I Don't Like Mondays (song)
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"I Don't Like Mondays" is a song by Irish new wave group
the Boomtown Rats The Boomtown Rats are an Irish rock/ new wave band originally formed in Dublin in 1975. Between 1977 and 1985, they had a series of Irish and UK hits including " Like Clockwork", " Rat Trap", " I Don't Like Mondays" and " Banana Republic". T ...
about the Cleveland Elementary School shooting in
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. It was released in 1979 as the lead
single Single may refer to: Arts, entertainment, and media * Single (music), a song release Songs * "Single" (Natasha Bedingfield song), 2004 * "Single" (New Kids on the Block and Ne-Yo song), 2008 * "Single" (William Wei song), 2016 * "Single", by ...
from their third album, '' The Fine Art of Surfacing''. The song was a number-one single in the UK Singles Chart for four weeks during the summer of 1979, and ranks as the sixth-biggest hit of the UK in 1979. Written by
Bob Geldof Robert Frederick Zenon Geldof (; born 5 October 1951) is an Irish singer-songwriter and political activist. He rose to prominence in the late 1970s as the lead singer of the Irish rock band the Boomtown Rats, who achieved popularity as part ...
and
Johnnie Fingers John Peter Moylett (born 10 September 1956), known professionally as Johnnie Fingers, is an Irish keyboardist and co-founding member of the new wave band the Boomtown Rats. He was notable for his attire of striped pyjamas on stage and his melodi ...
, the piano
ballad A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Eur ...
was the band's second single to reach number one on the UK chart.


Background and writing

According to Geldof, he wrote the song after reading a
telex Telex is a telecommunication Telecommunication, often used in its plural form or abbreviated as telecom, is the transmission of information over a distance using electronic means, typically through cables, radio waves, or other communica ...
report at
Georgia State University Georgia State University (Georgia State, State, or GSU) is a Public university, public research university in Atlanta, Georgia, United States. Founded in 1913, it is one of the University System of Georgia's four research universities. It is al ...
's campus radio station, WRAS, on the shooting spree of 16-year-old Brenda Ann Spencer, who fired from her bedroom window at children in a school playground at Grover Cleveland Elementary School in San Diego, California, on 29 January 1979, killing two adults and injuring eight children and one police officer. Spencer showed no remorse for her crime; her explanation for her actions was "I don't like Mondays. This livens up the day". Her flippant response attracted a lot of media attention and inspired the song. Geldof had been contacted by
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to play a gig for Apple, inspiring the opening line about a "silicon chip". The song was first performed less than a month later. Geldof explained how he wrote the song:
I was doing a radio interview in
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with
Johnnie Fingers John Peter Moylett (born 10 September 1956), known professionally as Johnnie Fingers, is an Irish keyboardist and co-founding member of the new wave band the Boomtown Rats. He was notable for his attire of striped pyjamas on stage and his melodi ...
and there was a telex machine beside me. I read it as it came out. Not liking Mondays as a reason for doing somebody in is a bit strange. I was thinking about it on the way back to the hotel and I just said 'silicon chip inside her head had switched to overload'. I wrote that down. And the journalists interviewing her said, 'Tell me why?' It was such a senseless act. It was the perfect senseless act and this was the perfect senseless reason for doing it. So perhaps I wrote the perfect senseless song to illustrate it. It wasn't an attempt to exploit tragedy.
Geldof had originally intended the song as a B-side, but changed his mind after the song was successful with audiences on the Rats' US tour. Spencer's family tried to prevent the single from being released in the United States, but were unsuccessful. In later years, Geldof stated that he regretted writing the song because he "made Brenda Spencer famous". In 2019, Geldof and Fingers reached an agreement in their dispute over who wrote the song, until then credited solely to Geldof. Fingers received a financial settlement and co-credit.


