
''Njáls saga'' ( ), also ''Njála'' ( ), or ''Brennu-Njáls saga'' ( ) (Which can be translated as ''The Story of Burnt Njáll'', or ''The Saga of Njáll the Burner''), is a thirteenth-century
Icelandic saga that describes events between 960 and 1020.
The saga deals with a process of blood feuds in the
Icelandic Commonwealth
The Icelandic Commonwealth, also known as the Icelandic Free State, was the political unit existing in Iceland between the establishment of the Althing () in 930 and the pledge of fealty to the Norwegian king with the Old Covenant in 1262. W ...
, showing how the requirements of honor could lead to minor slights spiralling into destructive and prolonged bloodshed. Insults where a character's manhood is called into question are especially prominent and may reflect an author critical of an overly restrictive ideal of masculinity.
Another characteristic of the narrative is the presence of omens and prophetic dreams. It is disputed whether this reflects a
fatalistic
Fatalism is a belief and philosophical doctrine which considers the entire universe as a deterministic system and stresses the subjugation of all events, actions, and behaviors to fate or destiny, which is commonly associated with the cons ...
outlook on the part of the author.
The principal characters in the saga are the friends
Njáll Þorgeirsson, a lawyer and a sage, and
Gunnar Hámundarson, a formidable warrior. Gunnar's wife,
Hallgerðr langbrók, instigates a
feud
A feud , also known in more extreme cases as a blood feud, vendetta, faida, clan war, gang war, private war, or mob war, is a long-running argument or fight, often between social groups of people, especially family, families or clans. Feuds begin ...
that leads to the death of many characters over several decades including the killing by fire of the eponymous "Burnt Njáll".
The work is anonymous, although there has been extensive speculation on the author's identity. The major events described in the saga are probably historical but the material was shaped by the author, drawing on oral tradition, according to his artistic needs. ''Njáls saga'' is the longest and most highly developed of the sagas of Icelanders. It is often considered the peak of the saga tradition.
Authorship and sources
The author of ''Njáls saga'', like the other
sagas of Icelanders
The sagas of Icelanders (, ), also known as family sagas, are a subgenre, or text group, of Icelandic Saga, sagas. They are prose narratives primarily based on historical events that mostly took place in Iceland in the ninth, tenth, and earl ...
, is anonymous. There are, however, several hypotheses about the saga's authorship. The oldest idea, attested in the early 17th century, is that
Sæmundr fróði wrote the work. Other suggested authors include Sæmundr's sons,
Jón Loftsson,
Snorri Sturluson
Snorri Sturluson ( ; ; 1179 – 22 September 1241) was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker of the Icelandic parliament, the Althing. He is commonly thought to have authored or compiled portions of th ...
,
Einarr Gilsson,
Brandr Jónsson and
Þorvarðr Þórarinsson.
The saga is now believed to have been composed in the period from 1270 to 1290. Among written sources which the author likely used are ''
Laxdæla saga'', ''
Eyrbyggja saga'' and ''
Ljósvetninga saga'' as well as the lost sagas ''
Brjáns saga'' and ''
Gauks saga Trandilssonar''. However, the author probably derived the bulk of the material in the saga from
oral tradition
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.Jan Vansina, Vansina, Jan: ''Oral Tradition as History'' (19 ...
, which he manipulated for his own artistic purposes. Opinions on the historicity of the saga have varied greatly, ranging from pure fiction to nearly verbatim truth to any number of nuanced views. It can be regarded as certain that Njáll and Gunnarr were real historical people and their fateful deaths are referred to in other sources.
Gabriel Turville-Petre
Edward Oswald Gabriel Turville-Petre (25 March 1908 – 17 February 1978) was an English philology, philologist who specialized in Old Norse studies.
Born at Bosworth Hall (Husbands Bosworth), Bosworth Hall, Leicestershire to a prominent ...
said, "It was not the author's purpose to write a work of history, but rather to use a historical subject for an epic in prose".
