Niccolò Dell'Abbate
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Niccolò dell'Abbate, sometimes Nicolò and Abate (1509 or 15121571) was a
Mannerist Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it ...
Italian painter in
fresco Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting become ...
and oils. He was of the Emilian school, and was part of the team of artists called the
School of Fontainebleau The School of Fontainbleau () () refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first majo ...
that introduced the
Italian Renaissance The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked t ...
to France. He may be found indexed under either "Niccolò" or "Abbate", though the former is more correct.


Biography

Niccolò dell'Abbate was born in
Modena Modena (, ; ; ; ; ) is a city and ''comune'' (municipality) on the south side of the Po Valley, in the Province of Modena, in the Emilia-Romagna region of northern Italy. It has 184,739 inhabitants as of 2025. A town, and seat of an archbis ...
, the son of a violinist. He trained together with Alberto Fontana in the studio of Antonio Begarelli, a local Modenese sculptor; early influences included Ferrarese painters such as Garofalo and
Dosso Dossi Giovanni di Niccolò de Luteri, better known as Dosso Dossi ( 1489–1542) was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Tit ...
. He specialized in long friezes with secular and mythological subjects, including for the ''Palazzo dei Beccherie'' (1537); in various rooms of the '' Rocca di Scandiano'' owned by the counts Boiardo (whom he portrayed in the late 1530s) he created 12 frescoes, one for each book of ''
The Aeneid The ''Aeneid'' ( ; or ) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. Written by the Roman poet Virgil between 29 and ...
'', and notably a courtly ceiling ''Concert'' composed of a ring of young musicians seen in perspective, ''Sotto in Su'' (early 1540s), and the Hercules Room in the '' Rocca Meli Lupi'' at Soragna (c. 1540–43), and possibly the
loggia In architecture, a loggia ( , usually , ) is a covered exterior Long gallery, gallery or corridor, often on an upper level, sometimes on the ground level of a building. The corridor is open to the elements because its outer wall is only parti ...
frescoes removed from Palazzo Casotti at
Reggio Emilia Reggio nell'Emilia (; ), usually referred to as Reggio Emilia, or simply Reggio by its inhabitants, and known until Unification of Italy, 1861 as Reggio di Lombardia, is a city in northern Italy, in the Emilia-Romagna region. It has about 172,51 ...
. His style was modified by exposure to
Correggio Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for som ...
and
Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, ...
,Whose name was formerly attached to Nicolò's ''Portrait of a Young Man''. when he moved to
Bologna Bologna ( , , ; ; ) is the capital and largest city of the Emilia-Romagna region in northern Italy. It is the List of cities in Italy, seventh most populous city in Italy, with about 400,000 inhabitants and 150 different nationalities. Its M ...
in 1547. In Bologna, most of his painting depicted elaborate landscapes and aristocratic genre scenes of hunting and
courtly love Courtly love ( ; ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies b ...
s, often paralleled in mythologic narratives. It was during this time that he decorated the ''
Palazzo Poggi The Palazzo Poggi is a '' palazzo'' in Via Zamboni 33, Bologna, Italy. It is the headquarters of the University of Bologna and of the rector of the university. History The Palazzo Poggi was built as the home of Alessandro Poggi and his brother ...
'', and executed a cycle of frescoes illustrating ''
Orlando Furioso ''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form ...
'' in the ducal palace at
Sassuolo Sassuolo (; ) is an Italian town, ''comune'', and industrial centre of the Province of Modena in Emilia-Romagna. Standing on the right bank of the river Secchia some southwest of Modena, the town is best known for being the centre of the Ita ...
, near
Modena Modena (, ; ; ; ; ) is a city and ''comune'' (municipality) on the south side of the Po Valley, in the Province of Modena, in the Emilia-Romagna region of northern Italy. It has 184,739 inhabitants as of 2025. A town, and seat of an archbis ...
. Bologna is also the location of his illustrations for
Ariosto Ludovico Ariosto (, ; ; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic '' Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describ ...
's ''
Orlando Furioso ''Orlando furioso'' (; ''The Frenzy of Orlando'') is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form ...
'', and where he was celebrated in a sonnet which compares him to
Raphael Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its cl ...
and
Titian Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Ti ...
among others. One of his early pieces that cemented his reputation was the '' Martyrdom of St. Peter and St. Paul'', in the church of the abbey of San Pietro, Modena. He spent 1548 through 1552 in
Bologna Bologna ( , , ; ; ) is the capital and largest city of the Emilia-Romagna region in northern Italy. It is the List of cities in Italy, seventh most populous city in Italy, with about 400,000 inhabitants and 150 different nationalities. Its M ...
, where he gained influence from
Correggio Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for som ...
and
Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, ...
. His surviving stucco-surface landscape in the Palazzo dell'Università shows his maturing style. In 1552, Niccolò moved to France, where he worked at the royal Château de Fontainebleau as a member of the decorating team under the direction of
Francesco Primaticcio Francesco Primaticcio (; April 30, 1504 – 1570) was an Italian Mannerism, Mannerist Painting, painter, architect and sculpture, sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano ( ...
. Within two years of his arrival he was drawing a project for a decor commemorating Anne de Montmorency (preparatory drawing at the Louvre). In Paris, he frescoed the chapel ceiling in the Hôtel de Guise (destroyed), following Primaticcio's designs. He also executed private commissions for portable canvases of mythological subjects sited in landscapes. He designed a series of tapestries titles ''Les Mois Arabesques'', some of which were used by the painted enamel industry of Limoges. Much of his output reflected an often overlooked function of artists of the time: the ephemeral festive decorations erected to celebrate special occasions in the court circle, for example, the decorations for the triumphal entry into Paris staged for Charles IX and his bride Elisabeth of Austria. His final pieces, in 1571, were 16 murals which were done with the assistance of his son Giulio Camillo. That year, Niccolò died in
Fontainebleau Fontainebleau ( , , ) is a Communes of France, commune in the Functional area (France), metropolitan area of Paris, France. It is located south-southeast of the Kilometre zero#France, centre of Paris. Fontainebleau is a Subprefectures in Franc ...
, France. Niccolò's great-nephew, Ercole Abbate of
Modena Modena (, ; ; ; ; ) is a city and ''comune'' (municipality) on the south side of the Po Valley, in the Province of Modena, in the Emilia-Romagna region of northern Italy. It has 184,739 inhabitants as of 2025. A town, and seat of an archbis ...
(1573–1613), was one of his pupils.


