Jean-François Dandrieu

Jean-François Dandrieu, also spelled D'Andrieu (c. 168217 January 1738) was a French Baroque composer, harpsichordist and organist.

Biography

He was born in Paris into a family of artists and musicians. A gifted and precocious child, he gave his first public performances when he was 5 years old, playing the harpsichord for King Louis XIV of France, and his court. These concerts marked the beginning of Dandrieu's very successful career as harpsichordist and organist. He was a student of Jean-Baptiste Moreau. In 1700, aged 18, he started playing the organ at the Saint-Merri church in Paris (a post previously occupied by Nicolas Lebègue) and became its titular organist in 1705. At some point in 1706 he was a member of the panel of judges who examined Jean-Philippe Rameau's skills to appoint him organist of the Sainte-Madeleine en la Cité church (incidentally, a post Rameau declined). In 1721 he was appointed one of the four organists of the Chapelle royale of France. In 1733, he succeeded his uncle, the organist and priest Pierre Dandrieu (1664–1733) to become the organist of the (now destroyed) church of St Barthélémy in the Île de la Cité, a post he combined with duties at Saint-Merri (also known as Saint-Médéric). He died in Paris in 1738, and was succeeded at the organ of St Barthélemy by his sister, Jeanne-Françoise.

The works published during his lifetime include the following collections:
*''Livre de sonates en trio'', trio sonatas (1705)
*Two ''Livres de sonates à violon seul'', sonatas for solo violin (1710 and 1720)
*''Les caractères de la guerre'', instrumental concerts (1718, a revised version published in 1733)
*Three ''little'' harpsichord collections (1705) and three ''great'' ones (1724, 1728 and 1734)

A volume of organ noëls, which revised and enlarged a similar book published by his uncle, Pierre Dandrieu in 1714 (rev. in the 1720s). This was published posthumously by sister, Jeanne-Françoise, in 1759. Dandrieu also published an academic treatise on accompaniment (''Principes de l'accompagnement'') in 1718, which now serves as an important source of information on the musical practice of the era.

Dandrieu's harpsichord writing is reminiscent of that of François Couperin, but with more effective use of counterpoint, which reminds the listener of German Baroque music. The strict traditional suite "à la Froberger" is abandoned in his works, many dance movements replaced with the so-called ''pièces de caractère'', pieces with descriptive titles that were common in French music of the 18th century. Dandrieu's harpsichord ''oeuvre'' is, after those of François Couperin and Jean-Nicolas Geoffroy, the most important in terms of sheer quantity of pieces.

Media

See also

*French baroque harpsichordists
*French organ school

External links

Jean-François Dandrieu at Musicologie.org
Biography, catalogue of works, bibliography (French)
*Kunst der Fuge

*
Free scores
at the Mutopia Project

{{DEFAULTSORT:Dandrieu, Jean-Francois
French male classical composers
French Baroque composers
French classical organists
French male organists
French harpsichordists
Composers for pipe organ
18th-century keyboardists
18th-century classical composers
1680s births
1738 deaths
18th-century French composers
18th-century French male musicians
17th-century male musicians
Male classical organists