L'amore Dei Tre Re
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(''The Love of the Three Kings'') is an
opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
in three acts by Italo Montemezzi. Its Italian-language
libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
was written by playwright
Sem Benelli Sem Benelli (August 10, 1877 – December 18, 1949) was an Italian playwright, essayist and librettist. He provided the texts for several noted Italian operas, including Italo Montemezzi's '' L'amore dei tre re'' and ''L'incantesimo'', and Umber ...
who based it on his play of the same title.


Performance history

''L'amore dei tre re'' premiered at
La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa ...
in Milan on 10 April 1913. It received mixed reviews, but quickly became an international success, especially in the United States, where it became a staple of the repertory for several decades. The opera received its Spanish premiere in Madrid at
Teatro Real The Teatro Real () is an opera house in Madrid, Spain. Located at the Plaza de Oriente, opposite the Royal Palace, and known colloquially as "''El Real''" (The Royal One). it is considered the top institution of the performing and musical arts ...
on 3 March 1915, featuring Antonio Cortis; its American premiere in New York at the
Metropolitan Opera The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred ...
followed on 14 March 1918 with
Enrico Caruso Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyric tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles that r ...
,
Claudia Muzio Claudia Muzio (7 February 1889 – 24 May 1936) was an Italian operatic lyric soprano who enjoyed an international career during the early 20th century. Early years Claudina Emilia Maria Muzzio was born in Pavia, the daughter of Carlo Muzio, an ...
and
Pasquale Amato Pasquale Amato (21 March 1878 – 12 August 1942) was an Italians, Italian operatic baritone. Amato enjoyed an international reputation but attained the peak of his fame in New York City, where he sang with the Metropolitan Opera from 1908 unti ...
. After the Second World War, the frequency of performances declined dramatically, and it was not performed in the US for nearly 30 years. It is still performed only rarely.


Roles


Synopsis

:Time: The Dark Ages :Place: Italy Archibaldo, the blind king, conquered the kingdom of Altura forty years before the opera begins. After forty years, the Alturan people openly object to the reign of the Germanic Archibaldo. Archibaldo recounts his memories of the thrill of conquest, and his reminiscence equates the invasion of Italy to the winning of a beautiful woman. The story unfolds as we learn that Archibaldo's son Manfredo has been married to the native Alturan princess Fiora. But Fiora is having an affair with another Alturan prince, Avito. Although Archibaldo suspects Fiora of infidelity, he falls short of proof, since he is blind, and his own Alturan servants do not cooperate with him in uncovering the affair. In the first two acts there are various scenarios played out with mounting intensity. There are two love duets between Avito and Fiora, and a scene in which Manfredo pours out his love for Fiora and begs her to show him affection. All of these are interspersed with scenes in which Archibaldo questions Fiora. Finally, enraged, Archibaldo strangles her at the end of the second act. In the final act, Fiora's body is laid in a crypt, and the people of Altura mourn for her. Archibaldo has secretly poisoned Fiora's lips, so that her lover will die. Avito kisses Fiora's lips. As he dies from the poison, Avito reveals to Manfredo that he was Fiora's lover, and that Archibaldo has laid the poison. Stricken with grief at the loss of the woman he loved, Manfredo also kisses Fiora's lips. Finally, Archibaldo enters to see if his trap has caught Fiora's lover, and despairs as he hears the voice of his dying son.


Music

The music of the opera is lush and complex. Similar to works such as
Debussy Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influe ...
's '' Pelléas et Mélisande'', the orchestra frequently reveals the subtext of the interactions between the characters. Montemezzi himself held that Archibaldo is not only suspicious of Fiora, but also desires her himself. The orchestration, in surges of rich density, also marks how characters move into states of very deep passion. When the characters are moved into these states, the music has a very distinct, transcendent and dreamlike quality.


