Groovin' High
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"Groovin' High" is an influential 1945 song by
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ...
and
trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...
er
Dizzy Gillespie John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy El ...
. The song was a
bebop Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerou ...
mainstay that became a
jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive List ...
, one of Gillespie's best known hits, and according to ''Bebop: The Music and Its Players'' author Thomas Owens, "the first famous bebop recording". The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by
Paul Whiteman Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American Jazz bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 193 ...
, "
Whispering Whispering is an unvoiced mode of phonation in which the vocal cords are abducted so that they do not vibrate; air passes between the arytenoid cartilages to create audible turbulence during speech. Supralaryngeal articulation remains the ...
", with lyrics by John Schonberger and Richard Coburn ''(né'' Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. The biography ''Dizzy'' characterizes the song as "a pleasant medium-tempo tune" that "demonstrates... illespie's/nowiki> skill in fashioning interesting textures using only six instruments". The song has been used to title many compilation albums and also the 2001 biography ''Groovin' High: The Life of Dizzy Gillespie''.


Impact

The track appeared on the debut 1947 album, ''Dizzy Gillespie and His All Stars'', the song is one of eight on that album that, according to jazz critic Scott Yanow, "shocked" Gillespie's contemporaries, contributing to that album's "permanently
hanging Hanging is killing a person by suspending them from the neck with a noose or ligature strangulation, ligature. Hanging has been a standard method of capital punishment since the Middle Ages, and has been the primary execution method in numerou ...
..jazz and (indirectly) the entire music world". In ''Jazz: A Regional Exploration'', Yanow explained that at the time such songs "were unprecedented...displaying a radically different language" from contemporary swing. But though fans and fellow musicians found the material "very strange and difficult", ''The Sax & Brass Book'' notes, they were quickly adopted as classics. According to Yanow, "Parker and Gillespie's solos seemed to have little relation to the melody, but they were connected. It was a giant step forward for jazz". Thomas Owens highlights the innovative use of source material, pointing out that while it was not uncommon for jazz musicians to utilize existing chord structures in their compositions in 1945, Gillespie's "melodic contrafact was the most complex jazz melody superimposed on a pre-existing chordal scheme", "atypically elaborate".


Performance history

First performed on February 9, 1945, Gillespie reworked the arrangement for a February 28 performance to allow an
improvisation Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvis ...
by
guitarist A guitarist (or a guitar player) is a person who plays the guitar. Guitarists may play a variety of guitar family instruments such as classical guitars, acoustic guitars, electric guitars, and bass guitars. Some guitarists accompany themselve ...
Remo Palmier, and it is this reworking that became so well known. In the book ''Yardbird Suite'', music historian Lawrence O. Koch sets forth in detail the structure of the song as performed on December 29, 1945 and preserved by Armed Forces Radio Service, from the two- bar
unison Unison (stylised as UNISON) is a Great Britain, British trade union. Along with Unite the Union, Unite, Unison is one of the two largest trade unions in the United Kingdom, with over 1.2 million members who work predominantly in public servic ...
figure by Gillespie and
Charlie Parker Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of beb ...
that open the song to the Gillespie coda at the end. Not having to conform to 78 rpm technology, Gillespie and his band were able to add several minutes to the song during that performance. The author praises the "lovely, logical, melodic construction" of Parker's 16-bar solo as well as singling out performances by Gillespie ("excellent"), Slam Stewart ("inimitable") and Palmieri ("adequate"). Noting that the coda "has become a jazz cliché, both in its melody and the chord pattern from which the melody was derived", they also draw attention to Gillespie's "prima donna breath control" on the final E-flat, with only a "slight loss in intonation" in spite of the difficulty of the phrase. The book ''Charlie Parker: His Music and Life'' describes this performance, along with the three other songs played in that session, as capturing "much of the vitality of the early Gillespie-Parker partnership. Other notable performances of the song took place on September 29, 1947, when Parker and Gillespie reunited in concert at
Carnegie Hall Carnegie Hall ( ) is a concert venue in Midtown Manhattan, New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between 56th Street (Manhattan), 56th and 57th Street (Manhattan), 57t ...
, and during a 1956 tour sponsored by the US State Department. Owens describes the 1947 recording as among the finest of Parker's career. During the 1956 tour, Gillespie simultaneously performed "Groovin' High" and "Whispering" to demonstrate the way jazz musicians build on the bones of earlier compositions.


Inspiration

According to the book ''Visions of Jazz: The First Century'' by Gary Giddins, Gillespie once recounted that he believed the song had been inspired by a film serial he saw at a matinée when he was a child that used the song "Whispering" as its theme. Gillespie offered no details about the serial, except that he believed it might have starred stuntman and rodeo rider Yakima Canutt.


Albums named for the song

There are at least 11 different albums in the Gillespie discography alone named ''Groovin' High'', compilations that include the song along with other notable tracks that Gillespie performed. In addition, several compilations have been released under this title in Parker's name.


Gillespie albums

* ''Groovin' High'' (Bandstand): "Although not essential, there are some very interesting performances on this boppish CD." – Scott Yanow. * ''Groovin' High'' (Collectables): "It all makes for a rather mixed bag and doesn't make a particularly good introduction to Gillespie, although it does jarringly show some of the extremes in the Diz legacy." – Steve Leggett. * ''Groovin' High'' (Drive) (1994): Re-issue of the Collectables releases. * ''Groovin' High'' (Drive) (1999) * ''Groovin' High'' (Eclipse): "As it's a discount album..., it's a wonderful addition to the collection of any Gillespie fan." * ''Groovin' High'' (High Definition Classics) * ''Groovin' High'' (Indigo): "Fans of this style of jazz likely already have all of this classic material, but as a stocking stuffer or birthday present for a fledgling young jazz fan, this would work well." – Michael G. Nastos. * ''Groovin' High'' (Jazz Hour) * ''Groovin' High'' (Living End): "It serves as a fine introduction to one of jazz's great innovators." – Thom Jurek. * ''Groovin' High'' (Naxos): "This Naxos historical jazz collection fulfills a crying need, succinctly summing up a critical slice of time where bebop is concerned." – Richard S. Ginell. * ''Groovin' High'' (Prism Records, 205) , 25 tracks, 74 minutes * '' Groovin' High'' (Savoy): "Certainly filled with classic music, but this is a so-so, lightweight reissue...because there are only 13 selections..., the liner notes are dated and breezy, and the complete sessions are not included." – Scott Yanow.


Parker albums

* ''Groovin' High'' (BCI) * ''Groovin' High'' (Fabulous) * ''Groovin' High'' (Jazz Time) * ''Groovin' High'' (K-Tel) * ''Groovin' High'' (Total Recording)


Other albums

*Dancing Mood - ''Groovin' High'' (Sonopress) * Booker Ervin - '' Groovin' High'' (Prestige, 1966)


See also

* List of jazz contrafacts


References

{{authority control 1945 songs 1940s jazz standards Bebop jazz standards Compositions by Dizzy Gillespie Grammy Hall of Fame Award recipients Al Jarreau songs Real Book Song