Guillermo Gómez-Peña is a Mexican/Chicano

performance art Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a pu ...

ist, writer,

activist Activism consists of efforts to promote, impede, direct or intervene in social, political, economic or environmental reform with the desire to make changes in society toward a perceived common good. Forms of activism range from mandate build ...

, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video,

photography Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is empl ...

and

installation art Installation art is an artistic genre of three-dimensional works that are often site-specific art, site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior intervent ...

. His fifteen books include essays, experimental

poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ...

, performance scripts, photographs and chronicles in both English, Spanish and

Spanglish Spanglish (a blend of the words "Spanish" and "English") is any language variety (such as a contact dialect, hybrid language, pidgin, or creole language) that results from conversationally combining Spanish and English. The term is mostly u ...

. He is a founding member of the pioneering art collective Border Arts Workshop/Taller de Arte Fronterizo (1985-1992) and artistic director of the performance art troupe La Pocha Nostra. Gómez-Peña has contributed to cultural debates for over 30 years staging seminal performance art pieces including ''Border Brujo'' (1988-1989), '' Couple in The Cage: Two Undiscovered Amerindians Visit the West'' (with Coco Fusco, 1992–93), ''The Cruci-fiction Project'' (with Roberto Sifuentes, 1994), ''Temple of Confessions'' (1995), ''The Mexterminator Project'' (1997–99), ''The Living Museum of Fetishized Identities'' (1999-2002), ''The Mapa/Corpo series'' (2004-2013) and most recently the border opera ''We Are All Aliens'' (2018–present). His award-winning solo performances mix experimental aesthetics, activist politics, Spanglish humor and audience participation to create a "total experience" for the audience member/reader/viewer. Gomez-Pena received a MacArthur Foundation fellowship in 1991 for his work as a writer and interdisciplinary artist.

Biography

Early life

Guillermo Gómez-Peña was born in

Mexico City Mexico City is the capital city, capital and List of cities in Mexico, largest city of Mexico, as well as the List of North American cities by population, most populous city in North America. It is one of the most important cultural and finan ...

in 1955. He studied

Linguistics Linguistics is the scientific study of language. The areas of linguistic analysis are syntax (rules governing the structure of sentences), semantics (meaning), Morphology (linguistics), morphology (structure of words), phonetics (speech sounds ...

and Latin American Literature at National Autonomous University of Mexico (UNAM) from 1974–1978. He moved to the US in 1978 and studied at

California Institute of the Arts The California Institute of the Arts (CalArts) is a Private university, private art school in Santa Clarita, California. It was incorporated in 1961 as the first degree-granting institution of higher learning in the US created specifically for ...

, earning a B.F.A. in 1981 and an M.F.A. in 1983.

Work

From 1983 until 1990, Gómez-Peña lived in the San Diego/Tijuana border region. Most of his artistic and intellectual work concerns the interface between North and South (Mexico and the U.S.),

border Borders are generally defined as geography, geographical boundaries, imposed either by features such as oceans and terrain, or by polity, political entities such as governments, sovereign states, federated states, and other administrative divisio ...

culture and the politics of the brown body. His original interdisciplinary arts projects and books explore borders, physical, cultural and symbolic, between his two countries and between the mainstream U.S. art world and the various Latino cultures, including the U.S.-Mexico border itself,

immigration Immigration is the international movement of people to a destination country of which they are not usual residents or where they do not possess nationality in order to settle as Permanent residency, permanent residents. Commuting, Commuter ...

, cross-cultural and hybrid identities, and the confrontation and misunderstandings between cultures,

languages Language is a structured system of communication that consists of grammar and vocabulary. It is the primary means by which humans convey meaning, both in spoken and signed forms, and may also be conveyed through writing. Human language is ch ...

and races. His artwork and literature also explore the politics of language, the side effects of

globalization Globalization is the process of increasing interdependence and integration among the economies, markets, societies, and cultures of different countries worldwide. This is made possible by the reduction of barriers to international trade, th ...

, "extreme culture," the culture of violence and new technologies from a Latino perspective. He is a patron of the London-based Live Art Development Agency and a Senior Fellow of the Hemispheric Institute of Performance and Politics (NYU). Naftazteca Guillermo Gomez Pena

La Pocha Nostra

Gómez-Peña is the artistic director of the international performance troupe La Pocha Nostra. La Pocha Nostra is a trans-disciplinary arts organization that provides a support network and forum for artists of various disciplines, generations and ethnic backgrounds. La Pocha is devoted to erasing the borders between art and politics, art practice and theory, artist and spectator. La Pocha Nostra has intensely focused on the notion of collaboration across national borders, race, gender and generations as an act of radical citizen diplomacy and as a means to create temporary communities of rebel artists. Every year, La Pocha conducts a summer and a winter performance art school in which the troupe's radical pedagogy (body-based methodology that has been developed during the last 20 years) is shared with international groups of rebel artists. Gómez-Peña's work with La Pocha Nostra has been presented across the US, Canada, Mexico, Latin America, Europe, Russia, Australia and South Africa. In recent years, the troupe has presented work at

Tate Modern Tate Modern is an art gallery in London, housing the United Kingdom's national collection of international Modern art, modern and contemporary art (created from or after 1900). It forms part of the Tate group together with Tate Britain, Tate Live ...