Recordings

* 1941 –
Grace Moore Mary Willie Grace Moore (December 5, 1898January 26, 1947) was an American operatic lyric soprano and actress in musical theatre and film.Obituary ''Variety Obituaries, Variety'', January 29, 1947, page 48. She was nicknamed the "Tennessee N ...
, Charles Kullman,
Richard Bonelli Richard Bonelli (born George Richard Bunn; 6 February 1889 – 7 June 1980) was an American operatic baritone active from 1915 to the late 1970s. Although he sang predominantly on stage in both light and grand operas, he also performed at vario ...
,
Ezio Pinza Ezio Fortunato Pinza (May 18, 1892May 9, 1957) was an Italian opera singer. Pinza possessed a rich, smooth and sonorous voice, with a flexibility unusual for a bass. He spent 22 seasons at New York's Metropolitan Opera, appearing in more than 75 ...
,*
Metropolitan Opera The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred ...
Archives
Performance record: Pinza, Ezio (Bass)
Accessed 19 April 2011.
New York MET, Italo Montemezzi – (Eklipse, 15 February 1941) * 1951 – Clara Petrella, ,
Renato Capecchi Renato Capecchi (born Cairo, November 6, 1923; died Milan, June 30, 1998) was an Italian baritone, actor, and opera director. He sang in the Italian premiere of Shostakovich's ''The Nose (opera), The Nose'' and Prokofiev's ''War and Peace (Prok ...
,
Sesto Bruscantini Sesto Bruscantini (10 December 1919 – 4 May 2003) was an Italian baritone, one of the greatest buffo singers of the post-war era, especially renowned in Mozart and Rossini. Biography and career Bruscantini was born in Civitanova Marche, M ...
, Milan RAI Lyric Orchestra, Arturo Basile – ( Cetra Records, 1951) * 1969 – Luisa Malagrida, Pierre Duval,
Enzo Sordello Enzo Sordello (20 April 1927 - 15 April 2008) was an Italian operatic baritone. Biography Enzo Sordello born in Pievebovigliana, he went on to study at the Conservatorio Giuseppe Verdi in Turin and privately with Carlo Tagliabue. In 1952, he ...
, Ezio Flagello, Orchestra Sinfonica e Coro di Roma, Richard Karp – (Delphi, 1969) * 1973 – Ileana Meriggioli, Pedro Lavirgen, Attilio D'Orazi, Dimiter Petkov. L'Orchestra e Coro Gran Teatro del Liceo Barcelona, Ivo Savini, 24 November 1973 (Arkadia HO 607.2) * 1974 –
Virginia Zeani Virginia Zeani (born Virginia Zehan; 21 October 1925 – 20 March 2023) was a Romanian-born opera singer who sang leading soprano roles in the opera houses of Europe and North America. As a singer, she was known for her dramatic intensity and ...
, Ennio Buoso, Giulio Fioravanti, Nicola Rossi-Lemeni Orchestra e Coro della RAI Milano, Maurizio Arena, 28 March 1974 (House of Opera, New York) * 1976 –
Anna Moffo Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric-coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agili ...
,
Plácido Domingo José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, ...
, Pablo Elvira,
Cesare Siepi Cesare Siepi (10 February 19235 July 2010) was an Italian opera singer, generally considered to have been one of the finest Bass (voice type), basses of the post-war period. His voice was characterised by a deep, warm timbre, a full, resonant, w ...
, Ryland Davies, Ambrosian Opera Chorus,
London Symphony Orchestra The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's ...
,
Nello Santi Nello Santi (22 September 1931 – 6 February 2020) was an Italian conductor. He was associated with the Zürich Opera House for six decades, and was a regular conductor at the Metropolitan Opera in New York City. He was focused on Italian reper ...
– (
RCA Red Seal RCA Red Seal is a classical music label whose origin dates to 1902 and is currently owned by Sony Music, Sony Music Entertainment. History The first "Gramophone Record Red Seal" discs were issued in 1901.La nave'', 1918 opera by Montemezzi * ''
L'incantesimo (“The Spell”) is a short opera in one act by Italian composer Italo Montemezzi. Its libretto was written by playwright Sem Benelli who had previously collaborated with the composer on his most famous opera, ''L'amore dei tre re''. Benelli fi ...
'', 1943 opera by Montemezzi


References


Further reading

* Chandler, David, editor (2014) ''Americans on Italo Montemezzi'', Durrant Publishing 2014 * Aldrich, Richard (14 February 1915)
"The Reappearance of Montemezzi's Opera, ''L'Amore dei tre re'' – Some Merits of Its Originality"
''
The New York Times ''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of ...
''. Accessed 19 April 2011. * ''The New York Times'' (9 November 1916)
"''Love of Three Kings'' Sung, Riccardo Martin and Luisa Villani in Montemezzi's Opera"
Accessed 19 April 2011. * Fifield, Christopher (December 2001)

MusicWeb International. Accessed 19 April 2011. * Grout, Donald Jay and Williams, Hermine Weigel (2003)
''A Short History of Opera''
4th edition. Columbia University Press. * Jell, George Clarence (1933)
''Master Builders of Opera''
Ayer Publishing (reprint). *Mallach, Alan (2007)
''The Autumn of Italian Opera: From Verismo to Modernism, 1890–1915''
Northeastern University Press. * Shoemaker, Paul (May 2003)

Guild GHCD 2234–5. MusicWeb International. Accessed 19 April 2011. * Metropolitan Opera Archives
''L'amore dei tre re'', US premiere, 2 January 1914
Accessed 19 April 2011.


External links

*
Review
of the 2006 revival by the
Opera Orchestra of New York The Opera Orchestra of New York (also known as OONY) specializes in the performance of opera in concert form. It is particularly known for its work in presenting rarely performed repertory. Among the numerous American premieres it has presented are ...
, operatoday.com {{DEFAULTSORT:Amore Dei Tre Re, L' Italian-language operas Verismo operas Operas 1913 operas Operas by Italo Montemezzi Operas based on plays Operas set in Italy Opera world premieres at La Scala