Jules-Amédée Barbey d'Aurevilly (2 November 1808 – 23 April 1889) was a French novelist, poet, short story writer, and literary critic. He specialised in mystery tales that explored hidden motivation and hinted at evil without being explicitly concerned with anything supernatural. He had a decisive influence on writers such as
Auguste Villiers de l'Isle-Adam
Jean-Marie-Mathias-Philippe-Auguste, comte de Villiers de l'Isle-Adam (7 November 1838 – 19 August 1889) was a French symbolist writer. His family called him Mathias while his friends called him Villiers; he would also use the name Auguste w ...
,
Henry James
Henry James ( – ) was an American-British author. He is regarded as a key transitional figure between literary realism and literary modernism, and is considered by many to be among the greatest novelists in the English language. He was the ...
,
Léon Bloy
Léon Bloy (; 11 July 1846 – 3 November 1917) was a French Catholic novelist, essayist, pamphleteer (or lampoonist), and satirist, known additionally for his eventual (and passionate) defense of Catholicism and for his influence within Frenc ...
,
Marcel Proust
Valentin Louis Georges Eugène Marcel Proust ( ; ; 10 July 1871 – 18 November 1922) was a French novelist, literary critic, and essayist who wrote the novel (in French – translated in English as ''Remembrance of Things Past'' and more r ...
and
Carmelo Bene
Carmelo Pompilio Realino Antonio Bene (1 September 1937 – 16 March 2002) was an Italian actor, poet, film director, and screenwriter. He was an important exponent of the Italian avant-garde theatre and cinema.
In 1968, his movie Our Lady ...
.
Biography
Jules-Amédée Barbey — the d'Aurevilly was a later inheritance from a childless uncle — was born at
Saint-Sauveur-le-Vicomte, Manche in
Lower Normandy. In 1827 he went to the
Collège Stanislas de Paris
The Collège Stanislas de Paris (), colloquially known as Stan, is a private Catholic school in Paris, situated on " Rue Notre-Dame-des-Champs" in the 6th arrondissement. It has more than 3,000 students, from preschool to '' classes préparatoir ...
. After getting his
baccalauréat
The ''baccalauréat'' (; ), often known in France colloquially as the ''bac'', is a French national academic qualification that students can obtain at the completion of their secondary education (at the end of the ''lycée'') by meeting certain ...
in 1829, he went to
Caen University to study law, taking his degree three years later. As a young man, he was a
liberal and an
atheist
Atheism, in the broadest sense, is an absence of belief in the existence of deities. Less broadly, atheism is a rejection of the belief that any deities exist. In an even narrower sense, atheism is specifically the position that there no ...
, and his early writings present religion as something that meddles in human affairs only to complicate and pervert matters. In the early 1840s, however, he began to frequent the Catholic and
legitimist
The Legitimists () are royalists who adhere to the rights of dynastic succession to the French crown of the descendants of the eldest branch of the Bourbon dynasty, which was overthrown in the 1830 July Revolution. They reject the claim of t ...
salon
Salon may refer to:
Common meanings
* Beauty salon
A beauty salon or beauty parlor is an establishment that provides Cosmetics, cosmetic treatments for people. Other variations of this type of business include hair salons, spas, day spas, ...
of
Baronne Almaury de Maistre
Baronne Almaury de Maistre () née Henriette-Marie de Sainte-Marie (31 July 1809, Nevers – 7 June 1875, Chaulgnes) was a French composer. In 1831 she married Baron Charles-Augustin Almaury de Maistre. She maintained a popular salon during the ...
, niece of
Joseph de Maistre
Joseph Marie, comte de Maistre (1 April 1753 – 26 February 1821) was a Savoyard philosopher, writer, lawyer, diplomat, and magistrate. One of the forefathers of conservatism, Maistre advocated social hierarchy and monarchy in the period immedi ...
. In 1846 he converted to
Roman Catholicism
The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwid ...
.
His greatest successes as a literary writer date from 1852 onwards, when he became an influential literary critic at the
Bonapartist
Bonapartism () is the political ideology supervening from Napoleon Bonaparte and his followers and successors. The term was used in the narrow sense to refer to people who hoped to restore the House of Bonaparte and its style of government. In ...
paper ''Le Pays'', helping to rehabilitate
Balzac and effectually promoting
Stendhal
Marie-Henri Beyle (; 23 January 1783 – 23 March 1842), better known by his pen name Stendhal (, , ), was a French writer. Best known for the novels ''Le Rouge et le Noir'' ('' The Red and the Black'', 1830) and ''La Chartreuse de Parme'' ('' T ...
