Neo-Dada was a movement with audio,

visual The visual system comprises the sensory organ (the eye) and parts of the central nervous system (the retina containing photoreceptor cells, the optic nerve, the optic tract and the visual cortex) which gives organisms the sense of sight ...

and literary manifestations that had similarities in method or intent with earlier

Dada Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 192 ...

artwork. It sought to close the gap between art and daily life, and was a combination of playfulness,

iconoclasm Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wi ...

, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of

Fluxus Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus ...

, Pop Art and Nouveau réalisme. Neo-Dada has been exemplified by its use of modern materials, popular imagery, and absurdist contrast. It was a reaction to the personal emotionalism of

Abstract Expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...

and, taking a lead from the practice of

Marcel Duchamp Henri-Robert-Marcel Duchamp (, , ; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso ...

and

Kurt Schwitters Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany. Schwitters worked in several genres and media, including dadaism, constructivism, surrealism, poetry, sound, pain ...

, denied traditional concepts of

aesthetics Aesthetics, or esthetics, is a branch of philosophy Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, Epistemology, knowledge, Ethics, values, Philosophy of ...

Trends

Interest in Dada followed in the wake of documentary publications, such as

Robert Motherwell Robert Motherwell (January 24, 1915 – July 16, 1991) was an American abstract expressionist painter, printmaker, and editor of ''The Dada Painters and Poets: an Anthology''. He was one of the youngest of the New York School, which also inc ...

's ''The Dada Painters and Poets'' (1951) and German language publications from 1957 and later, to which some former Dadaists contributed. However, several of the original Dadaists denounced the label Neo-Dada, especially in its U.S. manifestations, on the grounds that the work was derivative rather than making fresh discoveries; that aesthetic pleasure was found in what were originally protests against

bourgeois The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. Th ...

aesthetic concepts; and because it pandered to

commercialism Commercialism is the application of both manufacturing and consumption towards personal usage, or the practices, methods, aims, and distribution of products in a free market geared toward generating a profit. Commercialism can also refer, positive ...

. Many of the artists who identified with the trend subsequently moved on to other specialities or identified with different art movements and in many cases only certain aspects of their early work can be identified with it. For example,

Piero Manzoni Piero Manzoni di Chiosca e Poggiolo, better known as Piero Manzoni (July 13, 1933 – February 6, 1963) was an Italian artist best known for his ironic approach to avant-garde art. Often compared to the work of Yves Klein, his own work antici ...

's ''Consacrazione dell'arte dell'uovo sodo'' (Artistic consecration of the hard-boiled egg, 1959), which he signed with an imprint of his thumb, or his cans of shit (1961) whose price was pegged to the value of their weight in gold, satirizing the concept of the artist's personal creation and art as commodity. Basel Fasnachtsbrunnen Jean Tinguely

An allied approach is found in the creation of collage and assemblage, as in the junk sculptures of the American Richard Stankiewicz, whose works created from scrap have been compared with Schwitters' practice. These objects are "so treated that they become less discarded than found, ''objets trouvés''." Jean Tinguely's fantastic machines, notoriously the self-destructing ''Homage to New York'' (1960), were another approach to the subversion of the mechanical. Although such techniques as collage and assemblage may have served as inspiration, different terms were found for the objects produced, both in the U.S. and in Europe.

Robert Rauschenberg Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artwor ...

labeled as "combines" such works as "Bed" (1955), which consisted of a framed quilt and pillow covered in paint and mounted on the wall. Arman labeled as "accumulations" his collections of dice and bottle tops, and as "''poubelles''" the contents of trash-bins encased in plastic. Daniel Spoerri created "snare pictures" (''tableaux piège''), of which the earliest was "Kichka's Breakfast" (1960), and in which the remains of a meal were glued to the cloth and mounted on the table-top affixed to the wall.

