Homenaje A Federico García Lorca
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' (Homage to Federico García Lorca) is a work for chamber orchestra by the Mexican composer Silvestre Revueltas.


History

On 19 August 1936, the Spanish poet
Federico García Lorca Federico del Sagrado Corazón de Jesús García Lorca (5 June 1898 – 19 August 1936) was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a g ...
was murdered by fascist militia forces. Outraged, along with many other intellectuals and artists, in October Revueltas composed ', one of his most important works, which was premiered on 14 November 1936 conducted by the composer. It was given its first Spanish performance at the in Madrid on 17 September 1937.


Instrumentation

The work is scored for a chamber orchestra of piccolo, E
clarinet The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instrume ...
, two
trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...
s,
trombone The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air c ...
,
tuba The tuba (; ) is the largest and lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in th ...
,
tamtam The tamtam, sometimes spelled tam-tam, is a type of Gong#Chau gong (tam-tam), gong. TamTam, Tam-Tam, tamtam, or tam-tam may also refer to: * Tam-Tam (album), ''Tam-Tam'' (album), a 1983 album by Amanda Lear * Tam Tam (Samurai Shodown), Tam Tam (' ...
, xylophone,
piano A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a c ...
, two
violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
s, and
double bass The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions ...
. The absence of low woodwinds,
viola The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...
s, and
cello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned i ...
s produces a sound meant to evoke a Mexican village band, or the sound of Indian music.


Analysis

The composition is in three movements: The main, Allegro, section of the first movement is typical of Revueltas's
orchestration Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orch ...
. An almost constant rhythmic substructure in 4/16 time is produced by the
staccato Staccato (; Italian for "detached") is a form of Articulation (music), musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and ...
of the piano, repeated plaintive fourths in the violins, and an obstinately repeated G in semiquavers in the contrabasses. Over this texture, wind instruments present the thematic material, "at once sad and gay, in a light contrapuntal passage of the greatest transparency". The second movement, Duelo, is written in a style close to the Andalusian '' martinetes'' sung by miners and prisoners awaiting sentence. In imitation of the characteristic hammer-and-anvil accompaniment, Revueltas wrote a major-second ostinato for xylophone and pizzicato double bass, over which the trumpet plays a mournful melody in C minor. The final movement superimposes several ostinatos, a device Revueltas uses extensively throughout his oeuvre.


References

Sources * * * * * *


Further reading

* Estrada, Julio. 2012. ''Canto roto: Silvestre Revueltas''. Vida y Pensamiente de México. México, D. F.: Fondo de Cultura Económica, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México. . * Garland, Peter. 1991. ''In Search of Silvestre Revueltas: Essays 1978–1990''. Santa Fe: Soundings Press. * Hoag, Charles. 2002. "Algunos aspectos de las melodías de Revueltas", translated by Ricardo Miranda Pérez. In ''Diálogo de resplandores: Carlos Chávez y Silvestre Revueltas'', edited by Ricardo Miranda Pérez and Yael Bitrán, 109–117. Ríos y raíces: Teoría y práctica del arte. México, D.F.: Consejo Nacional para la Cultura y las Artes (CONACULTA) (Dirección General de Publicaciones). . * Kolb Neuhaus, Roberto. 2002. "Leyendo entre líneas, escuchando entre pautas: Marginalia paleográfica de Silvestre Revueltas". In ''Diálogo de resplandores: Carlos Chávez y Silvestre Revueltas'', edited by Ricardo Miranda Pérez and Yael Bitrán, 68–96. Ríos y raíces: Teoría y práctica del arte. México, D.F.: Consejo Nacional para la Cultura y las Artes (CONACULTA) (Dirección General de Publicaciones). . * Madrid, Alejandro L. 2000. "¿Influencias o elementos de retórica? Aspectos de centricidad en la obra de Silvestre Revueltas". ''Heterofonía: Revista de investigación musical'', no. 122 (January–June): 19–38. * Revueltas, Silvestre. 1958. ''Homenaje a Federico García Lorca (Homage to Federico García Lorca'' (score). New York: Southern Music Publishing Company. * Vogt, Harry. 1986. "Hommages und Elegien in memoriam Federico García Lorca". ''Dissonanz'', no. 9 (August): 15–17.


External links

* *, National Youth Orchestra of the Netherlands, Etienne Siebens conducting {{DEFAULTSORT:Homenaje A Federico Garcia Lorca Compositions by Silvestre Revueltas 1936 compositions Compositions for chamber orchestra Funerary and memorial compositions Federico García Lorca