Katsushika Ōi
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Katsushika Ōi (, ), also known as or , was a Japanese
Ukiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes ...
artist of the early 19th century
Edo period The , also known as the , is the period between 1600 or 1603 and 1868 in the history of Japan, when the country was under the rule of the Tokugawa shogunate and some 300 regional ''daimyo'', or feudal lords. Emerging from the chaos of the Sengok ...
. She was a daughter of
Hokusai , known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock printing in Japan, woodblock print series ''Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Gr ...
from his second wife. Ōi was an accomplished painter who also worked as a production assistant to her father.


Biography

Ōi's birth and death dates are not known, although it is believed that she was born in 1800 and died around 1866. She was a daughter of the
ukiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes ...
artist Katsushika Hokusai (1760–1849). Hokusai married twice; the first marriage produced a son and two daughters, and the second, to a woman named Kotome (), resulted in a son and one or two daughters.Ōi studied her craft under her father's guidance as his apprentice. She also studied under Tsutsumi Torin III (1789–1830) who was a fellow painter and printmaker. This is where she met Minamizawa Tomei (also known as Tsutsumi Tōmei), another one of Tsutsumi Torin III's students, and married him in 1824. Their marriage did not last long, for only three years later they divorced. It is rumored that their marriage ended as a result of Ōi's criticism of Minamizawa Tomei's work, claiming he was a terrible artist, and laughing at him for it. Ōi thereafter went to live with her father again, and assisted Hokusai with his artwork, and took to producing her own as well. In 1828, Kotome, Ōi's mother died, leaving her to care for her now sixty year old father. Neither of them cared about housework or maintaining their home, with all their time occupied by their work, both of them painting and printmaking alongside one another in an unkempt household. Despite her father's fame, Ōi too managed to make a name for herself. In Hokusai's family, his daughters were expected to tend to their father and assist him in his workshop until they were married off and required to tend to their own husbands. While Ōi's sisters, Miyo, Tatsu, and Nao, all suffered this fate, Ōi never remarried, allowing her to move back in and work on her craft.Hokusai himself noted his daughters' talent when it came to depicting beautiful women; other artists at the time such as Keisai Eisen regarded her as accomplished, for despite being a woman, Ōi garnered a reputation as a skillful artist after her father.


Works

Ōi is known to have excelled at handwriting and in '' bijin-ga'' paintings of beautiful women. The following is a selected list of her works. * ''Kinuta'' or ''Beauty Fulling Cloth in the Moonlight'' (date unknown) – Painting on paper.
Tokyo National Museum The or TNM is an art museum in Ueno Park in the Taitō wards of Tokyo, ward of Tokyo, Japan. It is one of the four museums operated by the , is considered the oldest national museum and the largest art museum in Japan. The museum collects, prese ...
collection. * ''Yoshiwara Night Scene'' (date unknown) – The parts of her name can be observed in this scene, distributed over three different lanterns tagged with symbols "O", "i", and "Ei". Ukiyo-e Ōta Memorial Museum of Art collection. * ''Kuruwa in Grid View'' (date unknown) – Ukiyo-e Ōta Memorial Museum of Art collection. * ''Beauty of Spring Night'' (date unknown) – Menard Art Museum collection. * ''Hundred Eyes'' (date unknown) – Hokusai Museum collection. * ''Mount Fuji through a Bamboo Forest'' (date unknown) – Hanging scroll; ink and color on silk. Hokusai Museum collection. * ''Three Women Playing Musical Instruments'' (, i.e. Bunsei to Tenpō era) – Hanging scroll; ink and color on silk.
Museum of Fine Arts, Boston The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the list of largest art museums, 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 painting ...
, collection. * ''Operating on Guanyu's Arm'' () – Hanging scroll; ink, color and gold leaf on silk. –
Cleveland Museum of Art The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, United States. Located in the Wade Park District of University Circle, the museum is internationally renowned for its substantial holdings of Asian art, Asian and Art of anc ...
collection. * ''One Thousand Years of Hyakunin isshu Yamato Longevity'' (1829) – Pictorial. She has also been credited as an illustrator for the following books. * ''Illustrated Handbook for Daily Life for Women'' (1847) – Woodblock printed book. Ravicz Collection. * ''A Concise Dictionary of Sencha'' (1848) Aside from drawing and painting, Ōi also made ''keshi ningyō'' dolls and sold them to earn a living.


Legacy

Few of Ōi's works are known: amongst them, a few ''
nikuhitsu-ga ''Nikuhitsu-ga'' (肉筆画) is a form of Japanese painting in the ''ukiyo-e'' art style. The woodblock prints of this genre have become so famous in the West as to become almost synonymous with the term "ukiyo-e", but most ''ukiyo-e'' artists ...
'' paintings, the illustrations to the book ''Onna Chōhō-ki'' (, 1847) by Takai Ranzan (), and no prints. Canadian novelist
Katherine Govier Katherine Mary Govier (born July 4, 1948) is a Canadian novelist and essayist. Biography Katherine Govier was born in Edmonton, Alberta, and was educated at the University of Alberta and York University. She has been made a Distinguished Alumna ...
wrote a first-person novel about Ōi titled '' The Ghost Brush'' (2010, also titled ''The Printmaker's Daughter''). The story of Ōi was adapted to comics as '' Miss Hokusai'' (1983–1987), which had an animated movie adaptation in 2015. The story tells of the outspoken O-Ei, daughter of the famed artist Tetsuzō (Hokusai), for whom she sometimes paints uncredited. The film won numerous awards. Makate Asai based her novel on the life of Ōi; it was published in 2016 after serialization in 2014–15, and an
NHK , also known by its Romanization of Japanese, romanized initialism NHK, is a Japanese public broadcasting, public broadcaster. It is a statutory corporation funded by viewers' payments of a television licence, television license fee. NHK ope ...
television adaptation of it titled ''Kurara: Hokusai no Musume'' (''"Kurara: Hokusai's Daughter"'') appeared in 2017, starring Aoi Miyazaki.


Notes


References


Bibliography

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External links

* {{DEFAULTSORT:Katsushika, Ōi 19th-century Japanese painters 19th-century Japanese women Hokusai Japanese women painters Ukiyo-e artists Women printmakers Japanese graphic designers Japanese women graphic designers Year of birth unknown Year of death unknown