No Ordinary Love

"No Ordinary Love" is a song by English band Sade, released in September 1992 as the lead single and opening track from their fourth studio album, '' Love Deluxe'' (1992). The song is written by lead singer Sade Adu and Stuart Matthewman, and was a success in Europe and New Zealand. It reached number four in Italy, number 17 in New Zealand, number 19 in Finland and the Netherlands, number 20 in France and number 26 in the UK. In January 1993, the song peaked at number 15 in Canada and number 28 on the US '' Billboard'' Hot 100. When re-released in May 1993, "No Ordinary Love" reached a new peak of number 14 on the UK Singles Chart and number 21 in Australia. In the accompanying music video, directed by Sophie Muller, Sade Adu plays a mermaid who wants to be a bride.

American magazine ''Rolling Stone'' included "No Ordinary Love" in their list of "500 Best Songs of All Time" in 2021.

Chart performance

"No Ordinary Love" was a sizeable hit on the charts across several continents. It was most successful in Europe, entering the top 10 in Greece (5) and Italy (4), as well as on the European Dance Radio Chart, where it peaked at number nine in November 1992. Additionally, the song entered the top 20 in Finland (19), France (20), the Netherlands (19), and the UK, where it reached number 14 in its second run on the UK Singles Chart on 5 June 1993, making it Sade's second most successful single in the UK after " Your Love Is King" (6) in 1984. "No Ordinary Love" was also a top 30 hit in Switzerland (23) and on the Eurochart Hot 100 (26), a top 40 hit in Belgium (37) and Sweden (33), and a top 50 hit in Germany (43). Outside Europe, it peaked at number 21 in Australia and number 17 in New Zealand. In the US, the single charted on four different ''Billboard'' charts, reaching number 28 on the Hot 100, number 14 on the Adult Contemporary chart, number 29 on the Rhythmic chart and number 9 on the Hot R&B/Hip-Hop Songs chart. "No Ordinary Love" also peaked at number 21
on the US ''Cash Box'' Top 100 and number 11 on the ''Cash Box'' Top R&B Singles chart.

The single received an silver record in the UK, after 200 000 units were sold.

Critical reception

The song received positive reviews from music critics. Upon the release, Larry Flick from '' Billboard'' stated that it shows Sade and band "in fine form, sounding, as always, cool and sexy." He also said that her "famously smoky voice is the highlight of a spare arrangement, supported by percussive guitar and even a ghostly metal solo." The Daily Vault's Mark Millan declared it as "intoxicating". He added that it "is Adu's lament of a one-sided love affair", noting that it "harbors a serious groove, but the underlying anger of love gone bad is represented with a subtle but powerful guitar riff that helps get the job done." Amy Linden from ''Entertainment Weekly'' wrote that Sade, "the high priestess of understated cool, heats up on the fabulous "No Ordinary Love", which surges with emotion."

Dave Sholin of the '' Gavin Report'' felt that "her extraordinary songstyling is hotter than ever." Another editor, John Martinucci, said, "At last, the sensual vocals of Sade return with a hypnotic beat underlined by an occasional, crunching guitar." Caroline Sullivan from ''The Guardian'' felt that Sade's "sleepy croon doesn't waver" as she's "purring a breathless poem" about her mister. Pan-European magazine '' Music & Media'' wrote that "the grande dame of sophisticated soul has updated her beats a little bit and added a more wiggly guitar sound." A reviewer from ''Music Week'' called it "a stylish, sophisticated, subdued and superior song", adding, "It's also extremely subtle". Jeff Silberman from ''The Network Forty'' noted its "languid beat and the cool, cool melody" A writer for ''People Magazine'' viewed the song as "a baby-making slow jam that comes on like musical Viagra."

