Hans Lützelburger (died June 1526), also known as Hans Franck, was a German blockcutter ("formschneider") for
woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that ...
s, regarded as one of the finest of his day.
He cut the blocks but as far as is known was not an artist himself. He is best known for his virtuoso work on 41 of the "superbly cut" series of tiny woodcuts of the ''
Dance of Death'', designed by
Hans Holbein the Younger
Hans Holbein the Younger ( , ; ; – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He ...
,
which Lützelburger left unfinished when he died.
He is known to have been active, and already well-established, in Augsburg from c. 1516, where he was working, and signing the reverse of blocks, under
Jost de Negker
Jost de Negker (c. 1485–1544) was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century, mostly in Augsburg, Germany. He was a leading "formschneider" or blockcutter of his day, but always to the design ...
, the other great blockcutter of the period, on the print projects for
Maximilian I, Holy Roman Emperor
Maximilian I (22 March 1459 – 12 January 1519) was King of the Romans from 1486 and Holy Roman Emperor from 1508 until his death in 1519. He was never crowned by the Pope, as the journey to Rome was blocked by the Venetians. He proclaimed hi ...
involving
Albrecht Dürer
Albrecht Dürer ( , ;; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer or Duerer, was a German painter, Old master prin ...
,
Hans Burgkmair and other artists. In 1522 his "first undoubted masterpiece", the ''Battle of Naked Men and Peasants'' by Master NH (possibly Nicholaus Hogenberg), was published, which in at least one edition carried an extra block in the margin below with his name as "FURMSCHNIDER" and the date in a tablet - a very unusual feature. This also includes portraits of Lützelburger and the artist, naked except for cloths covering their genitals, pointing to the tablet.
He was active from about 1522 in
Basel
Basel ( ; ), also known as Basle ( ), ; ; ; . is a city in northwestern Switzerland on the river Rhine (at the transition from the High Rhine, High to the Upper Rhine). Basel is Switzerland's List of cities in Switzerland, third-most-populo ...
(after a period in
Mainz
Mainz (; #Names and etymology, see below) is the capital and largest city of the German state of Rhineland-Palatinate, and with around 223,000 inhabitants, it is List of cities in Germany by population, Germany's 35th-largest city. It lies in ...
), where he died in 1526.
He and Holbein were contracted by the publisher
Jakob Faber for more than one series of Bible illustrations (for editions of
Martin Luther
Martin Luther ( ; ; 10 November 1483 – 18 February 1546) was a German priest, Theology, theologian, author, hymnwriter, professor, and former Order of Saint Augustine, Augustinian friar. Luther was the seminal figure of the Reformation, Pr ...
's translation), as well as the ''Dance of Death''. He and Holbein also worked for the major publisher
Johann Froben
Johann Froben, in Latin: Johannes Frobenius (and combinations), (c. 1460 – 27 October 1527) was a famous printer, publisher and learned Renaissance humanist in Basel. He was a close friend of Erasmus and cooperated closely with Hans Holbein t ...
. He had only completed 41 of the scenes of the ''Dance of Death'' at his death. These were issued as prints in the early 1520s, sometimes wrongly called "proofs", and when they were published in book form in 1538, with added verses, they referred only to Lützelburger, it having apparently been forgotten that Holbein was involved. Later editions added other designs cut by others, probably not all by Holbein. The blocks formed part of his estate at his death.
He seems to have produced so much work in his last years at Basel that he may well have had assistants, although there is no documentation for this. He may also have been responsible for cutting the most impressive work of the Basel artist
Urs Graf, his series of 16
white-line woodcuts of ''Standardbearers''.
[Bartrum, 218-9,]
References
Further reading
*
Bartrum, Giulia, ''German Renaissance Prints, 1490–1550''; British Museum Press, 1995,
''Hans Lützelburger and the Master N.H.'' Campbell Dodgson,
The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation s ...
, Vol. 10, No. 47 (Feb., 1907), pp. 319–322
JSTOR
* David Landau & Peter Parshall, ''The Renaissance Print'', Yale, 1996,
External links
*
*
*
British Museum
The British Museum is a Museum, public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human cu ...
, Search on Hans Lützelburge
herefor 81 works.
including commentary, later images and copies by other artists.
{{DEFAULTSORT:Lutzelburger, Hans
Year of birth missing
1526 deaths
German printmakers
Woodcut cutters