Themes
''Njáls saga'' explores the consequences of vengeance as a defence of family honor by dealing with a
blood feud
A feud , also known in more extreme cases as a blood feud, vendetta, faida, clan war, gang war, private war, or mob war, is a long-running argument or fight, often between social groups of people, especially family, families or clans. Feuds begin ...
spanning some 50 years. The saga shows how even worthy people can destroy themselves by disputes and demonstrates the tensions in the
Icelandic Commonwealth
The Icelandic Commonwealth, also known as the Icelandic Free State, was the political unit existing in Iceland between the establishment of the Althing () in 930 and the pledge of fealty to the Norwegian king with the Old Covenant in 1262. W ...
which eventually led to its destruction. Any insult to one's honor had to be revenged: sometimes this includes slights which seem trivial to modern readers.
Magnus Magnusson finds it "a little pathetic, now, to read how vulnerable these men were to calls on their honour; it was fatally easy to goad them into action to avenge some suspicion of an insult".
[Magnusson 1987 96016.]
Insults involving a character's manliness are especially prominent in the saga. Thus, Njáll's lack of a beard is repeatedly referred to and used by his opponents to call his manhood into question. Another example, among many, is when the gift of a silk garment is considered an insult by Flosi and a hard-won settlement breaks down as a consequence. Ármann Jakobsson has argued that it is "difficult to find a man whose manhood is not vulnerable" and that ''Njáls saga'' criticizes the idea of a misogynistic society by showing that the ideal of masculinity can be so restrictive that it becomes oppressive to men and destructive to society.
[Ármann Jakobsson 2007:214.]
Omens, prophetic dreams and supernatural foresight figure prominently in ''Njáls saga''. The role of
fate
Destiny, sometimes also called fate (), is a predetermined course of events. It may be conceived as a predeterminism, predetermined future, whether in general or of an individual.
Fate
Although often used interchangeably, the words wiktionary ...
and, especially, of
fatalism
Fatalism is a belief and philosophical doctrine which considers the entire universe as a deterministic system and stresses the subjugation of all events, actions, and behaviors to fate or destiny, which is commonly associated with the cons ...
is, however, a matter of scholarly contention.
Halldór Laxness argued that the saga is primarily a book about the fatalism inherent in
Norse paganism
Old Norse religion, also known as Norse paganism, is a branch of Germanic paganism, Germanic religion which developed during the Proto-Norse language, Proto-Norse period, when the North Germanic peoples separated into Germanic peoples, distinc ...
. In his view, the course of events is foreordained from the moment Hrútr sees the thieves' eyes in his niece and until the vengeance for Njáll's burning is completed to the southeast in
Wales
Wales ( ) is a Countries of the United Kingdom, country that is part of the United Kingdom. It is bordered by the Irish Sea to the north and west, England to the England–Wales border, east, the Bristol Channel to the south, and the Celtic ...
. In this way, Laxness believed that ''Njáls saga'' attested to the presence of a "very strong heathen spirit", antithetical to Christianity, in 13th century Iceland. Magnus Magnusson wrote that "
e action is swept along by a powerful under-current of fate" and that Njáll wages a "fierce struggle to alter its course" but that he is nevertheless "not a fatalist in the heathen sense".
Thorsteinn Gylfason rejects the idea that there is any fatalism in ''Njáls saga'', arguing that there is no hostile supernatural plan which its characters are subject to.
