Gossett, Philip

Philip Gossett (September 27, 1941 – June 12, 2017) was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th-century Italian opera began with listening to Metropolitan Opera broadcasts in his youth. ''Divas and Scholars: Performing Italian Opera'', a major work on the subject, won the Otto Kinkeldey Award of the American Musicological Society as best book on music of 2006.

Philip Gossett's contributions to opera scholarship and how they can influence operatic performance may best be summed up by ''Newsdays comment that "some encomiasts claim that soprano Maria Callas did as much for Italian opera as Arturo Toscanini or Verdi. Musicologist Philip Gossett arguably has done as much for Italian opera as any of those geniuses."

Career

Gossett earned degrees from the Juilliard School, Amherst College, and Princeton University. He studied in Paris on a Fulbright Scholarship. At the time he began graduate musical studies in the mid-1960s, the Italian composers such as Gioachino Rossini, Vincenzo Bellini, Gaetano Donizetti and Giuseppe Verdi had been given little serious academic study. As he noted: "If you were going to be a serious musicologist, you had to study Beethoven or Bach or Gregorian chants, but Rossini -- that was a pretty funny idea" Art Golab, "U. of C. musicologist gets 'surprise' $1.5 mil. award", ''Chicago Sun-Times'', December 19, 2004, on news.uchicago.edu/citations
/ref> However, he persisted and notes that "I went to Princeton University for graduate work in musicology (and) I fell more in love with the music and wrote my doctoral dissertation on the music of Rossini, Bellini, Donizetti, and Verdi. Then I went to Paris on a Fulbright and studied Rossini's operas."Judith Clurman
"Meet Philip Gossett"
, ''The Juilliard Journal Online'' on juilliard.edu, March 2004. Interview with Philip Gossett

Throughout his career, Gossett's work frequently took him to Italy, where he advised on the presentations of productions at the Rossini Opera Festival in Rossini's hometown of Pesaro, and worked directly with the Istituto Nazionale di Studi Verdiani (Institute of Verdi Studies) in Parma, which was founded in 1960. Also, for the 2001 centenary of Verdi's death, he worked with the Teatro Regio di Parma on their programming. In 1968 he joined the faculty of the University of Chicago where he taught until his retirement in 2010 and served as dean of the Division of the Humanities from 1989 to 1999. He was professor emeritus there at the time of his death in 2017.

Critical editions of Verdi and Rossini operas

Given that Gossett's musical interests focussed on 19th-century Italian opera (especially the works of Rossini, Bellini, Donizetti, and Verdi), most of his career was devoted to being General Editor of two important projects while at the University of Chicago: the research for the preparation of critical editions of all the operas of both Rossini (some 70) and Verdi (some 33, in their various forms). These are being prepared and gradually published as ''The Works of Giuseppe Verdi'' (by the University of Chicago Press in collaboration with the Italian publishing house Casa Ricordi of Milan) and as ''Works of Gioachino Rossini'' (by Bärenreiter Verlag, Kassel).

In an interview, Gossett explained what he means by the term "critical edition":

By critical edition of an opera I have always meant an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work. In some cases of course we have an autograph manuscript, and that helps us, but it is also where many of the problems start, because composers are known to have made mistakes in their autograph manuscripts. And therefore we are required – we feel it is necessary – to intervene and to correct errors that sometimes have been perpetrated on these works by printed editions from the beginning, so they are just mistakes in the old editions, simple mistakes.Gazzola, Interview with Philip Gossett on operalively.org. 17 June 2012

Elsewhere, he explained the overall aim of the production of critical editions of the operas by using the example of Rossini's ''Il viaggio a Reims'':

We used sources in Rome, Paris, Vienna, and New York. The scores reprinted cheaply today simply reproduce all the errors, all the faults of these 19th-century scores—most of which were produced very quickly and, in Verdi's own words, "are filled with errors." ... The new critical editions have tried, for the first time, to return to authentic sources and they allow performers to have access to the various versions sanctioned by the composers.

