Kedareshwara Temple, Halebidu
   HOME

TheInfoList



OR:

Kedareshwara Temple (also spelt "Kedaresvara" or "Kedareshvara") is a
Hoysala The Hoysala Kingdom was a kingdom originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka, parts of Tamilnadu and South-Western Telangana between the 11th and the 14th centuries Common Era, CE. The c ...
era construction in the historically important town of
Halebidu Halebidu (IAST: Haḷēbīḍ, literally "old capital, city, encampment" or "ruined city") is a town located in Hassan District, Karnataka, India. Historically known as Dwārasamudra (also Dorasamudra), Halebidu became the regal capital of the ...
, in the
Hassan district Hassan is one of the districts of Karnataka, 31 districts of Karnataka, India. The district headquarter is Hassan, Karnataka, Hassan. It was part of ''Manjarabad Faujdari'' between 1832-81 (Mysore Commission, Commissioner's Rule of Mysore). In ...
of
Karnataka Karnataka ( ) is a States and union territories of India, state in the southwestern region of India. It was Unification of Karnataka, formed as Mysore State on 1 November 1956, with the passage of the States Reorganisation Act, 1956, States Re ...
state, India. It is located a short distance away from the famous
Hoysaleswara Temple Hoysaleshwara temple, also referred simply as the Halebidu temple, is a 12th-century Hinduism, Hindu temple dedicated to the god Shiva. It is the largest monument in Halebidu, a town in the state of Karnataka, India and the former capital of th ...
. The temple was constructed by Hoysala King
Veera Ballala II Veera Ballala II (reigned 22 July 1173–1220) was the most notable king of the Hoysala Kingdom. His successes against the Yadavas of Devagiri, the Kalachuris of Kalyani, Southern Kalachuris, the Pandya Dynasty, Pandyas of Madurai and t ...
(r. 1173–1220 CE) and his Queen Ketaladevi, and the main deity is ''Ishwara'' (another name for the Hindu god
Shiva Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
). The temple is protected as a monument of national importance by the
Archaeological Survey of India The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexander ...
.*


Temple plan

According to art historian Adam Hardy, the temple was constructed before 1219 CE and is constructed with Soap stone. The usage of Soap stone was first popularised by the Western Chalukyas before it became standard with the Hoysala architects of the 12th and 13th centuries.Kamath (2001), pp.116, p.136 The temple stands on the platform called '' jagati'' which is typically five to six feet in height and which can be reached by a flight of steps. According to historian Kamath, this is a Hoysala innovation. Hoysala temples normally don't provide a path for
circumambulation Circumambulation (from Latin ''circum'' around and ''ambulātus ''to walk) is the act of moving around a sacred object or idol. Circumambulation of temples or deity images is an integral part of Hindu and Buddhist devotional practice (known in ...
(''pradakshinapatha'') around the inner sanctum (''
garbhagriha A ''garbhagriha'' () is the innermost sanctuary of Hindu and Jain temples, often referred to as the "holy of holies" or " sanctum sanctorum". The term ''garbhagriha'' (literally, "womb chamber") comes from the Sanskrit words ''garbha'' for ...
''). However, the platform provides this convenience in addition to giving the onlooker a good view of the wall relief and sculptures.Foekema (1996), p.25 The outlay of the main shrine (''
Vimana Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The "Pushpaka Vimana" of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also menti ...
'') is star-shaped (stellate) with two smaller shrines that have perforated windows (called ''Jali'', literally, "sieve") on the sides. According to the art historian Gerard Foekema, star-shaped or "staggered square" (or cross in square) temple plans are quite common among Hoysala constructions creating multiple projections and recesses in the outer walls. In these projections, the Hoysala architects created repetitive decorative sculptures and reliefs called "architectural articulation".Foekema (1996), p.21Hardy (1995), p.329Kamath (2001), p. 115, p.136 Since the temple has three shrines, it qualifies as a ''trikuta'', a three shrined structure. Often in ''trikutas'', only the central shrine has a tower while the lateral shrines are virtually hidden behind the thick outer walls and appear to be a part of the hall itself.Foekema (1996), p.25 Despite being a
Shaiva Shaivism (, , ) is one of the major Hindu traditions, which worships Shiva as the supreme being. It is the second-largest Hindu sect after Vaishnavism, constituting about 385 million Hindus, found widely across South Asia (predominantly in ...
temple (related to god Shiva) it is well known for its friezes and panel relief that bare depictions from both the Shaiva and
Vaishnava Vaishnavism () ), also called Vishnuism, is one of the major Hindu traditions, that considers Vishnu as the sole supreme being leading all other Hindu deities, that is, '' Mahavishnu''. It is one of the major Hindu denominations along wit ...
(related to the god Vishnu) legend. The three sanctums are connected to a "staggered square" (indented) central hall (''mahamantapa'') by individual vestibules called ''sukanasi''. A
porch A porch (; , ) is a room or gallery located in front of an entrance to a building. A porch is placed in front of the façade of a building it commands, and forms a low front. Alternatively, it may be a vestibule (architecture), vestibule (a s ...
connects the central hall to the platform. The base of the temple wall ('' adhisthana'') around the common hall and the two lateral shrines consist of mouldings, each of which is treated with friezes in relief that depict animals and episodes from the Hindu lore (''
purana Puranas (Merriam-Webster's Encyclopedia of Literature
(1995 Editio ...
''). Historian Kamath calls this "horizontal treatment".Kamath (2001), p.134 The image of the deity of worship is missing in all three sanctums and the superstructure over all three shrines are lost. Some noteworthy pieces of sculpture worthy of mention are the dancing
Bhairava Bhairava (, ), or Kāla Bhairava, is a Shaivite and Vajrayāna deity worshipped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva.Kramrisch, Stella (1994). ''The Presence of Śiva''. Princeton, NJ: P ...
(a form of Shiva), Govardhana (the god
Krishna Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, c ...
lifting a mountain), the god Vishnu as ''Varadaraja'', and a huntress.


