Jerónimo Cosida
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Jerónimo Vicente Vallejo Cósida (1510 – 5 April 1592) was a Spanish
Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
painter, sculptor, goldsmith and architect.


Overview

Born in a noble family, Cósida specialized in mural paintings and
altarpiece An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, ...
s (of which he came to decorate over twenty-five, although most are now lost). He was active in the province of
Zaragoza Zaragoza (), traditionally known in English as Saragossa ( ), is the capital city of the province of Zaragoza and of the autonomous communities of Spain, autonomous community of Aragon, Spain. It lies by the Ebro river and its tributaries, the ...
, and performed meticulous work, especially in the treatment of the feminine figure, and had great capacity for work dedicating nearly sixty years of his life to painting.


Style

He is credited with having introduced the style of
Raphael Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its cl ...
in Spain, perhaps as a result of having trained in
Valencia Valencia ( , ), formally València (), is the capital of the Province of Valencia, province and Autonomous communities of Spain, autonomous community of Valencian Community, the same name in Spain. It is located on the banks of the Turia (r ...
with Vicente Masip, as he never traveled to Italy. He also demonstrated the influences of
Albrecht Dürer Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prin ...
; especially in his drawing. A great innovator and pioneer of Renaissance painting in
Aragon Aragon ( , ; Spanish and ; ) is an autonomous communities of Spain, autonomous community in Spain, coextensive with the medieval Kingdom of Aragon. In northeastern Spain, the Aragonese autonomous community comprises three provinces of Spain, ...
, together with the Italian
Tomás Peliguet Tomás may refer to: * Tomás (given name) * Tomás (surname) Tomás is a Spanish, Portuguese, or Irish surname, equivalent of '' Thomas''. It may refer to: * Antonio Tomás (born 1985), professional Spanish footballer * Belarmino Tomás (18 ...
, his style highlights the intricacy of detail, the elegance of gestures and faces, the stylization of the canon and elaborate spatial compositions.


Works

He was artistic adviser to
Hernando de Aragón Hernando de Aragón y de Gurrea, OCist (25 July 1498 – 29 January 1575), Archbishop of Zaragoza and Lieutenant General of Aragon, was an Aragonese humanist and historian. Family Born in Zaragoza, Aragón was the second illegitimate s ...
,
Archbishop of Zaragoza The Archdiocese of Saragossa (; ) is a Latin diocese of the Catholic Church located in north-eastern Spain, in the province of Zaragoza (Saragossa in English), part of the autonomous community of Aragón. The archdiocese heads the ecclesiastical ...
(who in turn was his main sponsor), which allowed him to work in the local Cathedral and maintain a workshop in the city. His earliest surviving work consists of some paintings and the Altarpiece of San Juan Bautista de Tarazona Cathedral, dating around the 1530s. His style evolved in the middle of the sixteenth century into a
mannerism Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it ...
where he absorbed the lessons of masters like Raphael or inspiring
Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested o ...
, as shown in table ''Birth of St. John the Baptist'' altarpiece of the
Charterhouse of Aula Dei The Charterhouse of Aula Dei () is a Carthusian monastery, or charterhouse, located about 10 kilometers north of the city of Zaragoza in Aragon, north-eastern Spain. It was declared a national monument on 16 February 1983. 16th–20th centuries Th ...
, painted around 1580, one of his best works. One work executed by Cósida ''The Glorification of the Virgin'' is part of the National Inventory of Continental European Paintings collection.


Gallery

Annunciation The Annunciation (; ; also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord; ) is, according to the Gospel of Luke, the announcement made by the archangel Gabriel to Ma ...
, 1550 File:Beata Brígida, de Jerónimo Cosida (Museo de Navarra).jpg, Saint
Birgitta of Sweden Bridget of Sweden, OSsS ( – 23 July 1374), also known as Birgitta Birgersdotter and Birgitta of Vadstena (), was a Swedish Catholic mystic and the founder of the Bridgettines. Outside Sweden, she was also known as the Princess of Nericia a ...
File:Cosida Zaragoza 02.JPG, The Altarpiece of the
Virgin Virginity is a social construct that denotes the state of a person who has never engaged in sexual intercourse. As it is not an objective term with an operational definition, social definitions of what constitutes virginity, or the lack thereof ...
and Child, (1569–1572) File:Tabla panel derecho retablo de la Virgen de Jerónimo Cosida.jpg, Close-up of the altarpiece, depicting
Saint Engratia Engratia (, ) is venerated as a virgin martyr and saint. Tradition states that she was martyred with eighteen companions in 303 AD. History Although her martyrdom is traditionally placed around 303 during the Diocletianic Persecution, more rec ...
File:Detall del soterrar de Jesús, retaule de la Passió, Jerónimo Cósida, sant Joan de l'Hospital, València.JPG, Detail of the burial of Jesus, from the passion of Christ


References

* SERVANT MAINAR, Jesus Fermin; Concha and Oscar Dominguez Alonso Oliva Ortúzar, "Restoration of the altarpiece of the Beheading of St. John the Baptist Parish Calcena (Zaragoza)" Turiaso, No. 12, 1995, p. 279–302. ISSN 0211-7207 * MORTE Garcia, Carmen (ed.) And Margarita Castillo Montolar (coord.), The splendor of the Renaissance in Aragon, Zaragoza, Aragon Government; Museum of Fine Arts in Bilbao; Generalitat Valenciana, 2009 . Exhibition Catalogue. Brief Guide. 1510 births 1592 deaths Spanish Renaissance painters Spanish sculptors Spanish male sculptors Spanish architects {{Spain-painter-stub