Matthaeus Pipelare ( – ) was a
Netherlandish composer, choir director, and possibly
wind instrument player of the
Renaissance.
He was from
Louvain, and spent part of his early life in
Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504, . Unlike many of his contemporaries, many of whom traveled to
Italy,
Spain or elsewhere, he seems never to have left the
Low Countries. In spring 1498 he became the choir director at the
Illustrious Confraternity of Our Lady The Illustrious Brotherhood of Our Blessed Lady (Illustre Lieve Vrouwe Broederschap) was a religious confraternity founded in 1318 in 's-Hertogenbosch to promote the veneration of the Mother of God. The brotherhood was organized around a carved woo ...
at
's-Hertogenbosch
s-Hertogenbosch (), colloquially known as Den Bosch (), is a city and municipality in the Netherlands with a population of 157,486. It is the capital of the province of North Brabant and its fourth largest by population. The city is south of th ...
, a position he held until 1500. From his name it is presumed that either he or perhaps his father was a wind player, for example a town piper.
Pipelare's style was wide-ranging; he wrote in almost all of the vocal forms current in his day: masses, motets, secular songs in all the local languages. No instrumental music has survived. In mood his music ranged from light secular songs to sombre
motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...
s related to those of
Pierre de La Rue, an almost exact contemporary.
He wrote 11 complete
masses which have survived to modern times (although many of the manuscripts were destroyed in the
Second World War), as well as 10
motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...
s, and 8
chansons; the chansons are both in
French
French (french: français(e), link=no) may refer to:
* Something of, from, or related to France
** French language, which originated in France, and its various dialects and accents
** French people, a nation and ethnic group identified with Franc ...
and
Dutch. One of the masses is a four-voice
cantus firmus setting of
L'homme armé
"L'homme armé" (French for "the armed man") is a secular song from the Late Middle Ages, of the Burgundian School. According to Allan W. Atlas, "the tune circulated in both the Mixolydian mode and Dorian mode (transposed to G)." It was the most p ...
, a style which was already old-fashioned by the time he was writing; the tune moves from voice to voice, but is usually in the tenor. His ''Missa Fors seulement'' is based on his own
chanson, which he used as the cantus firmus. ''Memorare Mater Christi'' is a seven-part motet on the sorrows of the Virgin Mary; each of the seven voices represents a different ''dolor''. The third of the seven voices even quotes the contemporary Spanish
villancico "Nunca fué pena mayor" (never was there a greater pain) by
Juan de Urrede.
Sequential writing and
syncopated
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "place ...
rhythms are characteristic of his music.
Discography
*Matthaeus Pipelare:
Missa L'homme armé; Chansons; Motets",
Huelgas Ensemble (
Paul Van Nevel), Sony
*Matthaeus Pipelare: Paradise Regained - Masses, The Sound and the Fury, Fra Bernardo (2014)
References
*
Gustave Reese, ''Music in the Renaissance''. New York, W.W. Norton & Co., 1954.
*
External links
Matthaeus Pipelare's ''Fors seulement'' (II) Chanson, and its Related Motet and Mass Performance Editions and Commentary(George H. Black, Jr.; doctoral dissertation, Louisiana State University)
*
*
{{DEFAULTSORT:Pipelare, Matthaeus
1450s births
1510s deaths
Flemish composers
Renaissance composers
Musicians from Leuven
15th-century Franco-Flemish composers
16th-century Franco-Flemish composers