As he has explained, Gossett does not believe that singers need to base their interpretations entirely on everything contained in a critical edition. His aim is "that performers should base their work on the finest editions possible, and that’s what we try to produce".

As of 2004, it was noted that "Gossett's team (had) completed 12 of 33 projected volumes of Verdi's work and more than 30 volumes of an expected 70 for Rossini. 'I'll never get through the Rossini,' Gossett said. 'But the Verdi – I'm hoping.'" However, in July 2013, the University of Chicago's "Verdi Critical Edition - Available Titles" page shows 17 opera titles by Verdi
and 9 Rossini opera titles currently available or planned for publication by Bärenreiter Verlag. However, this is in addition to the 26 Rossini operas for which critical editions have been prepared by the Rossini Foundation under Gossett's general direction.

However, he is on record as denying that the Claudio Scimone edition of ''Maometto II'' is a critical edition in the true sense of the word, but is more a performing edition by Scimone as conductor.

Rossini's ''Tancredi'', ''Ermione'' and ''Semiramide'' are three critical editions which he has personally edited, while his most recent work is Verdi's '' La forza del destino'' which, while yet to be formally published, was performed at the San Francisco Opera in November 2005 in its 1869 version. The 1862 version was presented in the Stadttheater, Bern in April 2006.

Work with US opera companies

In the US, he has consulted with the Houston Grand Opera (in 1979 for the first production of the critical edition of ''Tancredi'', with its then newly discovered tragic ending, starring Marilyn Horne). He has worked three times with the Metropolitan Opera: for its November 1990 production of ''Semiramide''; for its 1993 production of ''Stiffelio''; and for its 1997 production of ''La cenerentola''. He has also worked with The Santa Fe Opera in 2000 for Rossini's ''Ermione''; and with Chicago Opera Theater for the first presentations of Rossini's long-lost ''Il viaggio a Reims'' in 2003. Gossett again acted as consultant to The Santa Fe Opera during rehearsals for its 2012 season production of the new critical edition of Rossini's original ''Maometto II'' of 1820 and he returned in the same capacity during rehearsals of the company's new production of Rossini's ''La donna del lago'' during the 2013 season.

For the 2010 presentations of Verdi's ''Attila'' for the Met, Gossett also worked with conductor Riccardo Muti on revisions to the score based on new research. This has become a new critical edition of the opera.

Muti has acknowledged Gossett's role in clarifying ambiguities (in this case in ''Rigoletto'') which had crept into many texts.

Awards and honors

Gossett was awarded the Andrew W. Mellon Foundation's "Distinguished Achievement Award" in 2004, which gained him a prize of $1.5 million to facilitate his research. Also, in 1998, the Italian government gave him the "Cavaliere di Gran Croce", the highest honor that can be awarded to a civilian. Academically, he has been President of the American Musicological Society and of the Society for Textual Scholarship, as well as Dean of the Division of the Humanities at the University of Chicago. In 2008 Gossett was appointed foreign member of the Royal Swedish Academy of Music.

Publications

Books

* 1971: ''The Operas of Rossini: Problems of Textual Criticism in Nineteenth-Century Opera'' (thesis/dissertation). .
* 1971: ''Treatise on Harmony'' by Jean Philippe Rameau, edited and translated by Philip Gossett. New York: Dover. .
* 1978: ''Early romantic Opera: Bellini, Rossini, Meyerbeer, Donizetti, and Grand Opera in Paris'', edited with introductions by Philip Gossett and Charles Rosen. New York: Garland. .
* 1983: "Gioachino Rossini" in ''The New Grove Masters of Italian Opera: Rossini, Donizetti, Bellini, Verdi, Puccini''. New York: W. W. Norton, 1983. .
* 1983: '' "I Puritani: Melodramma Serio in Three Acts, First Performance: Paris, Theatre-Italien, January 24, 1835'' (a facsimile edition of Bellini's original autograph manuscript together With the Naples revision, 2 volumes. Complete by Pepoli, Carlo (Libretto); Vincenzo Bellini (Music); Philip Gossett (Ed, Intro). Garland Publishing. .
* 1985: ''Anna Bolena and the Artistic Maturity of Gaetano Donizetti'' (Studies in Musical Genesis and Structure) by Philip Gossett, 1985) Oxford University Press, 1985 .
* 2006: ''Divas and Scholars: Performing Italian Opera''. Chicago: University of Chicago. .
* 2014: ''Jean-Philippe Rameau: His Life and Work'' by Cuthbert Girdlestone, with an introduction by Philip Gossett. Mineola, New York: Dover. .

