Fabre D'Églantine

Philippe François Nazaire Fabre d'Églantine (; 28 July 1750 – 5 April 1794), commonly known as Fabre d'Églantine, was a French actor, dramatist, poet, and politician of the French Revolution.

He is best known for having invented the names of the months in the French Republican calendar, and for the song Il pleut, il pleut, bergère which is still a popular nursery rhyme today.

Early life

He was born in Carcassonne, Aude. His surname was Fabre, the ''d'Églantine'' being added in commemoration of his receiving a silver wild rose () from Clémence Isaure from the Academy of the ''Jeux Floraux'' at Toulouse. He married Marie Strasbourg Nicole Godin on 9 November 1778. His earliest works included the poem ''Étude de la nature'', "The Study of Nature", in 1783. After travelling in the provinces as an actor, he came to Paris, where he produced an unsuccessful comedy entitled ''Les Gens de lettres, ou Le provincial à Paris'' (1787).

A tragedy, ''Augusta'', produced at the '' Théâtre Français'', also proved a failure. Many of his plays were popular and he is remarked as one of the most important playwrights during the French Revolution. His most popular play was: ''Philinte, ou La suite du Misanthrope'' (1790), supposed to be a continuation of Molière's ''Le Misanthrope'', but the hero of the piece is a different character from the nominal prototype —a pure and simple egotist. On its publication, the play was introduced by a preface, in which the author satirises ''L'Optimiste'' of his rival Jean François Collin d'Harleville, whose ''Châteaux en Espagne'' had gained the applause which Fabre's ''Présomptueux'' (1789) had failed to win. The character of Philinte had much political significance. The play's character Alceste received the highest praise, and stands for the patriot citizen, while Philinte is a dangerous aristocrat in disguise.
Fabre constructed the play to represent what he envisioned as the new relationship between theater and society. Not only did Fabre believe that Old Regime society was bankrupt; Old Regime comedy was viewed by the budding playwright as equally without value. Fabre d’Eglantine believed that he could fashion a place for theater in revolutionary culture and redeem French drama by developing a new form of theater that would promote the new social order of equality and fraternity. He found his justification and framework in Rousseaus’s critique of theatricality and advocated transparency as the critical transformative element that could generate theater worthy of and in keeping with revolutionary culture. As envisioned by Fabre, evolutionary political institutions would not shape theater; rather, a regenerated revolutionary theatrical culture would redeem the work of art, generating a new, revolutionary society.

Political activity

Fabre served as president and secretary of the club of the Cordeliers, and belonged also to the Jacobin Club. Georges Danton chose Fabre as his private secretary, and he sat in the National Convention of 1792-1794. D'Églantine voted for the death of King Louis XVI, supporting the ''maximum'' and a law which allowed for summary executions, and he was a bitter enemy of the Girondins.

After the death of Jean-Paul Marat (13 July 1793), Fabre published ''Portrait de l'Ami du Peuple''.

On the abolition of the Gregorian Calendar in France he sat on the committee entrusted with the creation of the French Republic's French Republican Calendar. The calendar was designed by the politician and agronomist Gilbert Romme, although it is usually attributed to Fabre d'Eglantine, who invented the names of the months. This Calendar featured a ten-day week so that Sunday would be forgotten as a religious day, and the months were named after the intrinsic qualities of the seasons. He contributed a large part of the new nomenclature; for example, the months of '' Prairial'' and ''Floréal'', as well as the days '' Primidi'' and '' Duodi''. The report which he made on the subject, on 24 October 1793, described the aim of the commission as "to substitute for visions of ignorance the realities of reason, and for sacerdotal prestige the truth of nature," to exalt "the agricultural system…by marking the days and the divisions of the year with intelligible or visible signs taken from agriculture and rural life."

Execution and legacy

Early on the morning of 14 November 1793, the Montagnard and former friar François Chabot burst into Maximilien Robespierre's bedroom dragging him from bed with accusations of counter-revolution and conspiracy, waving a hundred thousand livres in assignat notes, claiming that a band of royalist plotters gave it to him to buy Fabre d'Eglantine's vote, along with others, to liquidate some stock in an overseas trading concern.

The fraud that he spoke of regarding Fabre had been carried out in early October, when the French East India Company had been liquidated in accordance with the anti-capitalist legislation of the summer. The decree had apparently been falsified so that the directors were blackmailed into turning over the half-million-livre profits of this exercise to the cabal of the Convention members responsible. In 1794, Robespierre had evidence of Fabre's criminality and he denounced Fabre for what he viewed as a particular heinous crime, criminality disguised by patriotism.

On 12 January 1794 Fabre was arrested by order of the Committee of Public Safety on a charge of malversation and forgery in connection with the affairs of the French East India Company. This struck a hard blow to the Montagnards and sent them on their way to extinction in the Convention. During his trial, d'Eglantine was asked to testify in his own defense and tried to twist the facts around, accusing other people, but was unsuccessful. According to legend, Fabre showed the greatest calmness and sang his own well-known song:

'' Il pleut, il pleut, bergère,''

''rentre tes blancs moutons.''

