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Home Place, also called Voewood, is an Arts and Crafts style house in
High Kelling High Kelling is a village and civil parish in the English county of Norfolk. High Kelling is east of Holt and west of Cromer, along the A148 road. History High Kelling's name is of Anglo-Saxon origin and derives from the Old English for th ...
, near Holt, Norfolk, England, designed (1903–5) by
Edward Schroeder Prior Edward Schroeder Prior (1852–1932) was a British architect, instrumental in establishing the Arts and Crafts movement. He was one of the foremost theorists of the second generation of the movement, writing extensively on architecture, art, c ...
. It is a Grade II*
listed building In the United Kingdom, a listed building is a structure of particular architectural or historic interest deserving of special protection. Such buildings are placed on one of the four statutory lists maintained by Historic England in England, Hi ...
. The gardens, also designed by Prior, are Grade II* listed in the
National Register of Historic Parks and Gardens #REDIRECT Register of Historic Parks and Gardens of Special Historic Interest in England #REDIRECT Register of Historic Parks and Gardens of Special Historic Interest in England {{R from move ...
{{R from move ...
. Home Place is perhaps one of the greatest achievements of house design of the Arts and Crafts movement. More than almost any other building of the period the house fulfils the ideals for architecture developed by
John Ruskin John Ruskin (8 February 1819 20 January 1900) was an English polymath a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era. He wrote on subjects as varied as art, architecture, Critique of politic ...
and
William Morris William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditiona ...
. The design of Home Place saw Prior return to and extend further the aspects of design that had preoccupied him in The Barn, Exmouth. In the designing and building of Home Place many of his philosophical ideas found physical expression. Its design and construction were characterised by the use of radical planning and forms, innovative technologies, such as the use of reinforced concrete, extensive external decoration, a distinct building philosophy involving craftsmanship and the use of quality local materials and the integration of the building and its interiors with the garden and its surroundings.


