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"Mercy" is a song by English
rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ...
band
Muse In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the ...
from their seventh album, ''
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''. It was released as the second single from the album on 18 May 2015.


Background

The song is part of a concept album about "the journey of a human, from their abandonment and loss of hope, to their indoctrination by the system to be a human drone, to their eventual defection from their oppressors". On the band's website,
Matt Bellamy Matthew James Bellamy (born 9 June 1978) is an English singer, musician, producer, and songwriter. He is primarily known as the lead vocalist, guitarist, pianist, and primary songwriter for English rock band Muse. He is recognised for his ecce ...
stated that " e opening line of 'Mercy' - ''Help me I've fallen on the inside'' - is a reference to the protagonist knowing and recognising that they have lost something, they have lost themselves. This is where they realize they're being overcome by the dark forces that were introduced in 'Psycho.


Reception

Upon the album's release, the song was met with mixed reactions. Gigwise's Andrew Trendell praised the song as being "heartfelt" and "a pristine stadium gem". In his album review for
Consequence of Sound ''Consequence'' (previously ''Consequence of Sound'') is an independently owned New York-based online magazine featuring news, editorials, and reviews of music, movies, and television. In addition, the website also features the Festival Outl ...
, Collin Brennan, however, was less favourable, criticising that the song's "supposedly trenchant political commentary snegated by its almost palpable yearning to be played on commercial rock radio". In his review of ''
Drones Drone most commonly refers to: * Drone (bee), a male bee, from an unfertilized egg * Unmanned aerial vehicle * Unmanned surface vehicle, watercraft * Unmanned underwater vehicle or underwater drone Drone, drones or The Drones may also refer to: ...
'',
NME ''New Musical Express'' (''NME'') is a British music, film, gaming, and culture website and brand. Founded as a newspaper in 1952, with the publication being referred to as a 'rock inkie', the NME would become a magazine that ended up as a f ...
's Mark Beaumont described the song as "infectious electro-rock".
Consequence of Sound ''Consequence'' (previously ''Consequence of Sound'') is an independently owned New York-based online magazine featuring news, editorials, and reviews of music, movies, and television. In addition, the website also features the Festival Outl ...
's Collin Brennan called it an "anthem" reminiscent of "latter-day U2". In similar fashion, Gigwise's Andrew Trendell described the song as a "driving and pulsing piano-led arena power-anthem". Likening it to the music from the band's fourth album ''
Black Holes And Revelations ''Black Holes and Revelations'' is the fourth studio album by English rock band Muse, first released on 3 July 2006 through Warner Bros. Records and Muse's Helium-3 imprint. It was recorded over four months with producer Rich Costey in New Yo ...
'', he called the song a "close cousin to 'Starlight' .. albeit with a rejuvenated energy and very forward-looking approach".


Music video

The music video was directed by Sing J. Lee and shot in
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. It opens to a clock ticking counting down, and flashing quick glimpses of other scenes, some from the rest of the video, including the main character escaping down a hallway, screaming at the camera and counting calendar days in vivid red lighting, as well as numerous images of a similarly lit flower. These brief images repeat throughout the video. Shots of the band performing on a large indoor stage with bright, dynamic lighting are spliced throughout between the story scenes. Two scientists are shown discussing design plans for a female android posted on a wall in their workplace. A woman sleeps in a bed with a monitor on her wrist and an electronic device placed around her head, with several doctors monitoring her through the glass wall, watching what appears to be a simulation being created for her through the device on a screen, and tapping a button marked "days to reset" on another as it counts down and cycles through the days of the week. The woman's sleep appears to be getting less restful from the simulation as she fidgets and begins breathing harder. She is shown walking out onto a rooftop and taking a transparent rake from one of the men escorting her, redrawing the lines in a large sand garden, and looking out at the city around them before she and two of the men go back inside. We see her in the same room and on the same bed as before, but without the electronic devices, leaning away from an unknown man with a somewhat frightened expression as he lifts her chin to look at him and then begins undressing himself. Shots are shown of her flipping through a journal with a loose note stuck into it, reading "you are stronger than you think." She goes up to the rooftop to draw in the sand again, only this time bumps into an exact duplicate of herself accompanied by two different men, as both women take a moment to stare at each other in shock. She is later seen laying in bed, again without the devices, appearing to contemplate the emotions of these recent encounters. She is then shown looking through the glass wall of a small room, filled with sixteen more of the duplicates, standing but deactivated. She places a new note in the journal atop the other, reading "look right. You are greater in numbers." On the last day before the reset, the version of her with the simulation device suddenly startles awake, tears off the device and snaps it in half before throwing a stack of books from the nightstand through the window and escaping. We see her weave through numerous people trying to catch her, the source of some of the shots spread through the rest of the video, before she locks herself in a small room, containing a "final reset" button which she presses. She steps up onto a platform that lays her on her back as she appears to deactivate, before we see every one of the sixteen other duplicates wake up.


Usage in media

"Mercy" was used in promotional spots and launch trailer for the video game '' Batman: Arkham Knight''.


Charts


Weekly charts


Year-end charts


References

{{authority control 2015 singles 2015 songs Muse (band) songs Song recordings produced by Robert John "Mutt" Lange Songs written by Matt Bellamy Warner Records singles