Synopsis
Hrútur and Hallgerður

The first episode covers the period from the betrothal of Hrútur Herjólfsson and Unnur to the ugly legacy of their divorce. We are shown Hrútur's exploits in
Norway
Norway, officially the Kingdom of Norway, is a Nordic countries, Nordic country located on the Scandinavian Peninsula in Northern Europe. The remote Arctic island of Jan Mayen and the archipelago of Svalbard also form part of the Kingdom of ...
where he gains honour at court and in battle, but he ruins his subsequent marriage by becoming the lover of the Norwegian queen mother
Gunnhildur. When he denies having a woman in Iceland, she curses him so that he is unable to consummate his marriage. After Unnur divorces him, he retains the dowry by challenging Unnur's father, Mörður, to combat. Mörður refuses, as he knows Hrútur's reputation and that he will lose the fight. Because of this, Hrútur keeps the dowry. While this conforms to Icelandic law, it offends justice.
The first chapter gives one of Hrútur's insights when he makes comments about his beautiful niece, "I do not know how thieves' eyes came into the family". The saga next follows this niece, Hallgerður, through her first two marriages. Both husbands die by the axe of Hallgerður's doting, brutish foster-father, Þjóstólfur. Hallgerður provokes the first death but not the second, although it follows from a disagreement between her and her husband. It is Hrútur who, despite the family ties, avenges the death by killing Þjóstólfur.
Gunnar and Njáll
Gunnar Hámundarson and
Njáll Þorgeirsson are now introduced. Gunnar is a man of outstanding physical prowess, and Njáll has outstanding sagacity; they are close friends. When Gunnar is obliged to revive Unnur's dowry-claim against Hrútur, Njáll gives him the means to do so. By skillful play-acting, Gunnar begins the legal process in Hrútur's own house. He follows Hrútur's doubtful example when it comes to court, and Hrútur, who has previously won by threat of violence, loses to a threat of violence. Despite his humiliation, he sees future links with Gunnar.
This comes about when Gunnar returns with honours from a trip to Scandinavia. He goes to the
Althing
The (; ), anglicised as Althingi or Althing, is the Parliamentary sovereignty, supreme Parliament, national parliament of Iceland. It is the oldest surviving parliament in the world. The Althing was founded in 930 at ('Thing (assembly), thing ...
– the annual assembly – in splendour, and meets Hallgerður. They are impressed with one another and are soon betrothed, despite Hrútur's warnings about Hallgerður's character, and Njáll's misgivings.
Hrútur and Njáll are proven right when Hallgerður clashes with Njáll's wife,
Bergþóra. Hallgerður charms a number of dubious characters into killing members of Njáll's household and the spirited Bergþóra arranges vengeance. After each killing, their husbands make financial settlements according to the status of the victims. The fifth victim is Þórður, foster-father of Njáll's sons. Þráinn Sigfússon, Gunnar's uncle and Hallgerður's son-in-law, accompanies the killers. When the feud ends and settlements are made, Þráinn's presence at that killing later causes conflict.
Gunnar's feuds
Hallgerður now has one of her slaves, Melkólfur, burgle the home of a churlish man named Otkell. Gunnar immediately seeks to make amends, but his handsome offers are not accepted. A lawsuit is started against him which, with Njáll's help, he wins, gaining great honour. However, while remonstrating with Hallgerður about the burglary, Gunnar slaps her.
This is followed by Otkell accidentally wounding Gunnar. Insult follows injury and Gunnar reluctantly goes to avenge himself. With belated help from his brother Kolskeggur, he kills Otkell and his companions.
Under Njáll's influence a new settlement is arranged, and Gunnar's reputation grows. Njáll warns him that this will be the start of his career of killings.
Next, Gunnar accepts a challenge to a horse-fight from a man called Starkaður. In the course of the fight, his opponents cheat, and Gunnar finds himself in a fresh squabble. Njáll tries to mediate but Þorgeir Starkaðsson refuses to accept it. On a journey with his two brothers, Gunnar is ambushed by Starkaður and his allies. In the battle, fourteen attackers and Gunnar's brother Hjörtur are killed.
Worming through all this is Unnur's son, Mörður Valgarðsson. Mörður envies and hates Gunnar, and uses other men to attain his aims. He has learned that Njáll prophesied that Gunnar will die if he kills twice in the same family and subsequently breaks the settlement for his death. He instigates an attack on Gunnar by persons dissatisfied by the settlement. Again, Gunnar wins the fight, but he kills a second man in the same family. The settlement that follows requires that Gunnar and Kolskeggur leave Iceland for three years.
