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Ikkō Narahara picture. was a Japanese photographer. His work is held in the collection of the Museum of Modern Art in New York.


Early life and education

Born in Fukuoka, Narahara studied law at Chuo University (graduating in 1954) and, influenced by statues of Buddha at Nara, art history at the graduate school of Waseda University, from which he received an MA in 1959.


Career

He had his first solo exhibition, ''Ningen no tochi'' (Human land), at the Matsushima Gallery (
Ginza Ginza ( ; ja, 銀座 ) is a district of Chūō, Tokyo, located south of Yaesu and Kyōbashi, west of Tsukiji, east of Yūrakuchō and Uchisaiwaichō, and north of Shinbashi. It is a popular upscale shopping area of Tokyo, with numerous intern ...
) in 1956. In this Narahara showed Kurokamimura, a village on Sakurajima. The exhibition brought instant renown. In his second exhibition, "Domains", at the
Fuji Photo Salon Fuji may refer to: Places China * Fuji, Xiangcheng City (付集镇), town in Xiangcheng City, Henan Japan * Mount Fuji, the tallest mountain in Japan * Fuji River * Fuji, Saga, town in Saga Prefecture * Fuji, Shizuoka, city in Shizuoka Prefec ...
in 1958, he showed a Trappist monastery in Tobetsu (
Hokkaidō is Japan's second largest island and comprises the largest and northernmost prefecture, making up its own region. The Tsugaru Strait separates Hokkaidō from Honshu; the two islands are connected by the undersea railway Seikan Tunnel. The la ...
), and a women's prison in Wakayama. In the meantime, Narahara had shown his works in the first (1957) of three exhibitions titled The Eyes of Ten; exhibited in all three, and went on to co-found the short-lived Vivo collective. From 1962 to 1965 he stayed in Paris, and after a time in Tokyo, from 1970 to 1974 in New York City. During this time he took part in a class by the American photographer Diane Arbus. He recorded Arbus' speech during these classes. These recordings would become an interesting document of the artist's statements about her own work shortly before she committed suicide. Narahara's work often depicted isolated communities and extreme conditions. He made much use of wide-angle lenses, even hemispherical-coverage ("circular") fisheye lenses. In 1967 Narahara won the Photographer of the Year Award from the Japan Photo Critics Association. He won numerous other prizes. From 1999 to 2005, Narahara was a professor at the Graduate School of
Kyushu Sangyo University was founded in 1960 in Fukuoka City, and currently has twenty departments and six graduate schools. It is a private university. Undergraduate Faculties and departments *Faculty of Economics **Department of Economics *Faculty of Commerce **Depa ...
( Fukuoka).


Works by Narahara


Booklength collections

*''Yōroppa: seishi shita jikan'' (, Where time has stopped). Kajima, 1967. *''Supēn: Idai naru gogo'' () ''España: Grand tarde, Fiesta, Vaya con Dios.'' Tokyo: Kyūryūdō, 1969. *''Japanesuku'' (, Japanesque). Tokyo: Mainichi Shinbun-sha, 1970. *''Ōkoku'' () / ''Man and his land.'' Tokyo: Chūōkoronsha, 1971. *''Shōmetsu shita jikan'' () / ''Where time has vanished.'' Tokyo: Asahi Shinbun-sha, 1975. *''Seven From Ikko.'' Tokyo : Unac, 1976. *''Ōkoku: Chinmoku no sono, kabe no naka'' (). Tokyo: Asahi Sonorama, 1978. *''Chikakute haruka na tabi'' (). Tokyo: Shūeisha, 1979. *''Hikari no kairō: San Maruko'' (, Arcade of light: Piazza San Marco). Tokyo: Unac, 1981. *''Shashin no jikan'' (). Tokyo: Kōsakusha, 1981. With Seigow Matsuoka (). *''Narahara Ikkō'' (, Ikkō Narahara). Shōwa shashin zenshigoto 9. Tokyo: Asahi Shinbun-sha, 1983. *''Venetsia no yoru'' () / ''Venice: Nightscapes.'' Tokyo: Iwanami, 1985. . Most of the text is in Japanese only, but the captions and an essay by Narahara are in English as well as Japanese. *''Shōzō no fūkei'' (). Tokyo: Shinchōsha, 1985. . *''Ningen no tochi'' (), ''Human land.'' Tokyo: Libroport, 1987. **Fukkan, 2017. *''Hoshi no kioku'' (, The memory of stars). Tokyo: Parco, 1987. *''Venetsia no hikari'' () / ''Venetian Light.'' Tokyo: Ryūkō Tsūshin, 1985. . *''Burōdowei'' () / ''Broadway.'' Tokyo: Creo, 1991. . *''Dyushan dai-garasu to Takiguchi Shūzō shigā bokkusu'' () / ''Marcel Duchamp large glass with Shuzo Takiguchi cigar box.'' Tokyo: Misuzu, 1992. . *''Kū'' () / ''Emptiness.'' Tokyo: Libroport, 1994. . *'' Takemitsu, Tōru'' and '' Giovanni Chiaramonte''. ''Ikko Narahara: Japanesque.'' Milan: Motta, 1994. . In Italian *''Revised and augmented edition:'' Tokyo: Creo, 1995. *''Tokyo, the '50s.'' Tokyo: Mole, 1996. . *''Narahara Ikkō'' (, Ikkō Narahara). Tokyo: Iwanami, 1997. *''Poketto Tōkyō'' () / ''Pocket Tokyo.'' Tokyo: Creo, 1997. . *''Ten'' () / ''Heaven.'' Tokyo: Creo, 2002. *''Mukokuseki-chi'' () / ''Stateless Land: 1954.'' Tokyo: Creo, 2004. . *''Jikū no kagami'' () / ''Mirror of space and time.'' Tokyo: Shinchōsha, 2004. . *''En'' () / ''En: Circular vision.'' Tokyo: Creo, 2004. .