Poems

In the Netherlands the poets associated with the 'magazine for texts', ''Barbarber'' (1958–71), particularly J. Bernlef and K. Schippers, extended the concept of the readymade into poetry, discovering poetic suggestiveness in such everyday items as a newspaper advert about a lost tortoise and a typewriter test sheet. Another group of Dutch poets infiltrated the Belgian experimentalist magazine ''Gard Sivik'' and began to fill it with seemingly inconsequential fragments of conversation and demonstrations of verbal procedures. The writers included

C.B. Vaandrager Cornelis Bastiaan Vaandrager (26 August 1935, in Rotterdam – 18 March 1992, in Rotterdam), who generally published with only his initials as C. B. Vaandrager, was a Dutch writer and poet who lived and worked in Rotterdam. Later he came to be ...

, Hans Verhagen and the artist

Armando Armando may refer to: * Armando (given name) * Armando (artist) (1929–2018), the name used by Dutch artist Herman Dirk van Dodeweerd * Armando (producer) Armando Gallop (sometimes written as Armando Gallup) (February 12, 1970 – December 17, ...

. On this approach the critic Hugo Brems has commented that "the poet's role in this kind of poetry was not to discourse on reality, but to highlight particular fragments of it which are normally perceived as non-poetic. These poets were not creators of art, but discoverers." The impersonality that such artists aspired to was best expressed by Jan Schoonhoven (1914–94), the theorist of the

Dutch Nul group The Dutch Nul Group, which consisted of Armando (artist), Armando (b. 1929), Jan Henderikse (b. 1937), Henk Peeters (b. 1925-2013) and Jan Schoonhoven (1914-1994), manifested itself in form and name in 1961. On 1 April 1961, a stone's throw from ...

of artists, to which Armando also belonged: "Zero is first and foremost a new conception of reality, in which the individual role of the artist is kept to a minimum. The Zero artist merely selects, isolates parts of reality (materials as well as ideas stemming from reality) and exhibits them in the most neutral way. The avoidance of personal feelings is essential to Zero." This in turn links it with some aspects of Pop Art and Nouveau Réaliste practice and underlines the rejection of Expressionism. The beginnings of

Concrete Poetry Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct mea ...

and text montage in the

Wiener Gruppe The Wiener Gruppe (''Vienna Group'') was a small and loose avant-garde constellation of Austrian poets and writers, which arose from an older and wider postwar association of artists called Art-Club. The group was formed around 1953 under the influ ...

have also been referred back to the example of Raoul Hausmann's letter poems. Such techniques may also owe something to H.N. Werkman's typographical experiments in the Netherlands which had first been put on display in the Stedelijk Museum in 1945.

Artists linked with the term

* Arman *

Genpei Akasegawa was a pseudonym of Japanese artist , born March 27, 1937 – October 26, 2014 in Yokohama. He used another pseudonym, , for literary works. A member of the influential artist groups Neo-Dada Organizers and Hi-Red Center, Akasegawa went on to ma ...

Joseph Beuys Joseph Heinrich Beuys ( , ; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and anthroposophy. He was a founder of a provocative art mov ...

* Jaap Blonk * Lee Bontecou * George Brecht * John Cage * César * John Chamberlain * Christo *

Merce Cunningham Mercier Philip "Merce" Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other discipl ...

Jim Dine Jim Dine (born June 16, 1935 in Cincinnati, Ohio) is an American artist whose œuvre extends over sixty years. Dine’s work includes painting, drawing, printmaking (in many forms including lithographs, etchings, gravure, intaglio, woodcuts, ...

* Jacques Halbert * Dick Higgins * Kommissar Hjuler *

Jasper Johns Jasper Johns (born May 15, 1930) is an American painter, sculptor, and printmaker whose work is associated with abstract expressionism, Neo-Dada, and pop art. He is well known for his depictions of the American flag and other US-related top ...

Allan Kaprow Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" and "Happening" in the late 1950s and 1960s, as well a ...

Yves Klein Yves Klein (; 28 April 1928 – 6 June 1962) was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein ...

* Alison Knowles *

George Maciunas George Maciunas (; lt, Jurgis Mačiūnas; November 8, 1931 – May 9, 1978) was a Lithuanian American artist, born in Kaunas. A founding member and the central coordinator of Fluxus, an international community of artists, architects, composers ...

* Neo-Dada Organizers *

Claes Oldenburg Claes Oldenburg (January 28, 1929 – July 18, 2022) was a Swedish-born American sculptor, best known for his public art installations typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions ...