House Of Wax (1953 Film)

''House of Wax'' is a 1953 American mystery-horror film directed by Andre de Toth and released by Warner Bros. A remake of the studio's own 1933 film, '' Mystery of the Wax Museum'', it stars Vincent Price as a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays. The film premiered in New York on April 10, 1953, and had a general release on April 25, making it the first 3D film with stereophonic sound to be presented in a regular theater and the first color 3D feature film from a major American studio. '' Man in the Dark'', released by Columbia Pictures, was the first major-studio black-and-white 3D feature and premiered two days before ''House of Wax''.

In 1971, ''House of Wax'' was re-released to theaters in 3D with a full advertising campaign. Newly struck prints of the film in Chris Condon's single-strip StereoVision 3D format were used for this release. Another major re-release occurred during the 3D revival of the early 1980s. Warner Bros. later released a loose remake of the film in 2005.

The Library of Congress later selected the film for preservation in the National Film Registry in 2014, deeming it "culturally, historically, or aesthetically significant".

Plot

In New York City during the early 1900s, talented sculptor Professor Henry Jarrod runs a wax museum that features historical figures who have met grisly ends. His business partner, Matthew Burke, wants to end their partnership due to Jarrod's refusal to make sensational exhibits, such as those that draw crowds to their competitors. Wealthy art critic Sidney Wallace wants to buy out Burke on his return from Egypt in three months. Impatient, Burke sets the museum on fire for the insurance money. Jarrod attempts to stop Burke, but Burke douses him in kerosene and leaves him to die in the fire.

After Burke receives the insurance money, a disfigured man in a cloak strangles him and stages the murder as a suicide. He murders Burke's fiancée, Cathy Gray, but is interrupted by her roommate, Sue Allen, before he can arrange the scene. She runs to her friend Scott Andrews' home. The murderer steals Cathy's body from the morgue.

Wallace meets Jarrod who survived the fire, now in a wheelchair and unable to sculpt with his crippled hands. Jarrod asks Wallace to invest in his new wax museum, featuring statues made by his assistants, deaf mute Igor and alcoholic Leon Averill. He concedes to popular taste by including a chamber of horrors showcasing acts of violence, including Burke's apparent suicide.

Attending the opening of the museum with Scott, Sue is troubled by the resemblance of the Joan of Arc figure to Cathy. Jarrod claims he based the figure on newspaper photos of Cathy. He hires Scott as an assistant and asks Sue to model for a Marie Antoinette wax figure, as she resembles his earlier one. Sue tells police Detective Lieutenant Tom Brennan that the Joan of Arc figure shares a distinctive ear piercing with Cathy, which she does not believe would be discernible from a newspaper photo. He agrees to investigate. Sergeant Jim Shane recognizes Averill as Carl Hendricks, wanted for breaking parole. Averill is taken in by Shane who finds a missing attorney's pocket watch in his possession.

Sue arrives at the museum after hours to meet Scott, but Jarrod had sent him on an errand when he heard she was coming. She removes the Joan of Arc figure's wig, exposing Cathy's hair beneath. Jarrod, watching, gets up from his wheelchair, revealing he can walk. Sue strikes him, breaking a wax mask from his disfigured face identifying him as the murderer. She faints and Jarrod heats wax for his Marie Antoinette sculpture.

Scott returns and is subdued by Igor. The police draw the truth out of Averill by withholding alcohol – Jarrod was driven mad by his previous museum's destruction and his new wax figures are the wax-coated corpses of his victims. They arrive at the museum just in time to stop Igor decapitating Scott with a guillotine. Jarrod is knocked into the vat of hot wax and killed. Brennan saves Sue before the wax can cover her.

Cast

* Vincent Price as Professor Henry Jarrod, a sculptor and the proprietor of the House of Wax
* Phyllis Kirk as Sue Allen, an unemployed woman who becomes suspicious of Jarrod's talent
**Kirk also portrays the likeness of Jarrod's wax figure of Marie Antoinette
* Carolyn Jones as Cathy Gray, Sue's roommate
**Jones also portrays the likeness of Jarrod's wax figure of Joan of Arc
* Paul Picerni as Scott Andrews, Sue's friend and a sculptor
* Frank Lovejoy as Detective Lieutenant Tom Brennan, Scott's friend and a police officer
* Roy Roberts as Matthew Burke, Jarrod's scheming business partner
* Angela Clarke as Scott's unnamed mother
* Paul Cavanagh as Sidney Wallace, a wealthy art critic who invests in the House of Wax
* Dabbs Greer as Sergeant Jim Shane, Tom's partner on the murder case involving the House of Wax
* Charles Bronson (credited as Charles Buchinsky) as Igor, Jarrod's deaf- mute assistant
* Reggie Rymal as a paddle ball-utilizing barker for the grand opening of the House of Wax
* Philip Tonge as Bruce Allison, Jarrod's friend who brings Wallace to the House of Wax (uncredited)
* Ruth Warren as the scrubwoman who discovers Burke's corpse (uncredited)
* Riza Royce as Ma Flannigan, who runs the rooming house at which Sue and Cathy rent a room (uncredited)
* Frank Ferguson as a medical examiner (uncredited)
* Grandon Rhodes as an autopsy surgeon (uncredited)
* Nedrick Young as Carl Hendricks, alias Leon Averill, Jarrod's alcoholic ex-convict assistant (uncredited)

Production

Filmed under the working title ''The Wax Works'', ''House of Wax'' was Warner Bros.' answer to the surprise 3D hit '' Bwana Devil'', an independent production that premiered in November 1952. Seeing promise in the future of 3D films, Warner Bros. contracted Julian and Milton Gunzburg's Natural Vision 3D system, the same one used for ''Bwana Devil'', and decided to film a remake of their 1933 two-color Technicolor thriller '' Mystery of the Wax Museum'', which was based on Charles S. Belden's three-act play ''The Wax Works''. Although the entire newspaper angle of the earlier film was eliminated and ''Mystery'' was set in the year it was released, whereas ''House of Wax'' was set in circa 1902, the two films have many similarities in plot and dialogue.

Among the foregrounded uses of 3D in the film were scenes featuring fights, can-can girls, and a paddle ball-wielding barker. In what may be the film's cleverest and most startling 3D effect, the shadowy figure of one of the characters seems to spring up out of the theater audience and run into the screen. As director Andre de Toth was blind in one eye, he was unable to experience stereo vision or 3D effects. Vincent Price recalled: "It’s one of the great Hollywood stories. When they wanted a director for 3Dfilm, they hired a man who couldn’t see 3D at all! André de Toth was a very good director, but he may not have been suited to direct a 3D movie. He’d go to the rushes and say 'Why is everybody so excited about this?' It didn’t mean anything to him. But he made a good picture, a good thriller. He was largely responsible for the success of the picture. The 3D tricks just happened—there weren’t a lot of them. Later on, they threw everything at everybody." Some modern critics feel de Toth's inability to see depth is what makes the film superior since he was more concerned with telling a thrilling story and getting believable performances from the actors than simply tossing things at the camera.

Release

The film premiered in Los Angeles at the Paramount Theatre on April 16, 1953. It played at midnight with a number of celebrities in the audience, Broderick Crawford, Gracie Allen, Eddie Cantor, Rock Hudson, Judy Garland, Shelley Winters, and Ginger Rogers among them. Producer Alex Gordon, knowing actor Bela Lugosi was in dire need of cash, arranged for him to stand outside the theater wearing a cape and dark glasses and holding a leash with actor Steve Calvert in a gorilla suit on the end. Lugosi was interviewed by reporter Shirley Thomas, who thoroughly confused the aging star when she asked the prearranged questions out of order, and, embarrassed, he left without attending the screening. Footage of Lugosi in front of the theater appeared in a Pathé Newsreel released in theaters on April 27, 1953.

Topping the box office charts for five weeks and earning an estimated $5.5 million in rentals from the North American box office alone, the film was one of the biggest hits of 1953. It was originally available with a stereophonic three-track magnetic soundtrack to accompany its stereoscopic imagery, though many theaters were not equipped to make use of it and defaulted to the standard monophonic optical soundtrack. Previously, films with stereo sound were only produced to be shown in specialty cinemas, such as the Toldi in Budapest and the Telecinema in London.Eddie Sammons, ''The World of 3D Movies'', Delphi, 1992 p 32R.M. Hayes, ''3-D Movies: A History and Filmography of Stereoscopic Cinema'', McFarland & Company, 1989 p 42 As of 2013, no copy of the original three-channel stereo soundtrack is known to exist, and only the monophonic soundtrack and a separate sound-effects-only track are believed to have survived, but a new stereo soundtrack has been synthesized from the available source material. The initial 3D screenings of the 88-minute film included an intermission, which was necessary to change the reels because each of the theater's two projectors was dedicated to one of the stereoscopic images.

Reception

Initial reception

Early reviews of the film were mostly mixed to negative. '' Variety'' was positive, writing: "This picture will knock 'em for a ghoul. Warners' ''House of Wax'' is the post-midcentury '' Jazz Singer''. What the freres and Al Jolson did to sound, the Warners have repeated in third dimension." '' Harrison's Reports'' called the film "a first-class thriller of its kind", and "the best 3-D picture yet made", though the reviewer felt that "the added value of depth is not significant enough to warrant the annoyance of viewing the proceedings through the polaroid glasses, and that the picture would have been as much of a chiller if shown in the standard 2-D form, and probably even a greater thriller if shown on a wide screen." ''The Monthly Film Bulletin'' wrote that, as a 3D film, it was "a smoother effort than its predecessors, obviously made with more care and less tiring to the eyes", but that, " all but technical respects, the film is a childish and inept piece of work."

Bosley Crowther of ''The New York Times'' found the film "disappointing", writing: "This picture, apart entirely from the fact that it is baldly, unbelievably antique in its melodramatic plot and style, shows little or no imagination in the use of stereoscopic images and nothing but loudness and confusion in the use of so-called stereoscopic sound. The impression we get is that its makers were simply and solely interested in getting a flashy sensation on the screen just as fast as they could." Richard L. Coe of ''The Washington Post'' wrote: "It's supposed to be a horror movie and it's horrible alright... The novelty has some appeal especially through its long shots into depths, but there is also a feeling of limitations once what novelty there passes. Then it is we go back to the gaga script devised by Crane Wilbur from a story which served one of the early talking films and one is inclined to shudderingly ask: Are we to go through all that again?" John McCarten of ''The New Yorker'' also hated the film, writing that he thought it had "set the movies back about forty-nine years. It could have set them back further if there had been anything earlier to set them back to", and concluding that "when Mr. Price started clumping around and choking ladies with knots that wouldn't pass muster at a Cub Scout meeting, I took off my glasses once and for all, put on my hat, and left."

Later reception

On review aggregator website Rotten Tomatoes, the film has an approval rating of 93% based on 44 reviews and an average score of 7.5 out of 10. The site's "critics consensus" reads: "''House of Wax'' is a 3-D horror delight that combines the atmospheric eerieness of the wax museum with the always chilling presence of Vincent Price."

Impact

''House of Wax'' revitalized the film career of Vincent Price, who had been playing secondary character parts and occasional sympathetic leads since the late 1930s. After this high-profile role, he was in high demand for the rest of his career to play fiendish villains, mad scientists, and other deranged characters in genre films. The following year, Columbia Pictures hired ''House of Wax'' writer Crane Wilbur to pen the script for their attempt to capture the 3D craze alongside Price as star with '' The Mad Magician'' (1954). Price would go on to star in genre films such as '' The Tingler'' (1959), '' The Masque of the Red Death'' (1964), and '' The Abominable Dr. Phibes'' (1971). Supporting actress Carolyn Jones, who had her first credited role in ''House of Wax'', gained a much higher profile more than a decade later when she played Morticia Addams in the TV comedy horror spoof ''The Addams Family''.

Home media

The film was released in 2D on DVD by Warner Home Video on August 5, 2003. This release included '' Mystery of the Wax Museum'' as a bonus. A 3D Blu-ray disc of the film was released in the U.S. on October 1, 2013, to celebrate its 60th anniversary. Like the earlier DVD, the Blu-ray includes ''Mystery of the Wax Museum'' as a bonus (in standard definition). A reissue of this format was released through the Warner Archive Collection on June 23, 2020.House of Wax 3D Blu-ray
. 3D Blu-ray. Retrieved May 31, 2020

See also

* '' Mystery of the Wax Museum'' – the 1933 film of which ''House of Wax'' is a remake
* '' House of Wax'' – a 2005 film that is a loose remake of ''House of Wax''
* '' Terror in the Wax Museum'' – a 1973 film
* '' Waxwork'' – a 1988 film
* List of 3D films of the era
* Vincent Price filmography

References

External links

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''House of Wax'' at 3D Expo - with Paul Picerni Q&A
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Hollywood Gothique

''Cinefantastique'' retrospective article

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1953 3D films
1953 horror films
1953 films
1950s serial killer films
1950s mystery horror films
American 3D films
Remakes of American films
Films directed by Andre de Toth
Films scored by David Buttolph
Films set in New York City
Films set in wax museums
Films set in the 1900s
Horror film remakes
Films about mannequins
United States National Film Registry films
Warner Bros. films
1950s English-language films
Films about sculptors
English-language crime films
English-language mystery horror films