Critical editions

* ''The works of Gioachino Rossini'', Series I: Operas
** '' "L'occasione fa il ladro" by Gioachino Rossini'', edited by Giovanni Carli Ballola, Patricia Brauner, and Philip Gossett, 1994.
** '' "La gazzetta" by Gioachino Rossini'', Vol. 18, (Eds.) Philip Gossett and Fabrizio Scipioni, Pesaro, Fondazione Rossini, 2002. (First performed at Garsington Opera (Oxford) and the Rossini Opera Festival (Pesaro), summer 2001.
** '' "Semiramide" by Gioachino Rossini: Melodramma tragico in Two Acts, Libretto by Gaetano Rossi'', Vol. 34, (Eds.) Philip Gossett, and Alberto Zedda Pesaro, Fondazione Rossini, 2001.
** '' "Ermione" by Gioachino Rossini'', edited by Patricia B. Brauner and Philip Gossett, 2006. .
** '' "Tancredi" by Gioachino Rossini: Melodramma eroico in Two Acts by Gaetano Rossi''. Vol. 10, (Ed.) Philip Gossett, 2010
** '' "Maometto II", Dramma per musica in two acts by Cesare Della Valle''. The Santa Fe Opera presented the first performances of this brand new critical edition prepared by Dutch scholar Hans Schellevis and to be published in 2015 by Bärenreiter Verlag of Kassel under the General Editorship of Philip Gossett, who was present during rehearsals as advisor.
** '' "Il barbiere di Siviglia" by Gioachino Rossini'' (in preparation)Gossett, ''Divas and Scholars'', p. 565, note 32.
* ''The Works of Giuseppe Verdi'', Series I: Operas.
** '' "Ernani" by Giuseppe Verdi: Dramma Lirico in Four Acts By Francesco Maria Piave'', (Eds.) Claudio Gallico and (Trans.) Philip Gossett. University Of Chicago Press, 1985
** '' " La forza del destino" by Giuseppe Verdi'', to be published

Selected articles

*

See also

Musicologist Roger Parker, General Editor of ''The Critical Edition of the Operas of Gaetano Donizetti'' (Casa Ricordi, Milan)

References

Notes

Cited sources
*Gazzola, Luiz, , 17 June 2012 on operalively.com. Retrieved 28 July 2013.
*Gossett, Philip, ''Divas and Scholars: Performing Italian Opera'' Chicago: University of Chicago, 2006

External links

Profile of Gossett on the University of Chicago's website Reviews by Gossett appearing in ''The New York Review of Books''
Retrieved 11 May 2011

Retrieved 24 July 2013

by Bruce Duffie, June 22, 1988

{{DEFAULTSORT:Gossett, Philip
1941 births
2017 deaths
Amherst College alumni
Juilliard School alumni
Princeton University alumni
Opera scholarship
University of Chicago faculty
Textual scholarship
20th-century American musicologists
21st-century American musicologists
20th-century American male writers
21st-century American male writers
American male non-fiction writers
Corresponding fellows of the British Academy
Writers from New York (state)
Scholars of Romantic music
Bellini scholars
Donizetti scholars
Rossini scholars
Verdi scholars