Overview
Wolfgang Busch began interviewing subjects from the ball circuit in 1995 and continued filming for a decade. ''How Do I Look'' preserves the ball culture, which began in the 1920s during the... "IfOther subjects speak about their attempts to forge careers in mainstream society and the effect thatMadonna Madonna Louise Ciccone ( ; born August 16, 1958) is an American singer, songwriter, record producer, and actress. Referred to as the "Queen of Pop", she has been recognized for her continual reinvention and versatility in music production, ...doesvoguing Vogue, or voguing, is a highly stylized, modern house dance originating in the late 1980s that evolved out of the Harlem ballroom scene of the 1960s. It is inspired by the poses of models in fashion magazines. It gained mainstream exposure whe ..., it's O.K.," he added. "But when the ball children dance, even now, people say, 'Oh, it's a bunch of crazy queens throwing themselves on the floor.'"
Reception
Box office
As an independent film production, ''How Do I Look'' did not receive financing or distribution from the commercial film industry. The filmmakers arranged independent screenings and distribution world-wide. As a result, the film was not made widely available in commercial movie theatres or art-houses upon its release in June 2006 during Gay Pride month. The documentary's earnings have principally come from the sale of DVD's and, more recently, from online streaming sites. Over the years, however, ''How Do I Look'' has earned commercial success by word of mouth recommendations, its numerous appearances in film festivals, Black Prides and Universities, and from its good standing relationship with the Ball community.Critical response
Prior to its release in 2006, early screenings of ''How Do I Look'' garnered prominent media mentions in the ''Village Voice'', the ''New York Post,'' and ''The New York Times''. Early on, ''How Do I Look'' was noted as an " artistic awareness program," alluding to the film's noble aspects to improve the Ballroom communities public reputation, providing opportunities and to empower members of the Ballroom community. The media attention also focused on the African-American and Latino gay subculture, who were known to go to lengths to keep their homosexuality "under wraps," a situation referred to as being on the ''down low.'' Often, the film's numerous screenings in academic settings were reported. In the years following its release, ''How Do I Look'' has repeatedly been the subject of reports in the foreign press, including in the French public radio channel, France Inter. The documentary was noted for its goal of empowering the LGBTQ Ballroom community, in particular following the AIDS pandemic, as was reported in Italian ''Vogue''. In Spanish ''Vanity Fair'', the documentary was noted for having given new life to the vogue (dance) artistic impression, in particular by having added social, racial, and political conscience to the Ballroom community.Accolades
Because ''How Do I Look'' was produced by and for the Ballroom community, it has been praised for having the coöperation of the Ball community in its production and for being faithful to its subject matter. The documentary has been named to several must-watch lists by the LGBTQ media. Them, the LGBTQ publication owned by Conde Naste, short-listed ''How Do I Look'' in its review of Ballroom history. ''Out'' magazine listed ''How Do I Look'' amongst six films about the Ballrooms and voguing. Mainstream culture publications, like ''W'' magazine, have also short-listed ''How Do I Look'' as a must-see "pride" film for LGBTQ audiences. The revealing interviews documented in ''How Do I Look'' have been lauded, in retrospect, for having been ahead of their time. In a review of "Transgender Sex Work and Society," which has been described as the definitive book about transgender sex work, a transgender star of ''How Do I Look'' was noted for her frank talk about transgender sex work.Controversies
''How Do I Look'' began filming in the wake of accusations that Jennie Livingston, the filmmaker behind ''Paris Is Burning'', had exploited the Ballroom community after the release of that film. The accused exploitation was the inspiration for ''How Do I Look'', said co-assistant director Kevin Omni. In the years since ''How Do I Look'' was released, the documentary has been mentioned by many as providing balance to and/or a follow-up or sequel of content of ''Paris Is Burning''. Two of the assistant directors of the film are members of the Ballroom community, Kevin Omni and Luna Khan. In the media, Omni has also noted that the film aimed to create "possibilities" for members of the Ballroom community.Production notes
''How Do I Look'' was filmed inHome media
''How Do I Look'' was released on Region 1 DVD in the United States.References
External links
* * * {{Ball culture 2006 films 2006 documentary films LGBTQ African-American culture American independent films Documentary films about HIV/AIDS Documentary films about ball culture Films about fashion Films shot in New York City 2006 LGBTQ-related films Documentary films about dance 2000s English-language films HIV/AIDS in American films 2000s American films American LGBTQ-related documentary films African-American LGBTQ-related films English-language documentary films