History


Construction

Home Place,
High Kelling High Kelling is a village and civil parish in the English county of Norfolk. High Kelling is east of Holt and west of Cromer, along the A148 road. History High Kelling's name is of Anglo-Saxon origin and derives from the Old English for th ...
was originally named Voewood, subsequently Kelling Place and Thornfield Hall. It was built for the Reverend Percy Robert Lloyd (1868–1937). Lloyd was the tenth son of the publisher and paper manufacturer Edward Lloyd (1815–1890). He was born in Water House,
Walthamstow Walthamstow ( or ) is a town within the London Borough of Waltham Forest in east London. The town borders Chingford to the north, Snaresbrook and South Woodford to the east, Leyton and Leytonstone to the south, and Tottenham to the west. At ...
, which had been the childhood home of
William Morris William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditiona ...
, and educated at
Eastbourne College Eastbourne College is a co-educational Private schools in the United Kingdom, fee-charging school in the English Public school (United Kingdom), public school tradition, for boarding school, boarding and Day school, day pupils aged 13–18, in ...
. In 1887 he went up to
Pembroke College, Oxford Pembroke College, a constituent college of the University of Oxford, is located on Pembroke Square, Oxford. The college was founded in 1624 by King James I of England and VI of Scotland, using in part the endowment of merchant Thomas Tesdale ...
. Both at Eastbourne and Oxford he was a noted athlete, although he suffered periodically from unknown health problems. After taking his degree in 1891 he went to
Ely Theological College Ely Theological College was a college in Ely, Cambridgeshire, for training clergy in the Church of England. Founded in 1876 by James Woodford, Anglican Bishop of Ely, the college had a strong Anglo-Catholic tradition. Ely's "ritualistic" ( ...
and was ordained three years later, taking a curacy at St Andrew's Church, Lincoln. He stayed here for six years, during which time he married Dorothea Mallam (1874–1907). She was the eldest child of James Thomas Mallam (1850–1915) of Oxford, a family which had connections with the
Pre-Raphaelites The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti ...
. With the help of his wife he translated and arranged in English a Tibetan novel by Albert Arthur Yongden, "
Lama Yongden Lama () is a title bestowed to a realized practitioner of the Dharma in Tibetan Buddhism. Not all monks are lamas, while nuns and female practitioners can be recognized and entitled as lamas. The Tibetan word ''la-ma'' means "high mother", a ...
", entitled ''Mipam''. He also co-authored a work on the Habsburgs and Italy. In around 1900 he left Lincoln to undertake work with the
Diocese of Norwich The Diocese of Norwich is an ecclesiastical jurisdiction of the Church of England, forming part of the Province of Canterbury in England. Its origins trace back to the early medieval bishopric of See of Elmham, Elmham and Thetford, which were ...
. It is at around this point that he presumably commissioned E.S. Prior. The money used to pay for the house - £60,000 - most probably derived from a stake in the family business, now run by his elder brother Frank. Work began in 1903, with the construction of various outbuildings, including thatched semi-detached gardeners' cottages and a complex of gardens. Initially experiments with construction techniques using materials derived from the site were carried out, for example in the construction of the walls of vegetable garden. The main house was not begun until 1904, when the sunken flower garden, and deep, was excavated to provide aggregates for the construction of the house itself. Pebbles were used for facing the walls, gravel for concrete and sand for general building purposes. Surface earth was used for the terraces. The excess ballast produced was sold to local authorities. Local carstone was employed, quarried near
Sandringham Sandringham can refer to: Places Australia * Sandringham, New South Wales, a suburb of Sydney * Sandringham, Queensland, a rural locality * Sandringham, Victoria, a suburb of Melbourne **Sandringham railway line **Sandringham railway station * ...
, as were tiles made of local Norfolk clay, though some materials had to be got from Cambridgeshire when supplies ran out. Oak was also obtained locally. The house is constructed of mass concrete made of local lime and the materials derived from the site. The flint facing is tied to the external walls with carstone and fixed to the core with bricks. The lace coursings of tile-bricks binds and reinforces the structure. Galletting with flints was widely used. The floors are of concrete reinforced with iron chains. The roof is covered in local pantiles. The patterning and modelling of the wall surfaces and the colours and texturing of the building are pronounced. The exterior surfaces are highly decorated. The patterning makes reference to the local tradition of diaper and zigzag patterns in the brickwork of cottages and farm buildings. Tiles were extensively employed, forming the surrounds of the first floor windows, as lintels in herringbone patterns and as decorative bands and patterns. Tiles and narrow courses of brick were used in twisted neo-Tudor chimney stacks. Prior did not employ a general contractor in the building. Electrical services were executed under contract, but the main construction work was supervised and labour and materials purchased by Prior's site clerk,
Randall Wells Albert Randall Wells (1877–1942) was an English Arts and Crafts movement, Arts and Crafts architect, designer, craftsman and inventor. He was the son of an architect, Arthur Wells of Hastings. After a practical training in joinery and foundin ...
(1877–1942) and Mr Blower, a local bricklayer. Prior believed that contract systems would result in "only the most mechanical expressions of design" being brought to fruition. Randall Wells had been discovered by
William Lethaby William Richard Lethaby (18 January 1857 – 17 July 1931) was an English architect and architectural historian whose ideas were highly influential on the late Arts and Crafts and early Modern movements in architecture, and in the fields of ...
in 1902 and had acted as his resident clerk of works at All Saints' Church, Brockhampton,
Herefordshire Herefordshire ( ) is a Ceremonial counties of England, ceremonial county in the West Midlands (region), West Midlands of England, bordered by Shropshire to the north, Worcestershire to the east, Gloucestershire to the south-east, and the Welsh ...
. Randall Wells had received a practical training in joinery, founding as well as architecture. He ran his own practice as well as working for other architects. Unfortunately a new isolation hospital was constructed next door shortly after completion of Home Place. It is believed that Mrs Lloyd, concerned about the possibility of contracting TB from her neighbours in the
sanatorium A sanatorium (from Latin '' sānāre'' 'to heal'), also sanitarium or sanitorium, is a historic name for a specialised hospital for the treatment of specific diseases, related ailments, and convalescence. Sanatoriums are often in a health ...
, decided that she could not remain in residence. As a result, the house was rented out shortly after completion. Mrs Lloyd herself died in 1907, and is buried in Cuddesdon in Oxfordshire. It was then used as by the Rev. Frederic Meyrick-Jones as the site for a "
crammer A cram school (colloquially: crammer, test prep, tuition center, or exam factory) is a specialized school that trains its students to achieve particular goals, most commonly to pass the entrance examinations of high schools or universities. The ...
" school before being sold to
Leicester City Council Leicester City Council is the local authority for the city of Leicester, in the ceremonial county of Leicestershire, England. Leicester has had a council from medieval times, which has been reformed on numerous occasions. Since 1997 the council ...
in 1929. Percy Lloyd lived a nomadic lifestyle after the sale of Home Place. His 'retirement', to the extent that he ever worked, was spent in Italy and the Riviera. He died in 1937 at 2, The Grand Palais,
Monte Carlo Monte Carlo ( ; ; or colloquially ; , ; ) is an official administrative area of Monaco, specifically the Ward (country subdivision), ward of Monte Carlo/Spélugues, where the Monte Carlo Casino is located. Informally, the name also refers to ...
. He was survived by a son and a daughter.