Arrangements are made for exile. But as Gunnar leaves home, he looks homeward and, touched by the beauty of his homestead, resolves not to leave Iceland, thus becoming an outlaw. He goes about as though nothing has changed but his enemies, Mörður among them, seek revenge. He defends himself in his home until his bowstring is cut. Hallgerður refuses to give him strands of her hair to restring his bow; this is in revenge for the slap he once gave her. Gunnar's enemies resist Mörður's proposal to burn him in the house as shameful, but eventually they take the roof off to get to Gunnar. Njáll's son
Skarphéðinn assists Högni Gunnarsson in some acts of vengeance before a settlement is achieved.
Kári and the sons of Njáll
Scandinavian rulers honor two Icelandic expeditions: those of Þráinn Sigfússon and of Njáll's two younger sons. Both return with enhanced honor, but also with companions. Þráinn brings back the malevolent Hrappur, the sons of Njáll and the noble
Kári Sölmundarson, who marries their sister. But Njáll's sons also bring back a grievance, blaming Þráinn for the way in which the ''de facto'' ruler of Norway,
Jarl Hákon, has treated them while looking for Hrappur, who had been hidden by Þráinn. While Njáll says they have been foolish in raising the matter, he advises them to publicise it so that it will be seen as a matter of honor. Þrainn refuses a settlement, and his retainers, including Hallgerður, on her last appearance, insult them.
The most dramatic of the saga's battles follows. Njáll's sons, with Kári, prepare to ambush Þráinn and his followers. There is a bridge of ice over the river between them. Skarphéðinn overtakes his brothers, leaps the river, and slides on the ice past Þráinn, splitting his skull in passing. Between them the attackers kill four men, including Hrappur.
Þráinn's brother, Ketill, has married Njáll's daughter, and between them they bring about a settlement. Wishing to stop further contention, Njáll adopts Þráinn's son Höskuldur as his foster-son. Höskuldur grows up in Njáll's household, and is loved and favoured by him. When he is fully grown, Njáll attempts to find a suitable wife for him, Hildigunnur. However, she refuses, saying that she will only marry Höskuldur if he becomes a chieftain. Njáll manages to get Höskuldur a chieftaincy by instituting the
Fifth Court at the Althing, and Höskuldur and Hildigunnur are married.
At this point, the saga recounts the
conversion of Iceland to Christianity in 999.
Höskuldur and Flosi, the burning
Mörður Valgarðsson now finds Höskuldur to be such a successful chief that his own chieftaincy is declining. He sets the sons of Njáll against Höskuldur; the tragedy of the saga is that they are so susceptible to his promptings that they, with Mörður and Kári, murder him as he sows in his field. As one character says, "Höskuldur was killed for less than no reason; all men mourn his death; but none more than Njáll, his foster-father".
Flosi, the uncle of Höskuldur's wife, takes revenge against the killers, and seeks help from powerful chieftains. He is pressured (against his better judgement) by Hildigunnur to accept only blood vengeance. Njáll's sons find themselves at the Althing having to plead for help. Skarphéðinn has become grimly fatalistic, and insults many who might help them.
After some legal sparring, arbitrators are chosen, including
Snorri goði, who proposes a
wergild of three times the normal compensation for Höskuldur. This is so much that it can only be paid if the arbitrators, and many at the Althing, contribute. The great collection is gathered, and Njáll adds a gift of a fancy cloak. Flosi claims to be insulted by the offer of a unisex garment (an insult from Skarphéðinn also adds fuel to the fire) and the settlement breaks down, with Njáll's silence on the matter remaining unexplained.
