Maol Ruanaidh Cam Ó Cearbhaill, otherwise ''An Giolla Caoch'' and ''Cam Ó Cearbhaill'', sometimes anglicised as Cam O'Kayrwill (died 10 June 1329) was a notable Irish

harp The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...

ist and player of the

tiompan :''See Rotte (lyre)'' The tiompán ( Irish), tiompan (Scottish Gaelic), or timpan ( Welsh) was a stringed musical instrument used by musicians in medieval Ireland and Britain. The word 'timpán' was of both masculine and feminine gender in class ...

, murdered with many others at the Braganstown Massacre.

Origin

Ó Cearbhaill appears to have been descended from the Ó Cearbhaill of Airgíalla, a kingdom which once covered Monaghan and Louth. He performed upon the

, and conducted a school teaching the instrument. In his lifetime he appears to have been an especially esteemed musician, one of his obituaries calling him "supreme in his art, mighty in precedence and excellence".

Friar A friar is a member of one of the mendicant orders in the Catholic Church. There are also friars outside of the Catholic Church, such as within the Anglican Communion. The term, first used in the 12th or 13th century, distinguishes the mendi ...

John Clyn (c.1286–c.1349), who later composed a

chronicle A chronicle (, from Greek ''chroniká'', from , ''chrónos'' – "time") is a historical account of events arranged in chronological order, as in a timeline. Typically, equal weight is given for historically important events and local events ...

called ''The Annals of Ireland'', had such particular praise for him that Clyn's editor, Bernadette Williams, believes that the two were known to each other, possibly friends. Ó Cearbhaill also seems to have known John de Bermingham, 1st Earl of Louth, a member of a well-known

Anglo-Irish Anglo-Irish people () denotes an ethnic, social and religious grouping who are mostly the descendants and successors of the English Protestant Ascendancy in Ireland. They mostly belong to the Anglican Church of Ireland, which was the State rel ...

family which had long been instrumental in the defense of the English control of Ireland. Bermingham had been granted the Earldom of Louth for defeating Prince Edward Bruce at the Battle of Faughart in 1318. He lived in the same part of Ireland as Ó Cearbhaill and would have been regarded as a good patron for him to cultivate.

Braganstown Massacre

Ó Cearbhaill was one of over one hundred and sixty people killed at the Braganstown Massacre on Saturday, 10 June 1329. The killers were local people of Louth who objected to being ruled by an outsider (Bermingham was from Uí Failghe). John Clyn states that "His entire earldom conspired against him, being unwilling that he should rule over them. They took counsel as one, and gathered in a great mass of armed men. Not sparing one of his 'familia', they killed him with his two brothers and around nine of his 'cognomine' and with one hundred and sixty and more." However, Clyn reserved his grief for Ó Cearbhaill, writing that:

''In ista strage et eodem die Cam O'Kayrwill, famosus ille timpanista et cytharista, in arte sea fenix, ca pollens prerogativa et virtute, cum aliis tympanistis disciplulis djus circiter 20 ibidem occubuit. Iste ... vocatus Cam O'Kayrwyll, quia luscus erat nec habebat oculos rectos, sed oblique respiciens, et si non fuerat artis musice cordalis primus inventor, omnium tamen predcessorum et precedentium ipsum, ac contemporaneorum, corrector, doctor et director extitit.''

Bernadette Williams translates this as:

''And on the same day, in this massacre, Ó Cearbhaill, that famous timpanist and harpist, supreme in his art, mighty in precedence and excellence, lay in the grave in the same place, with about twenty other timpanists, his students. He was called Cam Ó Cearbhaill because he was one-eyed and could not see straight, but looked obliquely; and, if he was not the first inventor of the art of string music, all his predecessors and precursors, he was corrector, scholar and director.''

References

* Ann Buckley, "What was the Tiompán? A Problem in Ethnohistorical Organology. Evidence in Irish Literature", in ''Jahrbuch für musikalische Volks- und Völkerkunde'', vol. 9 (1977), p. 53–88. * A. Buckley, "Timpán/Tiompán", in ''The New Grove Dictionary of Music and Musicians'' (London, 1980), and in ''The New Grove Dictionary of Musical Instruments'' (London, 1986). * A. Buckley, "Musical Instruments in Ireland from the 9th to the 14th Centuries: A Review of the Organological Evidence", in: ''Irish Musical Studies'' vol. 1 (Blackrock: Irish Academic Press, 1990), pp. 13–57. * A. Buckley, "Music and Musicians in Medieval Irish Society", in: ''Early Music'' vol. 28 (2000), May, pp. 165–190. * A. Buckley, "Music in Ireland to ''c.''1500", in: ''A New History of Ireland'', vol. 1, ed. Dáibhí Ó Cróinín (Oxford, 2005), pp. 744–813. * Bernadette Williams (ed.), ''The Annals of Ireland by Friar John Clyn'' (Dublin, 2007), pp. 95–96, 95–101, 102, 194, . * A. Buckley, "Ó Cerbaill, Maelruanaid", in ''The Encyclopaedia of Music in Ireland'', ed. Harry White and Barra Boydell (Dublin: University College Dublin Press, 2013), p. 748–749. {{DEFAULTSORT:OCearbhaill, Maol Ruanaidh Cam 14th-century Irish musicians Irish hammered dulcimer players Irish harpists Irish male harpists Medieval Gaels from Ireland Medieval Irish musicians Musicians from County Louth People murdered in Ireland Unsolved murders in Ireland

Origin

Braganstown Massacre

See also

References