Layout and style

The house is based on a butterfly plan. The three storey central portion of the house is flanked by splayed two-storey wings. The plan enabled Prior to maximise views out and to give the best orientation to a range of rooms. He could also relate the external spaces to the internal areas. The area contained within the splay faced the gardens, with the northern of the wings acting as the entrance, with a two-storey porch and daylight basement. This wing also contained the library and billiard room at ground floor level. The wing opposite contained the kitchen and service accommodation together with the dining room. The fruit and vegetable garden lay adjacent. The entrance, through oak doors, leads into a six-sided hall up a straight flight of Hoptonwood stone stairs into an octagonal lobby. The main staircase lies to the left filing the triangular space generated by the butterfly plan. It has a massive oak frame and twisted oak balusters. A corridor with an open oak beam roofs leads from the lobby to the east wing on the garden side. The door to the left immediately before the stairwell leads to the original billiard room. This is essentially an octagonal room with a fireplace to the east. A door at the eastern end provides access to the great hall to the left of the fireplace. To the right of the lobby, a door leads into the library. This is again octagonal, with a fireplace to the north west corner. The room is extensively glazed with fenestration to all walls except that to the hall. The cloister lies to the south wall. It retains its built-in seats facing on to the terraced garden. The cloister served to control natural lighting to the library. The cloister space has now been incorporated into the library by glazing the original open arches with metal framed doors and windows. The original external glazed doors that lead from the library to the cloister have now been removed. Between the two wings, the three storey body of the house is of two bays flanking a large fireplace. A large double storey hall is placed centrally besides the inglenook fireplace. The inglenook has two small windows and it tiled as is the fire surround. The corridor is separated from the hall space by four oak beams that support the minstrels gallery, that also acts as the corridor connecting the wings on the second floor level. Full height French windows opened from the corridor onto the garden terrace. There was a central window with a built-in timber under-cupboard that was expressed externally, giving the impression from outside that there was a central doorway. A sun lounge has been added covering the original terrace and the original French windows removed. The sun lounge is a typical 1960s structure on a stone faced plinth with a flat roof. The southern wing contains the dining room and service and servants facilities including a back staircase and original a servants sitting room. This has been incorporated into the kitchen at some point. The corridor from the hall extends past the back staircase, entered from a lobby via a door from the corridor, to the dining room. The room has a fireplace to the south wall with a Hopton stone mantel with a tiled surround and a three faceted bowed façade overlooking the garden, with a light to each façade. French windows originally led into the covered cloister, which was subsequently glazed and incorporated into the room. The steel rod reinforced concrete ceiling beams are exposed in the ceiling. The wings are on two stories with attic space above, illuminated by windows in the gable ends. They contain the principal bedrooms. On the second floor the central block contains the two staircases at either end and their respective landings. The corridor connecting the two wings is slung over part of the double height great hall along the west side, acting as a minstrels gallery. The third floor of the central block contains further bedrooms in the roof space, lit by large dormer windows. Electrical services were provided at the time of building and included lights, bells, telephones and hot water. Whilst some drawings for such fittings exist for some of Prior's buildings there is only photographic evidence for the furniture and fittings at Home Place. He almost certainly designed further fitted furniture, in, for example, the kitchen and bedrooms of which there is no accurate record. Photographs taken just after completion reveal that a simple approach was taken to the treatments of the interior, with the extensive use of white distemper and untreated or oiled and blackened oak and waxed timber floors, very much in the idiom of the medievalism of Webb's Red House, designed for Morris. The Great Hall has the character of a late medieval timber-framed building. The timbers supporting the gallery are plain and untreated, whilst the roof timbers and supports appear oiled and blackened, a technique Prior used elsewhere. The floor treatment in the hall was polished wood with Persian runners. Furniture included chairs by Morris and Co., ranging from country chairs to heavy medieval styles, but also Regency period chairs and vernacular craft designs. A series of framed Burne-Jones prints line the gallery and tapestries the other walls. Other furniture includes a dresser similar to those by Morris & Co. The corridor to the west wall has a heavily beamed and ribbed oak roof, again originally blackened and polished. The doors originally located at either end of the corridor were purpose designed in untreated oak as part of a glazed and top lit oak screen dividing the hall portion of the corridor from the remainder of the passage. They were half glazed with small panels similar to those of the main fenestration. Scratch plates were designed by Prior in brass, probably with the "tree of life" pattern he used in other buildings. The inglenook included built settles within the nooks with full height leather backs. The French windows to the garden terrace were full height and oak framed, with small glazing panels. Heavy plain curtains were hung on what appear to be plain tubular rails, probably of brass. The stair hall shows a similar approach to finishes and furnishings. The stair itself is of oak with high quality joinery as in all Prior's buildings. The twisted oak balustrade echos the form of the twisting chimneys outside. Oak panelling was used in the billiard room and included Prior's usual use of built in facilities. Ceiling treatments were generally simple, in white distemper. Lighting fittings were typical of the Arts and Craft Movement with a range of ceiling and wall lighting fittings, generally with luminaires suspended by chains with glass shades.