Everyone leaves the Althing and prepares, amid portents and prophecies, for the showdown. A hundred men descend on Njáll's home,
Bergþórshvoll, to find it defended by about thirty. Any victory for Flosi will be at some cost. But Njáll suggests that his sons defend from within the house, and they, while realizing that this is futile, follow their father into certain death.
Flosi and his men set fire to the building.
Both the innocent and the guilty are surrounded. Flosi allows the women to leave but beheads Helgi Njálsson, who attempts to escape disguised as a woman. Although Flosi invites Njáll and Bergþóra to leave, they refuse, preferring to die with their sons and their grandson Þórður (the son of Kári). Eventually eleven people die, not including Kári, who escapes under cover of the smoke by running along the beam of the house. Flosi knows that Kári will exact vengeance for the burning.
The Althing
At the Althing, both sides gather. Flosi bribes Eyjólfur Bölverksson, one of the finest lawyers in Iceland, into taking over the case, while his opponents blackmail Mörður Valgarðsson into prosecuting, advised by Þórhallur, Njáll's foster-son, who was trained in the law by Njáll, but is kept away from the proceedings by an infected leg. There is a legal joust between the parties. Eventually, when his legal action seems to be failing, Þórhallur lances his boil with his spear and begins fighting. Flosi's men are driven back until Snorri separates the parties. In the confusion, several are killed including Ljótur, Flosi's brother-in-law.
Ljótur's father, Hallur of Síða, takes advantage of the truce to appeal for peace, and seeks no compensation for his son. Moved by this, all but Kári and Njáll's nephew Þorgeir reach a settlement, while everyone contributes to Ljótur's weregild, which in the end amounts to a quadruple compensation. The burners are exiled.
Before the sons of Sigfús reach home, Kári attacks them, and most of the rest of the saga describes his vengeance for the burning. He is supported by Þorgeir and an attractive anti-hero named Björn. He pursues them to Orkney and Wales. The most dramatic moment is when he breaks into the earl's hall in Orkney and kills a man who is giving a slanderous account of those killed at the burning.
After a pilgrimage to Rome, Flosi returns to Iceland. Kári follows, and is shipwrecked near Flosi's home. Testing Flosi's nobility he goes to him for help, and they arrange a final peace. Kári marries Höskuldur's widow. Finally, there is a full reconciliation.
Popular culture
''Njáls saga'' has influenced popular culture in different ways across a variety of media. A number of modern novels draw inspiration from the saga's plot. These include, for example, Friðrik Ásmundsson Brekkan's novels ''Ulveungernes broder/Saga af Bróður Ylfing'' (1924/1929) and ''Drottningarkyn'' (1947), Dorothy James Roberts' ''Fire in the Ice'' (1961),
Henry Treece's ''The Burning of Njal'' (1964), Tim Severin's ''Viking-Trilogy'' (2005),
Þórunn Erlu-Valdimarsdóttir's crime novel ''Kalt er annars blóð'' (2007), Robert Jansson's ''Kári's Saga: A Novel of Viking Iceland'' (2008), Janni Lee Simner's ''Thief Eyes'' (2011), and
Bjarni Harðarson's ''Mörður'' (2014).
The Red Romance Book, a collection of heroic tales and legends published in 1905 and lavishly illustrated by
Henry Justice Ford, includes three stories based on the saga: ''The Slaying of Hallgerda's Husbands'', ''The Death of Gunnar'', and ''Njal's Burning''.
Robert E. Howard's story "
The Grey God Passes, or The Twilight of the Grey Gods" (1962) also draws inspiration from the saga.
There are also a number of poetic works inspired by ''Njáls saga''. These include
Thomas Gray
Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, letter-writer, and classics, classical scholar at Cambridge University, being a fellow first of Peterhouse then of Pembroke College, Cambridge, Pembroke College. He is widely ...
