Museum Of Sacred Art Of São Paulo
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The Museum of Sacred Art of São Paulo ( Portuguese: ''Museu de Arte Sacra de São Paulo'') a museum dedicated to the collection and display of
sacred art Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices. According to one set of definit ...
of Brazil. It is located in the Luz neighborhood of São Paulo in the left wing of the Luz Monastery, a religious institution founded in 1774 by
Frei Galvão Anthony of St. Ann Galvão, Order of Friars Minor, O.F.M. (Portuguese: Antônio de Sant'Anna Galvão; 13 May 1739 – 23 December 1822), more commonly known as Frei Galvão, was a Brazilian people, Brazilian friar of the Order of Friars Minor, Fr ...
. The monastery is the only colonial building of the eighteenth century in São Paulo to preserve its original building elements, materials and structure. The monastery was listed as an architectural monument of national importance in 1943 by the
National Institute of Historic and Artistic Heritage The National Historic and Artistic Heritage Institute (, IPHAN) is a heritage register of the federal government of Brazil. It is responsible for the preservation of buildings, monuments, structures, objects and sites, as well as the register an ...
(IPHAN) and subsequently by the
State of São Paulo State most commonly refers to: * State (polity), a centralized political organization that regulates law and society within a territory **Sovereign state, a sovereign polity in international law, commonly referred to as a country **Nation state, a ...
Council for the Defense of the Historical, Archaeological, Artistic and Touristic Heritage (CONDEPHAAT).Turner & Rose (1989) pp. 85–86. The museum was founded in 1970 and is maintained jointly by the State Government of São Paulo and the Archdiocese of São Paulo. The collection includes Brazilian and foreign works sacred works dating from the sixteenth century, and includes works by noted artists such as
Aleijadinho Antônio Francisco Lisboa ( or 1738 – 18 November 1814), better known as Aleijadinho (, ), was a sculptor, carver and architect of Colonial Brazil, noted for his works on and in various churches of Brazil. With a style related to Baroque and Roc ...
, Agostinho da Piedade, Agostinho de Jesus,
Valentim da Fonseca e Silva Valentim da Fonseca e Silva ( – March 2, 1813), better known as Mestre Valentim, was a Brazilian sculptor, architect and urban planning, urban planner, recognized for his contribution to 18th century Rio de Janeiro's public spaces and civic arc ...
,
Manoel da Costa Ataíde Manoel da Costa Ataíde, better known as Mestre Ataíde (18 October 1762 – 2 February 1830), was a Brazilian painter, sculptor, gilder and teacher. An important artist of the baroque-rococo school in Minas Gerais, Ataíde had a major influen ...
,
José Ferraz de Almeida Júnior José Ferraz de Almeida Júnior (8 May 1850 – 13 November 1899), commonly known as Almeida Júnior, was a Brazilian artist and designer; one of the first there to paint in the Realistic tradition of Gustave Courbet and Jean-François Millet. ...
, and
Benedito Calixto Benedito Calixto de Jesus (14 October 1853 – 31 May 1927) was a Brazilian painter. His works usually depicted figures from Brazil and Brazilian culture, including a famous portrait of the '' bandeirante'' Domingos Jorge Velho in 1923, and scen ...
.


Museum of the Curia

The collection of the Museum of Sacred Art of São Paulo began early in the early twentieth century on the initiative of Dom Duarte Leopoldo e Silva (1867-1938), the first archbishop of São Paulo. He was responsible for the distribution of sacred works during the demolition of the São Paulo Cathedral in 1911 for the construction of the present cathedral. Dom Duarte distributed the sacred works to various churches throughout the greater São Paulo area with the goal of bringing the collection together into a unified collection at a later date. The archdiocese opened the Museum of the Curia (''O Museu da Cúria'') in 1907, and the collection grew over the 20th century.


Foundation and opening

The Curia Museum continued to collect pieces during the period of demolition and rebuilding of several churches from the state São Paulo during first half of the twentieth century. The collection was kept in a room in the Curia on Rua Santa Teresa. In 1969, when Abreu Sodre was governor of São Paulo, the Secretary of Finance,
Luis Arrobas Martins Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic ...
, engaged in the creation and consolidation of a network of cultural facilities in the state. He began negotiations with Cardinal
Agnelo Rossi Agnelo Rossi (born Aniello Rossi; 4 May 1913 – 21 May 1995) was a Brazilian cardinal of the Roman Catholic Church and dean of the Sacred College of Cardinals. Biography Aniello (later changed to "Agnelo") Rossi was born on 4 May 1913 in Joa ...
(1913-1995) aiming at the creation of the São Paulo Museum of Sacred Art. An agreement for the merger of the existing collection of the Curia and similar collections of sacred art owned by the state government was signed on October 28, 1969. The agreement between the government and the Archdiocese was approved at the same time as the restoration work of the Luz Monastery by IPHAN. The museum opened to the public on June 29, 1970. The initial collection was joined by other works of sacred pieces acquired by private collectors such as
Luis Arrobas Martins Luis is a given name. It is the Spanish form of the originally Germanic name or . Other Iberian Romance languages have comparable forms: (with an accent mark on the i) in Portuguese and Galician, in Aragonese and Catalan, while is archaic ...
(1920-1977),
Pietro Maria Bardi Pietro Maria Bardi (La Spezia, February 21, 1900 – São Paulo, October 1, 1999) was an Italian writer, curator and collector, mostly known for being the Founding Director of the São Paulo Museum of Art in Brazil. Bardi started his career ...
(1900-1999), and Ciccillo Matarazzo (1898-1977). The Luz Monastery underwent another makeover in the 1970s under the direction of CONDEPHAAT to restore its appearance to that of the early eighteenth century. It is now considered the most outstanding work of colonial architecture that remains in the São Paulo metropolitan area.
Antonio de Oliveira Godinho Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular m ...
(1920-1992) became director of the museum in 1979 and fundamentally reshaped the profile and display of the collection. The newly elected
Pope John Paul II Pope John Paul II (born Karol Józef Wojtyła; 18 May 19202 April 2005) was head of the Catholic Church and sovereign of the Vatican City State from 16 October 1978 until Death and funeral of Pope John Paul II, his death in 2005. In his you ...
visited the museum in the same year.


See also

*
UNASP São Paulo Memory Center Created and maintained by the Adventist University Center of São Paulo (UNASP) São Paulo campus, the UNASP São Paulo Memory Center is the first museological institution in Capão Redondo. It aims to preserve and disseminate the memory of UNAS ...
(Adventist University Center of São Paulo museum)


References


Bibliography

* {{authority control Art museums and galleries in Brazil Museums in São Paulo Art museums and galleries established in 1970 1970 establishments in Brazil Tourist attractions in São Paulo