Gardens

The gardens were of great renown and highly regarded. Home Place was perhaps Prior's greatest garden design. Garden making was a preoccupation of his middle period. Terraces extend from the wings of the house and end in steps leading down to the garden level. The garden is also reached from the terrace by a double flight of steps leading to two stone paths, separated by a water feature in the form of a stepped stone tank containing water-lilies, iris and forget-me-not. The central feature of the garden is a large basin. Pergolas with masonry walls lead east and west. The garden at Home Place was admired by
Gertrude Jekyll Gertrude Jekyll ( ; 29 November 1843 – 8 December 1932) was a British Horticulture, horticulturist, garden designer, craftswoman, photographer, writer and artist. She created over 400 gardens in the United Kingdom, Europe and the United Sta ...
and Sir Lawrence Weaver, who described and illustrated it in their book ''Gardens for Small Country Houses''; "The stepped scheme at Home Place, Holt, designed by Professor E.S. Prior will be a counsel of perfection to most people". During its long career as an institution and hotel several major alterations have been carried out to the house. Externally the most notable alteration has been the addition of a bow fronted garden room to the terrace cloister of the garden from the main block and the in-filling of the garden cloister. This appears to have been carried out in the 1930s. The cloister has been in-filled with steel framed windows and doors of typical design of the period. Many of the original
casement window A casement window is a window that is attached to its frame by one or more hinges at the side. They are used singly or in pairs within a common frame, in which case they are hinged on the outside. Casement windows are often held open using a c ...
s have also been replaced with steel frame windows. File:Voewood 31.JPG File:Voewood 30.JPG File:Voewood 32.JPG File:Voewood 38.JPG File:Voewood 40.JPG File:Voewood 39.JPG File:Voewood 26.JPG File:Voewood 27.JPG


Present day

The house has undergone a programme of sympathetic restoration and is currently owned by the London bookseller Simon Finch. It is available for wedding receptions, retreats, a location for filming and photography as well as corporate events. Finch has hosted the Voewood Festival a number of times; this is a literary festival for the most part but
Glen Matlock Glen Matlock (born 27 August 1956) is an English musician, best known for being the bass guitarist in the original line-up of the punk rock band the Sex Pistols. He is credited as a songwriter on 10 of the 12 songs on the Sex Pistols' only offic ...
and
Adam Ant Stuart Leslie Goddard (born 3 November 1954), known professionally as Adam Ant, is an English singer, musician, and actor. He gained popularity as the lead singer of new wave group Adam and the Ants and later as a solo artist, scoring 10 UK ...
have both performed at it. The rock band
Gene Loves Jezebel Gene Loves Jezebel are a British rock band formed in the early 1980s by twin brothers Michael Aston and Jay Aston. Initially associated with gothic rock and post-punk, their 1983 debut album ''Promise'' reached no.8 on the UK Indie Chart. Th ...
recorded the album ''The Thornfield Sessions'' (2003) there.


References


External links


Voewood House
{{coord, 52.9150, 1.1196, type:landmark_region:GB, display=title Arts and Crafts architecture in England Country houses in Norfolk Grade II* listed buildings in Norfolk Grade II* listed houses Houses completed in 1905 E. S. Prior buildings Gardens in Norfolk Arts and Crafts gardens 1905 establishments in England