Gallery

File:A view of Kedareshwara Temple in Halebidu.jpg, Another view of Kedareshwara temple at Halebidu File:Profile of Kedareshwara Temple in Halebidu2.jpg, Another profile view of the Kedareshawara temple at Halebidu File:View of entrance into a sanctum in the Kedareshwara temple at Halebidu.JPG, Ornate doorjamb and
lintel A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented/structural item. In the case ...
over entrance into a sanctum in the Kedareshwara temple at Halebidu File:Profile of square mantapa and stellate shrine on Jagati in the mantapa of Kedareshwara temple at Halebidu.JPG, Profile of square mantapa and stellate shrine in the Kedareshwara temple at Halebidu File:Ornate aedicula in the mantapa of the Kedareshwara temple at Halebidu.JPG, Ornate aedicula inside mantapa in the Kedareshwara temple at Halebidu File:Molding frieze and outer wall decoration relief in Kedareshwara temple at Halebidu.JPG, Molding frieze and outer wall decoration in the Kedareshwara temple at Halebidu File:Molding frieze and wall relief sculpture follow the stellate plan of the shrine in the Kedareshwara temple at Halebidu.JPG, Close up of stellate points showing moulding and wall relief sculpture of Hindu deities in the Kedareshwara temple at Halebidu File:Lathe turned pillars support bay ceiling in the mantapa of Kedareshwara temple at Halebidu.JPG, Lathe turned pillars support bay ceiling in the Kedareshwara temple at Halebidu File:Hindu deities and aedicules in relief in the Kedareshwara temple at Halebidu.JPG, Relief of Hindu deities below lower eve and miniature decorative towers above it (below upper eve) in the Kedareshwara temple at Halebidu File:Hindu deity sculpture in the mantapa of Kedareshwara temple at Halebidu.JPG, Sculpture of a Hindu deity in the Kedareshwara temple at Halebidu File:Decorative domical ceiling in mantapa of Kedareshwara temple at Halebidu.JPG, Bay ceiling in the Kedareshwara temple at Halebidu File:Decorative ceiling in mantapa of the Kedareshwara temple at Halebidu 1.JPG, Bay ceiling in the Kedareshwara temple at Halebidu


Notes


References

*Gerard Foekema, A Complete Guide to Hoysala Temples, Abhinav, 1996 * *Adam Hardy, Indian Temple Architecture: Form and Transformation : the Karṇāṭa Drāviḍa Tradition, 7th to 13th Centuries, Abhinav, 1995 . * * {{coord missing, Karnataka Hindu temples in Hassan district 12th-century Hindu temples Hoysala Kingdom Shiva temples in Karnataka