's ''The Fatal Sisters'' (1768),
Richard Hole's ''The Tomb of Gunnar'' (1789),
Jónas Hallgrímsson's ''Gunnarshólmi'' (1838),
Sigurður Breiðfjörð's ''Rímur af Gunnari á Hlíðarenda'' (1860),
Grímur Thomsen's ''Gunnarsríma'' (1890) and his ''Íslenzkar konur frá söguöldinni'' (1895), and
Helen von Engelhardt's ''Gunnar von Hlidarendi'' (1909). Dramatic works deriving from the saga's plot and characters include
Gordon Bottomley's ''The Riding to Lithend'' (1909),
Jóhann Sigurjónsson's ''Logneren/Lyga-Mörður'' (1917),
Thit Jensen's ''Nial den Vise'' (1934), and Sigurjón Jónsson's Þiðrandi - sem dísir drápu (1950). Embla Ýr Bárudóttir and Ingólfur Örn Björgvinsson's graphic novel adaptation of the saga, consisting of the four volumes ''Blóðregn'', ''Brennan'', ''Vetrarvíg'', and ''Hetjan'', was published in Iceland between 2003 and 2007.
In terms of film, television, and radio, the
Iceland
Iceland is a Nordic countries, Nordic island country between the Atlantic Ocean, North Atlantic and Arctic Oceans, on the Mid-Atlantic Ridge between North America and Europe. It is culturally and politically linked with Europe and is the regi ...
ic short film called ''Brennu-Njálssaga'' (known by its
English title in
Europe
Europe is a continent located entirely in the Northern Hemisphere and mostly in the Eastern Hemisphere. It is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, the Mediterranean Sea to the south, and Asia to the east ...
as ''The Saga of Burnt Njal'') was directed by
Friðrik Þór Friðriksson and released 1981. It sarcastically depicted the burning of the book itself, not of the events described within it. The film is featured on the Icelandic DVD release of
Angels of the Universe. Featured in the soundtrack is a song called "Brennu-Njálssaga," composed by the Icelandic
new wave band,
Þeyr with the collaboration of
Hilmar Örn Hilmarsson
Hilmar Örn Hilmarsson (; born 23 April 1958), also known as HÖH, is a musician, an art director, and '' allsherjargoði'' (''chief goði'') of Ásatrúarfélagið ("the Ásatrú Association").
Hilmar Örn Hilmarsson was a pioneer in the use ...
. This song later appeared in 1981 when the group released its single ''
Iður til Fóta'' (in the cassette version only). The 1995 adventure film ''
The Viking Sagas'' is inspired heavily by the saga, through it features an original plot. Episode 27 of ''
Monty Python's Flying Circus'' is titled "Njorl's Saga". The "saga" in question is quite unrelated to any events in Njáls saga, despite the similarities between the names. In DreamWorks' animated series ''Dragons: Race to the Edge'' season 3 episode 3 a small excerpt from Njáls saga is chiseled into a sword and a wall in a cave using the
Futhorc runic alphabet. The trope of a man trapped in a building and burned to death drives the Icelandic TV series
''Trapped'' (Ófærð).
BBC Radio 3
BBC Radio 3 is a British national radio station owned and operated by the BBC. It replaced the BBC Third Programme in 1967 and broadcasts classical music and opera, with jazz, world music, Radio drama, drama, High culture, culture and the arts ...
broadcast ''The Saga of Burnt Njal'', an audio adaptation by
Hattie Naylor based on a translation by Benjamin Danielsson and directed by Gemma Jenkins, on 24 October 2021, with Justin Salinger as "Njal",
Christine Kavanagh as "Bergthora", Justice Ritchie as "Gunnar",
Lisa Hammond as "Hattgerd",
Jasmine Hyde as "Mord" and Salomé Gunnarsdottir as "The Voice of the Saga."
The saga's influence is also discernible in other aspects of popular culture. In numerous Shanghai magazines, the Chinese composer
Nie Er went by the English name ''George Njal'', after a character in the saga.
