Ichikawa Danjūrō VII
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was a Japanese
kabuki is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes ...
actor who specialized in male hero (''tachiyaku'') roles, said to be the greatest of the 19th century. He was responsible for the establishment of the ''
Kabuki Jūhachiban The , or Eighteen Best Kabuki Plays, is a set of kabuki plays, strongly associated with the Ichikawa Danjūrō line of actors ever since their premieres. These works were chosen and assembled as "the eighteen" by actor Ichikawa Danjūrō VII (1800 ...
'', a collection of the eighteen greatest plays in the repertoire.


Names

Like most kabuki actors, and many artists, of his time, Danjūrō VII had a number of names, including Ichikawa Ebizō V, Ichikawa Hakuen II and Ichikawa Shinnosuke I. In poetry circles, he often used the names Jukai (I), Sanshō, and Hakuen. Ebizō was also referred to in various circumstances as Ichikawa Jukai I, Matsumoto Kōshirō, Hatagaya Jūzō and Naritaya Shichizaemon II, though he did not formally use these names onstage. He was a member of the guild Naritaya, and could be referred to by this name (see ''
yagō , literally meaning "house name", is a term applied in traditional Japanese culture to Japanese name, names passed down within a guild, studio, or other circumstance other than blood relations. The term is synonymous with and . The term most ofte ...
'').


Lineage

The son of
Ichikawa Danjūrō V also known as , was one of the most famous and popular Japanese Kabuki actors of all time. Throughout his career, Danjūrō would hold some of the highest ranks in the '' hyōbanki'', an annual Edo publications which evaluated actors and perfor ...
's daughter, he was formally adopted into the kabuki lineages by
Ichikawa Danjūrō VI may refer to: Places *Ichikawa, Chiba, a city in Chiba, Japan **Ichikawa Gakuen (Ichikawa Junior and Senior High School), a large private boys and girls school in Moto-kita-kata, Ichikawa, Chiba *Ichikawa, Hyogo, a town in Hyōgo, Japan *Ichikawam ...
. Through these connections, he could trace his lineage back to the first Danjūrō. Danjūrō VII had a number of sons who became actors, under the names Ichikawa Danjūrō VIII,
Ichikawa Danjūrō IX was one of the most successful and famous Kabuki actors of the Meiji period (1868–1912). Ninth in the line of actors to hold the name Ichikawa Danjūrō, he is depicted in countless ''ukiyo-e'' actor prints ('' yakusha-e''), and is widely ...
, Ichikawa Ebizō VII, Ichikawa Ebizō VIII, Ichikawa Komazō VI, Ichikawa Saruzō I, and Ichikawa Kōzō. He also had a great many disciples.