,
Flaubert, and
Baudelaire.
Paul Bourget describes Barbey as an idealist, who sought and found in his work a refuge from the uncongenial ordinary world.
Jules Lemaître, a less sympathetic critic, thought the extraordinary crimes of his heroes and heroines, his reactionary opinions, his
dandyism and snobbery were a caricature of
Byronism.
Beloved of
fin-de-siècle decadents, Barbey d'Aurevilly remains an example of the extremes of late
romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjec ...
. Barbey d'Aurevilly held strong
Catholic
The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwid ...
opinions, yet wrote about risqué subjects, a contradiction apparently more disturbing to the English than to the French themselves. Barbey d'Aurevilly was also known for having constructed his own persona as a dandy, adopting an aristocratic style and hinting at a mysterious past, though his parentage was provincial bourgeois nobility, and his youth comparatively uneventful.
Inspired by the character and ambience of
Valognes, he set his works in the society of
Normand aristocracy. Although he himself did not use the
Norman patois, his example encouraged the revival of
vernacular literature
Vernacular literature is literature written in the vernacular—the speech of the "common people".
In the European tradition, this effectively means literature not written in Latin or Koine Greek. In this context, vernacular literature appeared ...
in his home region.
Jules-Amédée Barbey d'Aurevilly died in Paris and was buried in the
cimetière du Montparnasse
Montparnasse Cemetery () is a cemetery in the Montparnasse quarter of Paris, in the city's 14th arrondissement. The cemetery is roughly 47 acres and is the second largest cemetery in Paris. The cemetery has over 35,000 graves, and approximately 1 ...
. During 1926 his remains were transferred to the churchyard in Saint-Sauveur-le-Vicomte.
Works
Fiction
* ''Le Cachet d'Onyx'' (1831).
* ''Léa'' (1832).
* ''L'Amour Impossible'' (1841).
* ''La Bague d'Annibal'' (1842).
* ''
Une vieille maîtresse'' (''A Former Mistress'', 1851)
* ''
L'Ensorcelée'' (''The Bewitched'', 1852; an episode of the royalist rising among the Norman peasants against the first republic).
* ''Le Chevalier Des Touches'' (1863)
* ''Un Prêtre Marié'' (1864)
* ''
Les Diaboliques'' (''The She-Devils'', 1874; a collection of
short stories
A short story is a piece of prose fiction. It can typically be read in a single sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the old ...
, each of which relates a tale of a woman who commits an act of violence or revenge, or other crime).
* ''
Une Histoire sans Nom'' (''The Story Without a Name'', 1882).
* ''
Ce qui ne Meurt Pas'' (''What Never Dies'', 1884).
Essays and criticism
* ''Á Rebours'' (1884), in ''Le Constitutionnel'', 28 July 1884. (An English translation can be found in the appendix of ''On Huysmans' Tomb: Critical reviews of J.-K. Huysmans and À Rebours, En Rade, and Là-Bas''. Portland, OR: Sunny Lou Publishing, 2021).
* ''
Du Dandysme et de Georges Brummel'' (''The Anatomy of Dandyism'', 1845).
* ''Les Prophètes du Passé'' (1851).
* ''Les Oeuvres et les Hommes'' (1860–1909).
* ''Les Quarante Médaillons de l'Académie'' (1864).
* ''Les Ridicules du Temps'' (1883).
* ''Pensées Détachées'' (1889).
* ''Fragments sur les Femmes'' (1889).
* ''Polémiques d'hier'' (1889).
* ''Dernières Polémiques'' (1891).
* ''Goethe et Diderot'' (1913).
* ''L'Europe des Écrivains'' (2000).
* ''Le Traité de la Princesse ou la Princesse Maltraitée'' (2012).
Poetry
* ''Ode aux Héros des Thermopyles'' (1825).
* ''Poussières'' (1854).
* ''Amaïdée'' (1889).
* ''Rythmes Oubliés'' (1897).
Translated into English
* ''The Story without a Name.'' New York: Belford and Co. (1891, translated by
Edgar Saltus).
** ''The Story without a Name.'' New York: Brentano's (1919).
* ''Of Dandyism and of George Brummell.'' London: J.M. Dent (1897, translated by
Douglas Ainslie).
