Kiri Te Kanawa

Dame Kiri Jeanette Claire Te Kanawa , (; born Claire Mary Teresa Rawstron, 6 March 1944) is a retired New Zealand opera singer. She had a full lyric soprano voice, which has been described as "mellow yet vibrant, warm, ample and unforced". Te Kanawa had three top 40 albums in Australia in the mid-1980s.

Te Kanawa has received accolades in many countries, singing a wide array of works in many languages dating from the 17th to the 20th centuries. She is particularly associated with the works of Mozart, Strauss, Verdi, Handel and Puccini, and found considerable success in portraying princesses, nobility, and other similar characters on stage.

Though she rarely sang opera later in her career, Te Kanawa frequently performed in concert and recital, gave masterclasses, and supported young opera singers in launching their careers. Her final performance was in Ballarat, Australia, in October 2016, but she did not reveal her retirement until September 2017.

Personal life

Te Kanawa was born Claire Mary Teresa Rawstron in Gisborne, New Zealand, to Māori butcher Tieki "Jack" Wawatai and to Mary Noeleen Rawstron, who was the daughter of Irish emigrants. Wawatai was already married to Apo, the daughter of the Rev. Poihipi Kohere. Poihipi Kohere was the brother of both the community leader Rēweti Kōhere and the soldier and farmer Henare Mokena Kohere. Mary Noeleen Rawstron's mother insisted the baby be given up for adoption. Te Kanawa was adopted as an infant by Thomas Te Kanawa, the owner of a successful trucking business, and his wife Nell.

She was educated at St Mary's College, Auckland, and formally trained in operatic singing by Sister Mary Leo Niccol. Te Kanawa began her singing career as a mezzo-soprano but developed into a soprano. Her recording of the "Nuns' Chorus" from the Strauss operetta ''Casanova'' was the first gold record produced in New Zealand.

Te Kanawa met Desmond Park on a blind date in London in August 1967, and they married six weeks later at St Patrick's Cathedral, Auckland. They adopted two children, Antonia (born 1976) and Thomas (born 1979). The couple divorced in 1997. Te Kanawa never made an attempt to contact her biological parents, but her half-brother Jim Rawstron contacted her. Initially, she was unwilling to meet him, but agreed to do so in 1997. The episode ended bitterly, when a newspaper ran a story on their meeting; despite Rawstron denying contact with the newspaper, she has since reaffirmed her decision to have nothing to do with her birth family.

Career

In her teens and early 20s, Te Kanawa was a pop star and entertainer at clubs in New Zealand, and regularly appeared in newspapers and magazines. In 1963, she was runner-up to Malvina Major in the Mobil Song Quest with her performance of "Vissi d'arte" from ''Tosca'', and in 1965 she won the same competition. As winner, she received a grant to study in London.

She appeared and sang in the 1966 musical comedy film ''Don't Let It Get You''. In 1966, she won the Melbourne Sun-Aria contest, which Major had also won the previous year. Both singers had been taught by Sister Mary Leo.

Early years in London

In 1966, without an audition, she enrolled at the London Opera Centre to study under Vera Rózsa and James Robertson, who reputedly said Te Kanawa lacked a singing technique when she arrived at the school but had a gift for captivating audiences. She first appeared on stage as the Second Lady in Mozart's ''The Magic Flute'', as well as in performances of Purcell's ''Dido and Aeneas'' in December 1968 at the Sadler's Wells Theatre. She also sang the title role in Donizetti's ''Anna Bolena''. In 1969, she sang Elena in Rossini's ''La donna del lago'' at the Camden Festival, and was also offered the role of the Countess in ''The Marriage of Figaro'' after an audition of which the conductor, Colin Davis, said, "I couldn't believe my ears. I've taken thousands of auditions, but it was such a fantastically beautiful voice." Praise for her Idamante in Mozart's ''Idomeneo'' led to an offer of a three-year contract as junior principal at the Royal Opera House Covent Garden, where she made her debut as Xenia in ''Boris Godunov'' and a Flower Maiden in ''Parsifal'' in 1970. Under director John Copley, Te Kanawa was carefully groomed for the role of the Countess for a December 1971 opening.

International career

Meanwhile, word of her success had reached John Crosby at the Santa Fe Opera, a summer opera festival in New Mexico then about to begin its 15th season. He cast her as the Countess in ''The Marriage of Figaro'', which opened on 30 July 1971. The performance also featured Frederica von Stade in her debut as Cherubino. "It was two of the newcomers who left the audience dazzled: Frederica von Stade as Cherubino and Te Kanawa as the Countess. Everyone knew at once that these were brilliant finds. History has confirmed that first impression."