Fabre died under the guillotine on 5 April 1794 with the other Dantonists. On his way to the scaffold he distributed his handwritten poems to the people.

According to a popular legend, Fabre complained bitterly about the injustice done to him on the way to the scaffold, whereupon Danton replied with supreme sarcasm: "''Des vers... Avant huit jours, tu en feras plus que tu n'en voudras!''" ("''Before eight days have passed, you'll make more of them than you would like to''"), where "''them''" (''vers'') can be understood as either "''verses''" or "''worms''".

A posthumous play, ''Les Précepteurs'', using the themes of Jean-Jacques Rousseau's '' Emile: Or, On Education'', was performed on 17 September 1794 and met with an enthusiastic reception. Among Fabre's other plays are ''Le Convalescent de qualité'' (1791), and ''L'Intrigue épistolaire'' (1791, supposedly including a depiction of the painter Jean-Baptiste Greuze). The author's ''Œuvres mêlées et posthumes'' were first published at Paris in 1802 in two volumes.

Fictional accounts

*Fabre appears as a major character in Hilary Mantel's ''A Place of Greater Safety'', a novel about the French Revolution.
*Fabre also appears as a secondary character in Emma Orczy's '' The Way of the Scarlet Pimpernel''.

Bibliography

*''Les Amants de Beauvais'' (1776)
*''L'étude de la nature. Poème à M. le comte de Buffon'' (1783)
*''Augusta, tragédie en cinq actes'' (1787)
''Le Présomptueux, ou l'Heureux imaginaire''
(1790)
''Le Philinte de Molière, ou la Suite du Misanthrope''
(1791)
''Le Collatéral, ou l'Amour et l'intérêt''
(1791)
''Le Convalescent de qualité, ou l'Aristocrate''
(1791)
*''Isabelle de Salisbury. Comédie nouvelle, héroïque et lyrique, en trois actes en prose'' (1791)
''L'Intrigue épistolaire''
(1792)
''Opinion de Ph.-Fr.-Na. Fabre-Églantine, député du département de Paris, sur l'appel au peuple, relativement au jugement de Louis''
Imprimée par ordre de la Convention (1793)
''Portrait de Marat''
(1793)
*''L'Évangile des Républicains, précédé du rapport fait par le citoyen Fabre d'Églantine sur le nouveau calendrier décrété par la Convention nationale'' (1793)
*''Calendrier de la république française, une et indivisible, au nom de la commission chargée de sa confection'' (1794)
''Discours (1) prononcé dans la Société, etc.''
(1794)
*''Fabre d'Églantine à ses concitoyens, à la Convention nationale et aux comités de salut public et de sûreté générale. Précis apologétique'' 794
Published posthumously:
''Correspondance amoureuse de Fabre d'Églantine, précédée d'un précis historique de son existence et d'un fragment de sa vie écrit par lui-même, suivie de sa satyre sur les spectacles de Lyon et d'autres pièces fugitives''. Tome IITome III
(1796)
''Les Précepteurs''
(1799)
''Œuvres mêlées et posthumes, de Ph.-Fr.-Naz. Fabre d'Églantine''. Tome premierTome second
(1803)
*''Mémoire d'une aventure en 1777'' (2020)

References

* The Britannica cites as its sources:
**Albert Maurin, ''Galerie hist. de la Révolution française'', tome n
** Jules Janin, ''Histoire de la littérature dramatique''
** André Chénier, ''Tableau de la littérature française''; FA Aulard in the ''Nouvelle Revue'' (July 1885).
*Andress, David (2006). ''The Terror: The Merciless War for Freedom in Revolutionary France''. New York: Farrar, Straus, and Giroux.
*
*
* Linton, Marisa. 2013. ''Choosing Terror: Virtue, Friendship and Authenticity in the French Revolution''. Oxford: Oxford University Press.
*Maslan, Susan (2005). ''Revolutionary Acts: Theater, Democracy, and the French Revolution''. Baltimore: Johns Hopkins University Press.
* Thiers, Adolphe (1838). ''The History of the French Revolution''. London: R. Bentley.

Notes

External links

Fabre d’Églantine: ''Rapport sur le calendrier révolutionnaire'' (in French)

Encyclopædia Britannica, Philippe Fabre d'Eglantine

{{DEFAULTSORT:Fabre D'Eglantine
1750 births
1794 deaths
People from Carcassonne
Male actors from Occitania (administrative region)
Deputies to the French National Convention
18th-century French dramatists and playwrights
French male stage actors
18th-century French male actors
Executed writers
French people executed by guillotine during the French Revolution
Executed regicides of Louis XVI