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Ginés de Boluda (1545 in
Hellín Hellín is a city and municipality of Spain located in the province of Albacete, Castilla–La Mancha. The municipality spans across a total area of 781.66 km2. As of 1 January 2020, it has a population of 30,200, which makes it the second largest ...
– c. 1606) was a Spanish church musician and composer. He was maestro de capilla'' at the
Cathedral of Cádiz A cathedral is a church that contains the ''cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominations ...
by 1578, taking up the same post at
Cuenca Cathedral Cuenca Cathedral is a Gothic cathedral in the city of Cuenca, located in the Province of Cuenca in the Castile-La Mancha region of south-eastern central Spain. The building is one of the earliest Spanish examples of Gothic architecture, built ...
in that year succeeding Francisco Gabriel Gálvez. He applied for the post at the Cathedral of Sigüenza the year after (1579) but instead resigned his position at Cuenca; he then won the post of ''maestro de capilla'' at the
Cathedral of Toledo , native_name_lang = , image = Toledo Cathedral, from Plaza del Ayuntamiento.jpg , imagesize = 300px , imagelink = , imagealt = , landscape = , caption ...
, succeeding
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who died in September 1580, and remained at Toledo for 13 years from early 1581.Soterrana Aguirre Rincon, ''Gines de Boluda (ca. 1545-des. 1604): Biografia y obra musical'' Valladolid, 1995 After his retirement in 1593, he seems to have given up his career as a professional musician; in 160 he refused the position of ''maestro de capilla'' to the royal chapel in Granada. He is last recorded in Seville in 1604, and is assumed to have died soon afterwards. A comparatively minor representative of the Golden Age of Spanish cathedral
polyphony Polyphony ( ) is a type of musical texture (music), texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompan ...
, he was nevertheless active in providing music for Toledo himself - all his surviving works date from his time in Toledo - and by procuring for the cathedral a number of important volumes of music, predominantly by Spanish composers. All his extant works are liturgy. Boluda produced at least two ''
In exitu israel Psalm 114 is the 114th psalm of the Book of Psalms. In the slightly different numbering system used in the Greek Septuagint version of the bible and in the Latin Vulgate, this psalm is Psalm 113. Structure and theme At eight verses, this psalm ...
'' settings based on the ''
tonus peregrinus , the wandering tone, or the ninth tone, is a reciting tone in Gregorian chant. The chant example here is not identified as the ''tonus peregrinus'' in the ''Liber usualis'' (see LU, pp. 760–761), although it is in Aeolian mode. For the ...
'' (ninth tone), the popularity of which evidently eclipsed the composer by several generations.Mattias Lundberg, Tonus Peregrinus: The History of a Psalm-tone and Its Use in Polyphonic Music. Ashgate, 2012 Boluda, with Navarro, is a Vespers composer ''par excellence'', his output comprising almost exclusively psalm and
Magnificat The Magnificat (Latin for " y soulmagnifies he Lord) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical service ...
settings.


Compositions

From the mass book of Toledo, Codex 35, edited by Michael Noone: *Ginés de Boluda, ''Missa sobre Ut re mi fa sol la a 5.'' London: Mapa Mundi


Recordings

*Ginés de Boluda, ''Jesu corona, Sanctorum meritis, Misa de Feria,'' et al. Capilla Antigua de Chinchilla, Ars Harmonica.


References

1545 births 1606 deaths Spanish classical composers Spanish male classical composers Renaissance composers {{Spain-composer-stub