** ''Dandyism.'' New York: PAJ Publications (1988).
* ''Weird Women: Being a Literal Translation of "Les Diaboliques".'' London and Paris: Lutetian Bibliophiles' Society (2 vols., 1900).
** ''The Diaboliques.'' New York: A.A. Knopf (1925, translated by Ernest Boyd).
** "Happiness in Crime." In: ''Shocking Tales.'' New York: A.A. Wyn Publisher (1946).
** ''The She-devils''. London: Oxford University Press (1964, translated by Jean Kimber).
* ''What Never Dies: A Romance.'' New York: A.R. Keller (1902).
** ''What Never Dies: A Romance''. London: The Fortune Press (1933).
* ''Bewitched.'' New York and London: Harper & brothers (1928, translated by Louise Collier Willcox).
His complete works are published in two volumes of the ''
Bibliothèque de la Pléiade''.
Quotations
* "Next to the wound, what women make best is the bandage."
* "The mortal envelope of the Middle Age has disappeared, but the essential remains. Because the temporal disguise has fallen, the dupes of history and of its dates say that the Middle Age is dead. Does one die for changing his shirt?"
* "In France everybody is an aristocrat, for everybody aims to be distinguished from everybody. The red cap of the Jacobins is the red heel of the aristocrats at the other extremity, but it is the same distinctive sign. Only, as they hated each other, Jacobinism placed on its head what aristocracy placed under its foot."
* "In the matter of literary form it is the thing poured in the vase which makes the beauty of the vase, otherwise there is nothing more than a vessel."
* "Books must be set against books, as poisons against poisons."
* "When superior men are mistaken they are superior in that as in all else. They see more falsely than small or mediocre minds."
* "The Orient and Greece recall to my mind the saying, so coloured and melancholic, of Richter: 'Blue is the colour of mourning in the Orient. That is why the sky of Greece is so beautiful'."
* "Men give their measure by their admiration, and it is by their judgements that one may judge them."
* "The most beautiful destiny: to have genius and be obscure."
[Pène du Bois (1897), p. 62.]
Gallery
File:Gill Barbey.jpg, Caricature by André Gill, .
File:Barbey Carolus.jpg, Portrait by Emile Auguste Carolus-Duran, 1860.
File:Barbey d'Aurevilly Rodin Philly.JPG, Portrait bust of Barbey d'Aurevilly, by Auguste Rodin
François Auguste René Rodin (; ; 12 November 184017 November 1917) was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a u ...
, 1909.
File:Félix Nadar 1820-1910 portraits Jules Barbey d'Aurevilly.jpg, Barbey d'Aurevilly, by Félix Nadar
Gaspard-Félix Tournachon (; 5 April 1820 – 20 March 1910), known by the pseudonym Nadar () or Félix Nadar'','' was a French people, French photographer, caricaturist, journalist, novelist, balloon (aircraft), balloonist, and proponent of Hi ...
.
File:Jules Barbey.jpg, Portrait by Georges Noyon.
See also
*
Charles Baudelaire
Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poet, essayist, translator and art critic. His poems are described as exhibiting mastery of rhythm and rhyme, containing an exoticism inherited from the Romantics ...
*
Joris-Karl Huysmans
Charles-Marie-Georges Huysmans (, ; 5 February 1848 – 12 May 1907) was a French novelist and art critic who published his works as Joris-Karl Huysmans (, variably abbreviated as J. K. or J.-K.). He is most famous for the novel (1884, pub ...
Notes
References
Further reading
*
Beyham-Edwards, Matilda (1911)
"French Author and Publisher Barbey d’Aurévilly and Trebutien."In: ''French Men, Women and Books.'' Chicago: A.C. McClurg and Co., pp. 95–104.
* Bradley, William Aspenwall (1910). "Barbey D'Aurevilly: A French Disciple of Walter Scott," ''The North American Review,'' Vol. 192, No. 659, pp. 473–485.
* Buckley, Thomas (1985). "The Priest or the Mob: Religious Violence in Three Novels of Barbey D'Aurevilly," ''Modern Language Studies,'' Vol. 15, No. 4, pp. 245–260.
* Chartier, Armand B. (1977). ''Barbey d'Aurevilly.'' Boston: Twayne Publishers.
* Eisenberg, Davina L. (1996). ''The Figure of the Dandy in Barbey d'Aurevilly's "Le Bonheur dans le Crime".'' New York: Peter Lang.
*
France, Anatole (1922)
"Barbey d’Aurevilly."In: ''On Life and Letters.'' London: John Lane, the Bodley Head, pp. 37–44.
