Martín Malharro
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Martín Malharro (1865–1911) was an Argentine painter who introduced
Impressionism Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
in the country in the early 20th century.


Life and work

Martín Malharro was born in the central
Buenos Aires Province Buenos Aires, officially the Buenos Aires Province, is the largest and most populous Provinces of Argentina, Argentine province. It takes its name from the city of Buenos Aires, the capital of the country, which used to be part of the province an ...
city of Azul in 1865. His childhood interest in painting led to domestic violence at home, from which he left for
Buenos Aires Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
in 1879. The struggling young artist was mentored in 1885 by publisher Roberto Payró, who encouraged him to enroll at the Society for the Stimulus of Fine Arts, where he received formal training by Francisco Romero, an
Italian Argentine Italian Argentines (; , or ''tanos'' in Rioplatense Spanish) are Argentine-born citizens who are fully or partially of Italian descent, whose ancestors were Italians who emigrated to Argentina during the Italian diaspora, or Italian-born people ...
Realist painter, and others prominent in the genre locally, such as Ángel Della Valle and Reinaldo Giudici. Malharro was invited to the Córdoba Province ranch of José María Ramos Mejía in 1887, where, as an artist-in-residence, he gained experience as a
landscape art Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coh ...
ist. An 1892 excursion into Tierra del Fuego Territory introduced him to lithographer Antonio Bosco, who trained Malharro in an art which proved to be the young artist's first reliable source of income. His presentation at the Second National Atheneum in 1894, which consisted mainly of landscapes, particularly wheat fields, was well received by critics. This relative success allowed him to travel to
Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of ci ...
in 1895, where he befriended Realist sculptor and fellow Argentine
Rogelio Yrurtia Rogelio Yrurtia (December 6, 1879 – March 4, 1950) was a renowned Argentine sculptor of the Realist school. Life and work Born in Buenos Aires, Argentina to Basque immigrants in 1879, Rogelio Yrurtia enrolled in the local Society for the ...
. Malharro also drew on his experience at the Ramos Mejía ranch to refine his skill as a landscape impressionist, drawing influences from Camille Pissarro,
Claude Monet Oscar-Claude Monet (, ; ; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his ...
and the
Naturalist Natural history is a domain of inquiry involving organisms, including animals, fungi, and plants, in their natural environment, leaning more towards observational than experimental methods of study. A person who studies natural history is cal ...
Barbizon School.


Career

Returning to Buenos Aires in 1901, he secured an exhibition at the Witcomb Gallery in the following year. Conservative Argentine audiences, who still preferred Realist work, were won over by the 1902 art show, which popularized Impressionism in the then-remote South American nation. His nocturnal scenes became particularly coveted by buyers and lauded by critics. Malharro's work took an increasingly Symbolist direction and away from earlier studies on wheat fields, a common subject among Impressionist artists in Argentina at the time. Malharro, Fernando Fader, Cesáreo Bernaldo de Quirós and other artists following the same trend became the first prominent Post-Impressionists in Argentina, where they were known as the Nexus group. The sudden renown secured Malharro a post in the prestigious University of La Plata as Dean of the School of Art, as well as in the National Fine Arts Academy. His
atelier An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or vi ...
in the northside Buenos Aires district of Belgrano became increasingly sought-after, though a second exhibition in 1908 drew scorn from Argentine critics, who still rejected most work associated with the Nexus group. Malharro died in Buenos Aires on August 17, 1911, at age 46.


Gallery

File:Martín Malharro - Las parvas (la pampa de hoy) - Google Art Project.jpg, ''Hay'', oil on canvas, 1911. File:Martín Malharro - El arado - Google Art Project.jpg, ''The Tiller'', oil on canvas, 1901. File:Martín Malharro - Nocturno, 1909.jpg, Nocturno, 1909 File:Malharro Corsario.jpg, ''Corsair La Argentina'', oil on canvas, 1895. File:Martín Malharro - La arboleda - Google Art Project.jpg


External links


''Museo Castagnino: Martín Malharro''
{{DEFAULTSORT:Malharro, Martin Post-impressionist painters 19th-century Argentine painters 19th-century Argentine male artists Argentine male painters People from Buenos Aires Province 1865 births 1911 deaths 20th-century Argentine painters Academic staff of the National University of La Plata 20th-century Argentine male artists