Life and career

He was born in
Edo Edo (), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a (castle town) centered on Edo Castle located in Musashi Province, became the '' de facto'' capital of Japan from 1603 as the seat of the Tokugawa shogu ...
in 1791, to the daughter of the famous
Ichikawa Danjūrō V also known as , was one of the most famous and popular Japanese Kabuki actors of all time. Throughout his career, Danjūrō would hold some of the highest ranks in the '' hyōbanki'', an annual Edo publications which evaluated actors and perfor ...
; his father owned a ''shibai jaya'' (a teashop inside the theatre), and is said to have been a musician and low-ranking
samurai The samurai () were members of the warrior class in Japan. They were originally provincial warriors who came from wealthy landowning families who could afford to train their men to be mounted archers. In the 8th century AD, the imperial court d ...
. He appeared onstage for the first time at the age of 3, as Ichikawa Shinnosuke, and took the name Ebizō V at the age of six. The following year, he played the famous child roles of
Emperor Antoku was the 81st emperor of Japan, according to the traditional order of succession. His reign spanned the years from 1180 through 1185. His death marked the end of the Heian period and the beginning of the Kamakura period. During this time, the Im ...
and Rokudai in ''
Yoshitsune Senbon Zakura ''Yoshitsune Senbon Zakura'' (義経千本桜), or ''Yoshitsune and the Thousand Cherry Trees'', is a Japanese play, one of the three most popular and famous in the kabuki repertoire. Originally written in 1747 for the bunraku, jōruri puppet the ...
'' at the
Nakamura-za was one of the three main ''kabuki'' theatres of Edo alongside the Morita-za and Ichimura-za. History It was founded in 1624 by Nakamura Kanzaburō 1st. The Nakamura-za relocated to the new capital Tokyo in 1868 and reopened under Nakamura ...
, where he had made his premiere. His adopted father died in 1799, and Ebizō was officially designated to become the next Danjūrō, one of the greatest honors an actor could receive. After his grandfather died in 1806, Ebizō became Danjūrō VII the following year. In the early 1810s, Danjūrō performed at the
Ichimura-za The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly thre ...
in a number of new plays by the great playwright Tsuruya Nanboku IV, and played the titular role of Sukeroku in '' Sukeroku Yukari no Edo Zakura'' for the first time in 1811, alongside
Iwai Hanshirō V was a Japanese kabuki performer, known both for his own work and for his place in the lineage of a family of kabuki actors in Edo during the Edo period. He was the son of Iwai Hanshirō IV.Nussbaum, Louis Frédéric ''et al.'' (2005). Iwai H ...
and
Matsumoto Kōshirō V Matsumoto (松本 or 松元, "base of the pine tree") may refer to: Places * Matsumoto, Nagano (松本市), a city ** Matsumoto Airport, an airport southwest of Matsumoto, Nagano * Matsumoto, Kagoshima (松元町), a former town now part of the c ...
. Upon its reopening in 1815, he moved to the
Kawarazaki-za The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretche ...
, along with Hanshirō, Kōshirō, and Seki Sanjūrō II. He performed primarily there, and at the Ichimura-za, for the next several decades, until 1840. Hanshirō, Kōshirō, and the famous ''onnagata'' Segawa Kikunojō V remained his chief partners onstage throughout this period. Danjūrō retook the name Ebizō at a grand ''shūmei'' naming ceremony in 1832, passing on the name to his nine-year-old son, who now became Ichikawa Danjūrō VIII. He played the role of
Benkei , popularly known by the mononym Benkei (), was a Japanese warrior monk (''sōhei'') who lived in the latter years of the Heian Period (794–1185). Benkei led a varied life, first becoming a monk, then a mountain ascetic, and then a rogue war ...
in the 1840 premiere of ''
Kanjinchō ''Kanjinchō'' (勧進帳, ''The Subscription List'') is a kabuki dance-drama by Namiki Gohei III, based on the Noh play '' Ataka''. It is one of the most popular plays in the modern kabuki repertory. Belonging to the repertories of the Narita ...
'' at the Kawarazaki-za. Two years later, he was arrested for violating the sumptuary regulations, and banished from Edo, his home destroyed. Ebizō then performed in Kyoto and Osaka for the next eight years or so, alongside the likes of Ichikawa Kōdanji IV and Arashi Rikan III. After returning to Edo and to the Kawarazaki-za in 1850, Ebizō went on tour to
Kamigata Kamigata (上方) was the colloquial term for a region today called Kansai region, Kansai (''kan'', barrier; ''sai'', west) in Japan. This large area encompasses the cities of Kyoto, Osaka, and Kobe. The term was also sometimes used to refer only ...
again in 1854, performing in
Nagoya is the largest city in the Chūbu region of Japan. It is the list of cities in Japan, fourth-most populous city in Japan, with a population of 2.3million in 2020, and the principal city of the Chūkyō metropolitan area, which is the List of ...
, Kyoto, and Osaka. That same year, upon Ebizō's arrival in Osaka, his son Danjūrō VIII committed suicide in the inn they were staying at. Ebizō remained in the Kamigata area for several years, and then returned to Edo once more. At a performance at the Nakamura-za in January 1859, he began to feel ill, and left the stage for several weeks. That March, he was scheduled to perform as
Soga no Iruka (died July 10, 645) was the son of Soga no Emishi, a statesman in the Asuka Period of Japan. He was assassinated at court in a coup d'état involving Nakatomi no Kamatari and Prince Naka-no-Ōe (see: Isshi Incident), who accused him of tryi ...
in ''Imoseyama Onna Teikin'', but fell ill once more and died on the 23rd. Close friend of
Kunisada Utagawa Kunisada (; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock printing in Japa ...
, the most popular
ukiyo-e is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes ...
artist of those times, Ichikawa Ebizo is portrayed on hundreds of kabuki prints.


See also

*
Shūmei ''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage names. These stage names, most often those of the actor's father, gr ...


References


Ichikawa Ebizō V at Kabuki21.com
{{DEFAULTSORT:Ichikawa, Danjuro 07 1791 births 1859 deaths Kabuki actors Male actors from Tokyo Naritaya 19th-century Japanese male actors