Works

Niccolò is best known for his mythological landscape subjects, which introduced the Flemish world landscape into French art, such as the ''
Orpheus In Greek mythology, Orpheus (; , classical pronunciation: ) was a Thracians, Thracian bard, legendary musician and prophet. He was also a renowned Ancient Greek poetry, poet and, according to legend, travelled with Jason and the Argonauts in se ...
and Landscape with the Death of Eurydice'' in the
National Gallery, London The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current dire ...
and the '' Rape of Proserpine'' in the
Louvre The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arron ...
, and for his profuse and elegant drawings. Not many of his frescoes have survived; however, the
Louvre The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arron ...
does have a collection of his drawings. Many of his canvasses were burnt in 1643, by the Austrian regent,
Anne Anne, alternatively spelled Ann, is a form of the Latin female name Anna (name), Anna. This in turn is a representation of the Hebrew Hannah (given name), Hannah, which means 'favour' or 'grace'. Related names include Annie (given name), Annie a ...
. Some of his landscapes for Charles IX were influential for the 17th century painters
Claude Lorrain Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in I ...
and
Nicolas Poussin Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythologic ...
.


See also

* Renaissance banquet


Notes


Footnotes


References

* * * * * * *


External links


''Tribune de l'Art'': Christophe Brouard, review of the 2005 exhibition
{{DEFAULTSORT:Dellabbate, Niccolo 16th-century births 1571 deaths 16th-century Italian painters Italian decorators Italian male painters Italian Mannerist painters Painters from Modena