Other books with work by Narahara

*Hiraki, Osamu, and Keiichi Takeuchi. ''Japan, a Self-Portrait: Photographs 1945–1964.'' Paris: Flammarion, 2004. Also presents work by Ken Domon, Hiroshi Hamaya, Tadahiko Hayashi, Eikō Hosoe, Yasuhiro Ishimoto,
Kikuji Kawada is a Japanese photographer. He co-founded the Vivo photographic collective in 1959.Kōtarō Iizawa, "The evolution of postwar photography" (chapter of Tucker et al., ''The History of Japanese Photography''), pp. 217, 210. Kawada's books incl ...
, Ihei Kimura, Shigeichi Nagano,
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. * ''Nihon nūdo meisakushū'' (, Japanese nudes). ''Camera Mainichi'' bessatsu. Tokyo: Mainichi Shinbunsha, 1982. Pp. 194–99 show nudes by Narahara. *''Nihon shashin no tenkan: 1960 nendai no hyōgen'' () / ''Innovation in Japanese Photography in the 1960s.'' Tokyo: Tokyo Metropolitan Museum of Photography, 1991. Exhibition catalogue, text in Japanese and English. Pp. 18–29 show a selection of Narahara's earlier work. (That on p. 23 is upside down, as pointed out in an erratum slip.) *''Shashin toshi Tōkyō'' (写真都市Tokyo) / ''Tokyo/City of Photos.'' Tokyo: Tokyo Metropolitan Museum of Photography, 1995. Catalogue of an exhibition held in 1995. Also presents work by
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, Issei Suda, Akihide Tamura,
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. Captions and texts in both Japanese and English. *Yamagishi, Shoji, ed. ''Japan, a self-portrait.'' New York: International Center of Photography, 1979. (hard), paper). Also presents works by Ryōji Akiyama, Nobuyoshi Araki, Taiji Arita, Masahisa Fukase, Hiroshi Hamaya, Shinzō Hanabusa, Miyako Ishiuchi,
Kikuji Kawada is a Japanese photographer. He co-founded the Vivo photographic collective in 1959.Kōtarō Iizawa, "The evolution of postwar photography" (chapter of Tucker et al., ''The History of Japanese Photography''), pp. 217, 210. Kawada's books incl ...
,
Jun Morinaga is a Japanese photographer. Morinaga worked as an assistant to W. Eugene Smith. Work by Morinaga is held in the permanent collection of the Tokyo Metropolitan Museum of Photography.''Nihon shashinka jiten'' () / ''328 Outstanding Japanese Photo ...
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Daidō Moriyama is a Japanese photographer best known for his black-and-white street photography and association with the avant-garde photography magazine ''Provoke (magazine), Provoke''. Moriyama’s rough, unfettered photographic style makes use of sharply t ...
, Kishin Shinoyama, Issei Suda,
Shōmei Tōmatsu was a Japanese photographer. He is known primarily for his images that depict the impact of World War II on Japan and the subsequent occupation of U.S. forces. As one of the leading postwar photographers, Tōmatsu is attributed with influencing th ...
,
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, Shōji Ueda, Gashō Yamamura, and
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. *Yamagishi, Shoji, and John Szarkowski, eds. ''New Japanese photography.'' New York: Museum of Modern Art, 1974. (hard), (paper). Also presents work by Ryōji Akiyama, Ken Domon, Eikō Hosoe, Masahisa Fukase, Tetsuya Ichimura, Yasuhiro Ishimoto, Bishin Jūmonji,
Kikuji Kawada is a Japanese photographer. He co-founded the Vivo photographic collective in 1959.Kōtarō Iizawa, "The evolution of postwar photography" (chapter of Tucker et al., ''The History of Japanese Photography''), pp. 217, 210. Kawada's books incl ...
,
Daidō Moriyama is a Japanese photographer best known for his black-and-white street photography and association with the avant-garde photography magazine ''Provoke (magazine), Provoke''. Moriyama’s rough, unfettered photographic style makes use of sharply t ...
, Masatoshi Naitō,
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, Akihide Tamura (as Shigeru Tamura),
Shōmei Tōmatsu was a Japanese photographer. He is known primarily for his images that depict the impact of World War II on Japan and the subsequent occupation of U.S. forces. As one of the leading postwar photographers, Tōmatsu is attributed with influencing th ...
, and
Hiromi Tsuchida is a Japanese photographer. His creative photo career is over 40 years long. Tsuchida has produced several collections of photographs of the aftermath of the atomic bombing of Hiroshima. He has produced many photo books such as ''Zokushin'', ''Co ...
.


Collections

* Museum of Modern Art, New York: 11 prints (as of January 2020) * Museum of Fine Arts Houston


Notes


References


General sources

* Tucker, Anne Wilkes, et al. ''The History of Japanese Photography.'' New Haven: Yale University Press, 2003. .


External links


Narahara comments on ''En''
and on his photography in general. *

at Fuji Film *

* ''Nihon shashinka jiten'' (『日本写真家事典』, ''328 Outstanding Japanese Photographers''). Kyoto: Tankōsha, 2000. {{DEFAULTSORT:Narahara Ikko 1931 births Japanese photographers 2020 deaths Artists from Fukuoka Prefecture Photography in Italy Recipients of the Medal with Purple Ribbon