Retrospective response

In an 2017 retrospective review, Justin Chadwick from Albumism described the song as "insistent and intimate", adding that it's "evoking the desperation of trying to secure an elusive love". He also noted that the song begins with "one of the most devastating intros ever". In 2012, Sophie Heawood of ''The Guardian'' commented, "The band reached their peak of opulent sound design on the aptly titled album ''Love Deluxe''; its seven-minute epic of a lead single is as bleak as it is sensual, casting heartbreak as the greatest luxury of all." Frank Guan of Vulture ranked "No Ordinary Love" number two in his list of "All 73 Sade Songs, Ranked From Worst to Best" in 2017. He wrote, "'There's nothing like you and I,' she sings; the emphasis falls on 'nothing' no less than on 'you' or 'I.' Sade songs, at their very best, ignore the distinction between songs about flawless love and love betrayed; the promise of the first and the inevitability of the other are contained in one another. The softly puncturing bass, the deep-sea synths, the chugging, almost accusatory guitar that kicks in during the pre-chorus – even among other perfect songs, this one stands out. It's the longest song on any of her albums; it's also one you wish would last forever, but can't, just like the love in the title."

Music video

A music video produced to promote the single, directed by English music video director Sophie Muller, features Sade as a mermaid and a bride.

At the beginning, Sade sits on the bottom of the ocean as a mermaid. Flashbacks reveal a young sailor, who has fallen into the water, meeting the mermaid in a kiss and embrace. Back in the present, the mermaid browses in an old weekly magazine and sews a white wedding dress. She swims up to shore in the finished dress with human legs, reaching land and throwing rice on herself like a newlywed bride. Obviously looking for the young man, she walks into a bar and drinks water with salt for survival. Devastated at not finding the sailor, she runs through the busy city streets, with a bottle of water, down to the quay. Again there are flashbacks of the mermaid with her sailor on the sea floor. As the video ends, she sits alone on the dock in her wedding dress looking down and waiting for her tail to reappear.

Awards

Sade won a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 1994.

Same year, "No Ordinary Love" was also awarded one of BMI's Pop Songs Awards, honoring the songwriters, composers and music publishers of the song.

Impact and legacy

In 2012, '' Complex'' placed "No Ordinary Love" at number 43 in their ranking of "The Best 90s R&B Songs". In 2017, '' Spin'' ranked the song at number 15 on their list of "The 30 Best '90s R&B Songs".

In 2021, ''Rolling Stone'' included "No Ordinary Love" in their list of the " 500 Best Songs of All Time" at No. 459. In 2022, '' Pitchfork'' ranked it at number 42 in their list of "The 250 Best Songs of the 1990s".

Track listings

*UK, European and Australian CD single
#"No Ordinary Love" – 5:22
#"Paradise" (remix) – 5:40
#"No Ordinary Love" (album version) – 7:20

*US CD single and Japanese mini CD single
#"No Ordinary Love" – 5:21
#"Paradise" (remix) – 5:40

*7-inch single
:A. "No Ordinary Love" – 5:22
:B. "Paradise" (remix) – 5:40

*12-inch maxi single
:A. "No Ordinary Love" (album version) – 7:20
:B1. "Paradise" (remix) – 5:40
:B2. "Paradise" (drums and Sade) – 5:40

*Cassette single
#"No Ordinary Love" – 5:22
#"Paradise" (remix) – 5:40

Charts

Weekly charts

Year-end charts

Certifications

Release history

In popular culture

Media

* "No Ordinary Love" was featured prominently in the 1993 film '' Indecent Proposal'', though it was not included on the film's soundtrack album.
* The song was also featured in an early 1993 episode of the daytime soap opera '' Days of Our Lives''.
* "No Ordinary Love" appeared in the second-season episode of NBC's '' 30 Rock'', " Jack Gets in the Game", when Kenneth Parcell tried to seduce Tracy Jordan's wife, Angie Jordan.
* The song was featured in the '' American Dad'' episode "Stan Goes on the Pill" when Stan Smith turns into a woman after taking a pill and his boss Bullock tries to seduce him.
* This song was featured in the trailer of '' Good Boys''.

Cover versions

* Serbian rock band Night Shift covered the song on their '' Undercovers'' album in 2002.
* American rock band Deftones