[Jones. Andrew F. 001(2001). Yellow Music - CL: Media Culture and Colonial Modernity in the Chinese Jazz Age. ]Duke University Press
Duke University Press is an academic publisher and university press affiliated with Duke University. It was founded in 1921 by William T. Laprade as The Trinity College Press. (Duke University was initially called Trinity College). In 1926 ...
. p
122
The Hallgerda Mons, a
mountain on Venus, is named for Hallgerðr.
Manuscripts and editions
''Njáls saga'' survives in around 60 manuscripts and fragments, 21 of which – an unusually large number – are from the
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...
. None of the vellum manuscripts survives complete, but they tended to be copied conservatively, indicating the reverence which Icelandic scribes have had for the saga and making it relatively easy to reconstruct a complete medieval text. The vellum manuscripts were classified most recently by
Einar Ólafur Sveinsson in 1953, en route to his 1954
Íslenzk fornrit edition of the saga, which remains the standard edition. However, a project on 'The Variance of ''Njáls saga'' ', based in the
Árni Magnússon Institute for Icelandic Studies, is reassessing the complete history of the manuscript transmission of the saga.
The first printed edition of the saga, edited by Ólafur Ólafsson and printed by Johann Rúdolph Thiele, was based primarily on Reykjabók, with reference to Kálfalækjabók and Möðruvallabók. It was published in Copenhagen in 1772
baekur.is. A major step in the editing of the saga was the 1875–89 critical edition of Konráð Gíslason and Eiríkur Jónsson. The current main edition is that of Einar Ólafur Sveinsson from 1954.
The known, surviving manuscripts of the saga, most of which are available in digital facsimile, are:
Translations
''Njáls saga'' has been translated into English four times:
*
** Repr. 1900, London: Grant Richards.
** Repr. 1911: London, New York: Dent, Dutton.
*
** Repr. 1956, London: George Allen and Unwin.
** Repr. 1979, Westport, Conn.: Greenwood Press.
** Repr. 1998, Ware, Herts.: Wordsworth Editions.
*
* Translation by Robert Cook, in
** Revised reprint as ''Njal's Saga'', 2001, London: Penguin.
References
Sources
* Ármann Jakobsson. 2007.
Masculinity and Politics in ''Njáls saga'', ''Viator'' 38, pp. 191–215.
*
Einar Ól. Sveinsson. 2010
954 ''Brennu-Njáls saga''. Hið íslenzka fornritafélag. .
* Halldór Laxness. 1997
945 "Eftirmáli", ''Brennunjáls saga''. Vaka-Helgafell. .
* Magnusson, Magnus. 1987
960 "Introduction", ''Njal's Saga''. Penguin Classics. .
*
Gylfason, Thorsteinn. 1998. "Introduction", ''Njál's Saga''. Wordsworth Classics. .
* Vésteinn Ólason. 1998. ''Dialogues with the Viking Age: Narration and Representation in the Sagas of the Icelanders''. Heimskringla. .
* Vésteinn Ólason. 2006. "Íslendingasögur og þættir", ''Íslensk bókmenntasaga'' I. .
Further reading
* Swalm, Brendan.
Sowing Strokes and Reaping Blows: Scenic Proverbialization and Paroemial Cognitive Patterning in “Brennu-Njáls saga”'. M.A. Thesis, University of Saskatchewan, 2015.
* Miller, William Ian. ''
Why Is Your Axe Bloody? : A Reading of Njals Saga''. Oxford: Oxford University Press, 2014.
External links
Modernized Icelandic text with translations into many languages at the Icelandic Saga DatabaseAn online public domain edition of Njal's Saga George Dasent's English translation. Icelandic Saga Database
Modernized Icelandic textThe official Njal's Saga website—The Njála museum in Hvolsvöllur, Icelandwww.njalurefill.is Njals Tapestry*
* Annotated bibliography and text a
Wikisaga
{{Authority control
13th-century books
Sagas of Icelanders