Lobe Den Herrn, Meine Seele, BWV 69a
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Johann Sebastian Bach Johann Sebastian Bach (German: Help:IPA/Standard German, ˆjoËhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
composed the church cantata (Praise the Lord, my soul), 69a, also BWV69.1, at Bach Digital website: Lobe den Herrn, meine Seele BWV 69.1; BWV 69a; BC A 123 / Sacred cantata (12th Sunday after Trinity) in
Leipzig Leipzig (, ; ; Upper Saxon: ; ) is the most populous city in the States of Germany, German state of Saxony. The city has a population of 628,718 inhabitants as of 2023. It is the List of cities in Germany by population, eighth-largest city in Ge ...
for the twelfth Sunday after
Trinity The Trinity (, from 'threefold') is the Christian doctrine concerning the nature of God, which defines one God existing in three, , consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, thr ...
and first performed it on 15 August 1723. It is part of his first cantata cycle.


History and words

Bach wrote the cantata in his first year in Leipzig, which he had started after Trinity of 1723, for the Twelfth Sunday after Trinity. The prescribed readings for the Sunday were from the Second Epistle to the Corinthians, the ministry of the Spirit (), and from the
Gospel of Mark The Gospel of Mark is the second of the four canonical Gospels and one of the three synoptic Gospels, synoptic Gospels. It tells of the ministry of Jesus from baptism of Jesus, his baptism by John the Baptist to his death, the Burial of Jesus, ...
, the healing of a deaf mute man (). The unknown poet referred to the gospel, but saw God constantly doing good for man in the healing more generally. The opening chorus is therefore taken from , "Praise the Lord, my soul, and do not forget the good He has done for you". The poetry refers to "telling" several times, related to the healed man's ability to speak: "Ah, that I had a thousand tongues!" ( movement 2), "My soul, arise! tell" (movement 3) and "My mouth is weak, my tongue mute to speak Your praise and honor" (movement 4). Several movements rely on words of a cantata by Johann Oswald Knauer, published in 1720 in in Gotha. The closing
chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one o ...
picks up the theme in the sixth verse of Samuel Rodigast's
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' d ...
"" (What God does, is done well) (1675). Bach first performed the cantata on 15 August 1723. He performed it again around 1727, revised the instrumentation of an aria, and used it in his last years for a cantata for a ceremony, the inauguration of the town council at church, .


Scoring and structure

To express the praise of the words, the cantata is festively scored for
soprano A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral ...
,
alto The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in ch ...
,
tenor A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below m ...
and bass soloists, a four-part choir, and a Baroque instrumental ensemble of three
trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...
s,
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, ...
, three
oboe The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, ...
s, oboe da caccia, oboe d'amore, recorder,
bassoon The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...
, two
violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
s, viola, and
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
. The cantata is in six movements: # Chorus: # Recitative (soprano): # Aria (tenor): # Recitative (alto): # Aria (bass): # Chorale:


Music

Bach reflected the duality within the words of the psalm in the opening chorus by creating a double fugue. Both themes of the movement in
D Major D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two S ...
are handled separately and then combined. In the first
aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...
, a
pastoral The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target au ...
movement, the tenor is accompanied by oboe da caccia, recorder and bassoon. In a later version, around 1727, Bach changed the instrumentation to alto, oboe and violin, possibly because he did not have players at hand for the first woodwind setting. In the second aria the contrast of (suffering) and (joy) is expressed by chromatic, first down, then up, and vivid coloraturas. The closing hymn is the same as the one of , of 1714, but for no apparent reason without the obbligato violin.


Recordings

* ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 4'', Nikolaus Harnoncourt, Tölzer Knabenchor, Concentus Musicus Wien, soloist of the Tölzer Knabenchor, Paul Esswood, Kurt Equiluz, Ruud van der Meer, Teldec 1977 * ''J. S. Bach: Complete Cantatas Vol. 6'', Ton Koopman, Amsterdam Baroque Orchestra & Choir, Ruth Ziesak, Elisabeth von Magnus, Paul Agnew, Klaus Mertens, Antoine Marchand 1997 * ''J. S. Bach: Cantatas Vol. 13'', Masaaki Suzuki, Bach Collegium Japan, Yoshie Hida, Kirsten Sollek-Avella, Makoto Sakurada, Peter Kooy, BIS 1999 * ''Edition Bachakademie Vol. 140 – Sacred Vocal Works'', Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart, Sibylla Rubens, Anke Vondung, Marcus Ullmann, Hänssler 1999 * ''Bach Cantatas Vol. 6'',
John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach, especially the Bach Cantata Pilgrimage of 2000, performing Church cantata (Bach), Bach's church ...
, Monteverdi Choir, English Baroque Soloists, Katharine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, Soli Deo Gloria 000


References


Sources

*
Cantata BWV 69a Lobe den Herrn, meine Seele
history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website
Chapter 15 BWV 69a Lobe den Herrn, meine Seele / Bless the Lord, my soul.
Julian Mincham, 2010 * Luke Dahn

bach-chorales.com {{DISPLAYTITLE:''Lobe den Herrn, meine Seele'', BWV 69a Church cantatas by Johann Sebastian Bach Psalm-related compositions by Johann Sebastian Bach 1723 compositions