''
The Holdovers ''The Holdovers'' is a 2023 American Christmas comedy drama film directed by Alexander Payne, written by David Hemingson, and starring Paul Giamatti, Da'Vine Joy Randolph, and Dominic Sessa. Set in 1970, it tells the story of a strict classics ...
'', as Mr Hunham packs up his room.


References


External links

* *
"Ombra mai fu"
at The Aria Database {{Authority control Arias by George Frideric Handel 1738 compositions 1906 in radio Opera excerpts Songs about trees