On 1 December 1971 at Covent Garden, Te Kanawa repeated her Santa Fe performance and created an international sensation as the Countess: "with 'Porgi amor' Kiri knocked the place flat." This was followed by performances as the Countess at the Opéra National de Lyon and San Francisco Opera in 1972. She first sang Desdemona in ''Otello'' in Glasgow in 1972, while her 1974 Metropolitan Opera début as Desdemona took place at short notice: she replaced an ill Teresa Stratas at the last minute. Te Kanawa sang at the Glyndebourne Festival in 1973, with further débuts in Paris and (1975), Sydney (1976), Milan (1978), Salzburg (1979), and Vienna (1980). In 1982, she gave her only stage performances as Tosca in Paris. In 1989, she added Elisabeth de Valois in ''Don Carlos'' to her repertory at Chicago, and, in 1990, the Countess in '' Capriccio'', sung first at San Francisco and with equal success at Covent Garden, Glyndebourne and the Met in 1998.

In subsequent years, Te Kanawa performed at the Lyric Opera of Chicago, Paris Opera, Sydney Opera House, the Vienna State Opera, La Scala, San Francisco Opera, Munich and Cologne, adding to her repertoire the Mozart roles of Donna Elvira, Pamina, and Fiordiligi to Italian roles such as Mimi in Puccini's ''La bohème''. She played Donna Elvira in Joseph Losey's 1979 film adaptation of ''Don Giovanni''. She was seen and heard around the world in 1981 by an estimated 600 million people when she sang Handel's " Let the bright Seraphim" at the wedding of Charles, Prince of Wales, and Lady Diana Spencer.

In 1984, Leonard Bernstein decided to re-record the musical ''West Side Story'', conducting his own music for the first time. Generally known as the "operatic version", it starred Te Kanawa as Maria, José Carreras as Tony, Tatiana Troyanos as Anita, Kurt Ollmann as Riff, and Marilyn Horne as the offstage voice who sings "Somewhere". Te Kanawa was the first of the singers to join the project, saying, "I couldn't believe it...This was music I'd grown up with, music I'd always wanted to sing." The album won a Grammy Award for Best Cast Show Album in 1985, and the recording process was filmed as a documentary, '' The Making of West Side Story''.

Te Kanawa has a particular affinity for the heroines of Richard Strauss. Her first appearance in the title role in ''Arabella'' was at the Houston Grand Opera in 1977, followed by the roles of the Marschallin in ''Der Rosenkavalier'' and the Countess in ''Capriccio''. Many performances were given under the baton of Georg Solti and it was with him that in 1981 she made a recording of ''The Marriage of Figaro''.

She participated in Prince Edward's 1987 charity television special ''The Grand Knockout Tournament''.

In 1991, she premiered the theme song "World in Union" at the 1991 Rugby World Cup, which reached No.4 on the UK Singles Chart.
In 1992, she performed at the Last Night of the Proms, where she sang "Rule, Britannia!".

In 1995, Te Kanawa performed the role of Maria Boccanegra in the Metropolitan Opera's production of Verdi's Simon Boccanegra, along with Plácido Domingo, conducted by James Levine.

In later parts of her career, her appearances onstage became infrequent, although she remained busy as a concert singer. She appeared in performances in Samuel Barber's ''Vanessa'' in Monte Carlo (televised in 2001), with the Washington National Opera (2002), and the Los Angeles Opera in November to December 2004. Te Kanawa has appeared as a ''Pennington Great Performers'' series artist with the Baton Rouge Symphony Orchestra in 2004.

In 2006, Te Kanawa sang "Happy Birthday" to Queen Elizabeth followed by "God Save The Queen" at the Commonwealth Games in Australia.

In April 2010, Te Kanawa sang the Marschallin in ''Der Rosenkavalier'' in two performances at the Cologne Opera. That same year, she played the spoken part of The Duchess of Krakenthorp in ''La fille du régiment'' at the Metropolitan Opera, and sang a tango. She repeated this role at the Met in a revival during the 2011–12 season, repeating it again in Vienna in 2013 and at Covent Garden in March 2014, a run that encompassed her 70th birthday. In the meantime, she performed at Haruhisa Handa's inaugural Tokyo Global Concert at Nakano-Zero Hall in Nakano, Tokyo

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