*
Gosse, Edmund (1905)
"Barbey d’Aurevilly."In: ''French Profiles.'' London: William Heinemann, pp. 92–107.
* Griffiths, Richard (1966). ''The Reactionary Revolution: the Catholic Revival in French Literature, 1870–1914.'' London: Constable.
* Hansson, Laura Mohr (1899)
"An Author on the Mystery of Woman: Barbey d'Aurevilly."In: ''We Women and our Authors.'' London: John Lane the Bodley Head, pp. 197–211.
*
Jackson, Holbrook (1914)."The New Dandyism." In
''The Eighteen Nineties'' London: Grant Richards Ltd., pp. 105–116.
* Jamieson, T. John (1985). "Conservatism's Metaphysical Vision: Barbey d'Aurevilly on Joseph de Maistre," ''Modern Age,'' Vol. 29, No. 1, pp. 28–37.
* Lowrie, Joyce O. (1974). ''The Violent Mystique: Thematics of Retribution and Expiation in Balzac, Barbey d'Aurevilly, Bloy and Huysmans.'' Genève: Droz.
* Menczer, Béla (1962)
"The Primacy of Imagination: From Diderot to Barbey d’Aurevilly."In: ''Catholic Political Thought.'' University of Notre Dame Press, pp. 49–57.
* Respaut, Michèle M. (1999). "The Doctor's Discourse: Emblems of Science, Sexual Fantasy, and Myth in Barbey d'Aurevilly's 'Le Bonheur dans le Crime'," ''The French Review,'' Vol. 73, No. 1, pp. 71–80.
* Rogers, B. G. (1967). ''The Novels and Stories of Barbey d'Aurevilly.'' Genève: Librairie Droz.
* Saltus, Edgar (1919)
"Introduction."In: ''The Story without a Name.'' New York: Brentano's, pp. 5–23.
* Scott, Malcolm (1990). ''The Struggle for the Soul of the French Novel: French Catholic and Realist Novelists, 1850–1970.'' Washington, D.C.: Catholic University of America Press.
*
Thiollet, Jean-Pierre (2006) & (2008). ''Barbey d'Aurevilly ou le Triomphe de l'Écriture'', with texts by
Bruno Bontempelli,
Jean-Louis Christ,
Eugen Drewermann and
Denis Lensel. Paris: H & D Editions ; ''Carré d'Art : Barbey d'Aurevilly, Byron, Dali, Hallier'', with texts by
Anne-Élisabeth Blateau and
François Roboth, Paris : Anagramme Ed.
* Treherne, Philip (1912)
"Barbey d'Aurevilly."In: ''Louis XVII and Other Papers.'' London: T. Fisher Unwin, pp. 133–146.
* Turquet-Milnes, G. (1913). "Barbey d'Aurevilly." In: ''The Influence of Baudelaire.'' London: Constable and Company, Ltd., pp. 135–145.
*
Whibley, Charles (1897)
"Barbey d’Aurevilly,"''The New Review,'' Vol. XVI, pp. 204–212 (rpt. i
''The Pageantry of Life.''New York: Harper & Brothers, 1900, pp. 219–236.)
* Whitridge, Arnold (1922)
"Barbey d’Aurevilly,"''The Cornhill Magazine,'' New Series, Vol. LIII, pp. 49–56.
External links
*
*
*
Works by Barbey d'Aurevilly at
Hathi Trust
HathiTrust Digital Library is a large-scale collaborative repository of digital content from research libraries. Its holdings include content digitized via Google Books and the Internet Archive digitization initiatives, as well as content digit ...
* Jules-Amédée Barbey d'Aurevilly
Encyclopædia Britannica* Jules-Amédée Barbey d'Aurevilly
Encyclopédie de L'Agora
{{DEFAULTSORT:Barbey Daurevilly, Jules Amedee
1808 births
1889 deaths
19th-century French male writers
19th-century French non-fiction writers
19th-century French novelists
19th-century Roman Catholics
Collège Stanislas de Paris alumni
Converts to Roman Catholicism from atheism or agnosticism
French fantasy writers
French literary critics
French male non-fiction writers
French male novelists
French nobility
French Roman Catholic writers
Legitimists
Writers from Manche
19th-century French poets
French male poets
19th-century French short story writers
French male short story writers
19th-century French essayists
French male essayists
University of Caen Normandy alumni
Burials at Montparnasse Cemetery