Chart performance

Released on Friday 13 July 1979, the song reached number one in the United Kingdom, Ireland, Australia and South Africa, and the top 10 in several other countries. It was less successful in the US, reaching only number 73 on the ''Billboard'' Hot 100. In 1994, the song was re-released to promote the greatest-hits album ''Loudmouth''. It then peaked at number 38 on the UK singles chart. In the UK, the song won the Best Pop Song and Outstanding British Lyric categories at the
Ivor Novello Awards The Ivor Novello Awards, named after the Welsh entertainer Ivor Novello, are awards for songwriting and Musical composition, composing. They have been presented annually in London by the The Ivors Academy, Ivors Academy, formerly called the Britis ...
.


Weekly charts


Year-end charts


Certifications


Live performances

On 9 September 1981, Geldof was joined on stage by fellow Boomtown Rat Johnnie Fingers to perform the song for
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sponsored by
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. A recording of that performance appears on the 1982 album '' The Secret Policeman's Other Ball''. The Boomtown Rats performed the song for
Live Aid Live Aid was a two-venue benefit concert and music-based fundraising initiative held on Saturday, 13 July 1985. The event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a m ...
at
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in 1985. This was the band's final major appearance. On singing the line, "And the lesson today is how to die", Geldof paused for 20 seconds while the crowd applauded the significance to those starving in Africa that Live Aid was intended to help. At a concert in London in 1995, almost ten years later to the day,
Bon Jovi Bon Jovi is an American Rock music, rock band formed in Sayreville, New Jersey in 1983. The band consists of singer Jon Bon Jovi, keyboardist David Bryan, drummer Tico Torres, guitarists John Shanks and Phil X, percussionist Everett Bradley ...
covered the song after being joined on stage by Geldof at
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. This recorded performance features on Bon Jovi's live album ''
One Wild Night Live 1985–2001 ''One Wild Night Live 1985–2001'' is the first live album by the American rock band Bon Jovi, released on May 22, 2001. The album includes live covers of Neil Young's " Rockin' in the Free World" and performance of the Boomtown Rats' "I Don't L ...
'', as well as on the bonus 2-CD edition of ''
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''. Bon Jovi was again joined by Geldof for a performance of the song at The
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on 23 June 2010, the 10th night of their 12-night residency. Bob Geldof performed the song solo at
Live 8 Live 8 was a string of benefit concerts that took place on 2 July 2005, in the G8 states and South Africa. They were timed to precede the G8 conference and summit held at the Gleneagles Hotel in Auchterarder, Scotland, from 6–8 July 2005 ...
in 2005. Using much of the musical equipment used by rock band
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, who had just left the stage, Geldof decided on the "spur of the moment" to perform the song. His performance included the mid-song "how to die" pause famously added during Live Aid.


Music video

A music video directed by David Mallet was used to promote the song. The video begins with the Boomtown Rats performing in a choir with children in the pews miming the chorus ("Tell Me Why?"). It then cuts to a family living room with the daughter just coming back from school but here the chorus is mimed by the other three band members to lead singer
Bob Geldof Robert Frederick Zenon Geldof (; born 5 October 1951) is an Irish singer-songwriter and political activist. He rose to prominence in the late 1970s as the lead singer of the Irish rock band the Boomtown Rats, who achieved popularity as part ...
. It then transitions to a soft piano fill with Geldof in front of a white background wearing sunglasses singing the final verse of the single version. After the line "And the lesson today is how to die" a series of
jump cuts A jump cut is a cut in film editing that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time. Camera positioning on the subject across the seque ...
of Geldof quickly appear before he sings the last few lines. Afterwards the final chorus is presented this time mimed with the same children from the beginning. The clip ends with the Boomtown Rats looking at a
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image of the house in a grassy plain from the video's opening image.


See also

*


References

{{Authority control 1979 songs 1979 singles European Hot 100 Singles number-one singles Irish Singles Chart number-one singles Songs based on actual events Songs inspired by deaths Songs about school Songs about the media Songs written by Bob Geldof The Boomtown Rats songs Murder ballads 1970s ballads UK singles chart number-one singles Song recordings produced by Phil Wainman Ensign Records singles Columbia Records singles Music videos directed by David Mallet (director) Number-one singles in South Africa Number-one singles in Australia Works about school violence