Liang Shih-chiu

Liang Shih-chiu (January 6, 1903 – November 3, 1987), also romanized as Liang Shiqiu, and also known as Liang Chih-hwa (), was a renowned Chinese educator, writer, translator, literary theorist and lexicographer.

Biography

Liang was born in Beijing in 1903. His father, Liang Xianxi (), was a '' xiucai'' in the Qing dynasty. He was educated at Tsinghua College in Beijing from 1915 to 1923. He went on to study at Colorado College and later pursued his graduate studies at Harvard and Columbia Universities. At Harvard, he studied literary criticism under Irving Babbitt, whose New Humanism helped shape his conservative literary tenets.

After his return to China in 1926, he began a long career as a professor of English at several universities, including Peking University, Tsingtao University, and Jinan University. He also served as the editor of a succession of literary supplements and periodicals, including the famous '' Crescent Moon Monthly'' (1928–1933). During this period he published a number of literary treatises which showed the strong influence of Babbitt and demonstrated his belief that human life and human nature are the only proper subjects for literature. The best known among these are ''The Romantic and the Classical'', ''Literature and Revolution'', ''The Seriousness of Literature'', and ''The Permanence of Literature''. In each of these treatises, he upheld the intrinsic value of literature as something that transcends social class and strongly opposed using literature for propagandist purposes. These pronouncements and his dislike for the excessive influence of Jean-Jacques Rousseau and other Romanticists in China triggered a polemic war between him and Lu Xun and drew the concerted attacks of leftist writers. His major works as a translator included James Barrie's '' Peter Pan'', George Eliot's ''Silas Marner'' and ''Mr. Gilfil's Love Story'', and Emily Brontë's ''Wuthering Heights''.

In 1949, to escape the civil war, Liang fled to Taiwan where he taught at Taiwan Normal University until his retirement in 1966. During this period, he established himself as a lexicographer by bringing out a series of English-Chinese and Chinese-English dictionaries. His translation works included George Orwell's ''Animal Farm'' and Marcus Aurelius' ''Meditations''.

Liang is now remembered chiefly as the first Chinese scholar to single-handedly translate the complete works of Shakespeare into Chinese. This project, which was first conceived in 1930, was completed in 1967. He then embarked on another monumental project – that of writing a comprehensive history of English literature in Chinese, which was completed in 1979 and consists of a three-volume history and a companion set of ''Selected Readings in English Literature'' in Chinese translation, also in three volumes. Liang’s literary fame rests, first and foremost, on the hundreds of short essays on familiar topics, especially those written over a span of more than four decades (1940–1986) and collected under the general title of ''Yashe Xiaopin'', now available in English translation under the title ''From a Cottager’s Sketchbook''. and

Bibliography

* "The Fine Art of Reviling". English translation by W.B. Pettus. Los Angeles : Auk Press, 1936.
* From a Cottager's Sketchbook, vol. 1. Tr. Ta-tsun Chen. HK: Chinese University Press, 2005.
* "Fusing With Nature." Tr. Kirk Denton. In K. Denton, ed., Modern Chinese Literary Thought: Writings on Literature, 1893–1945. Stanford: Stanford UP, 1996, 213–17.
* "The Generation Gap." Tr. Cynthia Wu Wilcox. The Chinese Pen, (Autumn, 1985): 33–39.
* "Haircut" ifa Tr. David Pollard. In Pollard, ed., The Chinese Essay. NY: Columbia UP, 2000, 230–33.
* "Listening to Plays" ing xi Tr. David Pollard. In Pollard, ed., The Chinese Essay. NY: Columbia UP, 2000, 233–37.
* "Literature and Revolution." Tr. Alison Bailey. In K. Denton, ed., Modern Chinese Literary Thought: Writings on Literature, 1893–1945. Stanford: SUP, 1996, 307–15.
* "Men." Tr. Shih Chao-ying. The Chinese Pen (Spring, 1974): 40–44.
* "On Time." Tr. King-fai Tam. In Goldblatt and Lau, eds., The Columbia Anthology of Modern Chinese Literature. NY: Columbia UP, 1995, 660–63.
* "Sickness" ing Tr. David Pollard. In Pollard, ed., The Chinese Essay. NY: Columbia UP, 2000, 227–30.
* Sketches of a Cottager. Tr. Chao-ying Shih. Taipei, 1960.
* "Snow." Tr. Nancy E. Chapman and King-fai Tam. In Goldblatt and Lau, eds., The Columbia Anthology of Modern Chinese Literature. NY: Columbia UP, 1995, 6664–67.
* "Women." Tr. Shih Chao-ying. The Chinese Pen (Winter, 1972): 23–29.

Further reading

* ''Chinese Writers on Writing'' featuring Liang Shih-chiu. Ed. Arthur Sze. ( Trinity University Press, 2010).

Notes

References

"Liang Shiqiu"
''Encyclopædia Britannica Online''

Babbitt's Impact in China: The Case of Liang Shiqiu

The Great Master Liang Shih-chiu Has Not Left Us

Much ado about translation

Portrait

Liang Shiqiu. A Portrait by Kong Kai Ming
at Portrait Gallery of Chinese Writers (Hong Kong Baptist University Library).

{{DEFAULTSORT:Liang, Shih-Chiu
1903 births
1987 deaths
English–Chinese translators
Tsinghua University alumni
Colorado College alumni
Harvard University alumni
Columbia University alumni
Boxer Indemnity Scholarship recipients
Writers from Beijing
Educators from Beijing
Academic staff of Beijing Normal University
Academic staff of the National Taiwan Normal University
20th-century Chinese essayists
Academic staff of Jinan University
20th-century Chinese translators
Academic staff of Peking University
Academic staff of Qingdao University
Taiwanese people from Beijing