''Jōruri'' is an opera by
Minoru Miki
Minoru Miki ( ja, 三木 稔, 16 March 19308 December 2011) was a Japanese composer and artistic director, particularly known for his promotional activities in favor of Japanese (as well as Chinese and Korean) traditional instruments and some ...
to a Japanese-language
libretto by the composer and was adapted from an original story and libretto by
Colin Graham
Colin Graham OBE (22 September 1931 in Hove, England – 6 April 2007 in St. Louis, Missouri) was a stage director of opera, theatre, and television.
Graham was educated at Northaw School (Hertfordshire), Stowe School and RADA. Early in his ...
.
It is the last of a trilogy of
operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ...
, following ''
Shunkinshō'' (1975) and ''An Actor's Revenge'' (1979).
''Jōruri'' was created in 1985.
Background
The term ''jōruri'' refers to a musical narrative developed in
Japan in the 15th century.
Over the years, it acquired several forms. By 17th century, puppeteers were added to the performance and the narrator became known as ''ningyō jōruri.
''
Miki's opera
Following the success of the American tour of the opera, ''An Actor's Revenge'', the
Opera Theatre of Saint Louis
Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri. Typically four operas, all sung in English, are presented each season, which runs from late May to late June. Performances are accompanied by ...
commissioned Miki to create ''Jōruri.''
The proposal for this opera was presented in London where ''An Actor's Revenge'' was being staged.
It was agreed that, for this third opera in the trilogy, Miki would collaborate with Graham.
''Jōruri'', which includes
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers.
Kabuki is thought ...
elements, was inspired by
Monzaemon Chikamatsu's puppet theater.
According to Graham, while it is not an adaptation of his puppet plays, it embodies some of his themes.
The original play was also composed for music and modern theater, particularly for an intimate theatrical setting.
When it was staged in
St. Louis
St. Louis () is the second-largest city in Missouri, United States. It sits near the confluence of the Mississippi and the Missouri Rivers. In 2020, the city proper had a population of 301,578, while the bi-state metropolitan area, which e ...
, the cast included
Faith Esham
Faith Esham (born August 6, 1948) is an American soprano and college professor of voice.
Life and career
Faith Lou Esham was born in Portsmouth, Ohio, and grew up in Vanceburg, Kentucky, the daughter of Dr. Elwood Esham (1905-1985) and Ruth L ...
, John Brandstetter, Andrew Wentzel, and
Mallory Walker.
Joseph Rescigno was the conductor.
Although the instrumental section included the Japanese musical instruments ''
shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo.
The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the . '', twenty-string ''
koto
Koto may refer to:
* Koto (band), an Italian synth pop group
* Koto (instrument), a Japanese musical instrument
* Koto (kana), a ligature of two Japanese katakana
* Koto (traditional clothing), a traditional dress made by Afro-Surinamese women
* ...
'', and ''
futo-zao shamisen'', the score was arranged in such a way that it could also be staged using Western instruments.
[Miki, Minoru, and John Tedford (1989). "The Role of Traditional Japanese Instruments in Three Recent Operas". '']Perspectives of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief).
''Perspectives'' was fir ...
'', vol. 27, no. 2, pp. 164–174. A ''
New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' review during its world premiere noted how the opera paid court to both European and Japanese cultures, travelling "wide artistic distances in its attempt to reconcile two very different ways of hearing and seeing".
Story
The setting is 17th century
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of ...
, Japan.
The story is a tale about loyalty and the pull of human emotions. It transpires in and around the house of Shojo, a celebrated puppet theater narrator and follows Yosuke, a young puppet master.
Shojo, who is also a master of
''jōruri'' music has a devoted young wife, Otane, whom she saved from a magistrate.
He was blinded as a punishment for intervening in her behalf.
However, Otane has feelings for Yosuke, which is revealed during a quarrel in the opening scene. Shojo discovers that the young puppeteer is also in love with her when he traces the features of a bust that Yosuke carved for their new ''jōruri'' play.
It is an exact likeness of Otane.
The story ends in tragedy. Yosuke and Otane commit suicide as the parallels between real-life and the new play written by Shojo prove too painful for the pair.
They disappear into a waterfall.
Roles
The characters of ''Jōruri'' are: Yosuke, a young puppet master; Shojo, a puppet theater leader; Otane, his young wife; and, a number of visitors that are to be played by the same tenor.
In its world premiere at St. Louis, the roles were performed
by the following:
References
{{DEFAULTSORT:Joruri
Japanese-language operas
Operas set in Japan
Operas by Miki Minoru
1985 operas
Operas