(London), Arnolfini (Bristol), the Guggenheim Museum (New York), LACMA (Los Angeles), the House of World Cultures and the Volksbuhne (Berlin), MACBA (Barcelona), El Museo de la Ciudad (Mexico City) and the Encuentros Hemisféricos in Lima, Rio de Janeiro, Belo Horizonte, Buenos Aires and São Paulo. Gomez-Peña and La Pocha Nostra have participated in the following biennales: Havana, The Whitney, Sydney, Liverpool, Thessaloniki and Mercosur. The troupe's photo performances are now in the permanent collection of Daros Foundation (Zurich) and Galeria Artificios (Gran Canaria). In 2018 the troupe performed ''The Most (un)Documented Mexican Artist'' at Los Angeles Contemporary Exhibitions. In 2019 the troupe performed ''Enchilada Western: A Living Museum of Fetishized Identities'' at The PASEO art festival in Taos, New Mexico.

Collaboration with Coco Fusco

Gómez-Peña traveled internationally for two years with fellow artist Coco Fusco performing ''The Year of the White Bear and Two Undiscovered Amerindians Visit the West'' (1992–1994), a satirical performance piece in which the two artists were exhibited in a cage in museums and at arts festivals as "authentic" Amerindians from a previously undiscovered island off the Mexican coast. The pair dressed up in a hodgepodge of ethnic drag and bits of Americana such as a baseball cap and grass skirt in the case of Fusco, face paint and a leopard-skin wrestling mask for Gómez-Peña. Coco Fusco described the piece as "a satirical commentary both on the Quincentenary celebrations and on the history of this practice of exhibiting human beings from Africa, Asia, and Latin America in Europe and the United States in zoos, theaters, and museums." During its run, the critically acclaimed piece was performed at major museums and arts festivals in New York, Washington, DC, Los Angeles, Chicago and Madrid, Spain, amongst others. ''The Year of the White Bear'' was sometimes accompanied by a performance piece entitled ''New World (B)Order'', which Chicago Reader art critic Carmela Rago called "the denouement of the performance installation at the Field Museum; using irony and humor Gomez-Pena and Fusco allowed us to contemplate the next step--being part of a world border culture, reclaiming our humanity and our hearts." The artists also worked with filmmaker Paula Heredia to create ''The Couple in the Cage: Guatianaui Odyssey'', a documentary that records several performances for ''The Year of the White Bear'' as well as viewer reactions to the work.

Collaborations with additional artists

Besides ongoing projects with La Pocha Nostra (Emma Tramposch, Saul Garcia Lopez, Micha Espinoza, Paloma Martinez-Cruz, Balitronica, and Roberto Gomez-Hernandez), Gómez-Peña has made collaboration an integral part of his artistic practice. He thinks of collaboration as a form of “radical citizenship”. Some of his notable collaborative projects include artworks created with: James Luna, Reverend Billy, Tania Bruguera, Annie Sprinkle, Richard Montoya (Culture Clash), René Yañez, Sara Shelton-Mann, VestAndPage, galindog, Post-Commodity and Non-Grata.

Awards and honors

* The

Guggenheim Fellowship Guggenheim Fellowships are Grant (money), grants that have been awarded annually since by the John Simon Guggenheim Memorial Foundation, endowed by the late Simon Guggenheim, Simon and Olga Hirsh Guggenheim. These awards are bestowed upon indiv ...

, 2019 * The Fleishhacker Foundation Eureka Fellowship, 2016 *

United States Artists United States Artists (USA) is a national arts funding organization based in Chicago. USA is dedicated to supporting living artists and cultural practitioners across the United States by granting unrestricted awards. Mission The organization' ...

Fellow award, 2012United States Artists Official Website
/ref> * The Free Culture Award, 2012 * Cineaste Lifetime Achievement Award, 2000 * The American Book Award for New World Border, 1997 * Viva Los Artistas Award, 1993 * John D. and Catherine T. MacArthur Fellowship, 1991. Gómez-Peña was the first Chicano artist to receive this award. * Prix de la Parole, 1989 * The Bessie Award, 1989

Bibliography

Books

* ''Warrior for Gringostroika'' (book, Graywolf Press, 1993, ) * ''The New World Border: Prophecies, Poems & Loqueras for the End of the world '' (book, City Lights, 1996) * ''Temple of Confessions: Mexican Beasts and Living Santos'' (book, powerHouse Books, 1997, ) * ''Dangerous Border Crossers'' (book, Routledge, 2000) * ''Codex Espangliensis'' (book, City Lights, 2000) * ''"Ethno-Techno: Writings on Performance, Activism and Pedagogy'' (book, Routledge, 2005, ) * ''El Mexterminator'' (book, Oceano, 2005) Spanish. * ''Bitacora del Cruce'' (book, Fondo de Cultura Economica, 2006) Spanish and Spanglish. * ''Conversations Across Borders'' (book, Seagull Books, 2011) Laura Levin ed. * ''Exercises for Rebel Artists'' (book, Routledge, 2011) * ''Doc/Undoc'' (book, City Lights, 2017, ; with Felicia Rice) * ''Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism'' (forthcoming Routledge 2020) * ''La Pocha Nostra: A handbook for the rebel artist in a post-democratic society'' (forthcoming Routledge 2020)

Video

References

External links

Official site of Gómez-Peña and La Pocha Nostra (link to new website)

Official Photo Blog of Gomez-Peña

Official Guide to La Pocha Nostra Online
{{DEFAULTSORT:Gomez-Pena, Guillermo 1955 births Living people Bessie Award winners Performance art in Los Angeles MacArthur Fellows California Institute of the Arts alumni American artists of Mexican descent Franklin Furnace artists American Book Award winners National Autonomous University of Mexico alumni