(Desired light of joy), 184, is a

cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...

Johann Sebastian Bach Johann Sebastian Bach (German: Help:IPA/Standard German, �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...

for the

Lutheran Lutheranism is a major branch of Protestantism that emerged under the work of Martin Luther, the 16th-century German friar and Protestant Reformers, reformer whose efforts to reform the theology and practices of the Catholic Church launched ...

church service. He composed it in

Leipzig Leipzig (, ; ; Upper Saxon: ; ) is the most populous city in the States of Germany, German state of Saxony. The city has a population of 628,718 inhabitants as of 2023. It is the List of cities in Germany by population, eighth-largest city in Ge ...

for the third day of

Pentecost Pentecost (also called Whit Sunday, Whitsunday or Whitsun) is a Christianity, Christian holiday which takes place on the 49th day (50th day when inclusive counting is used) after Easter Day, Easter. It commemorates the descent of the Holy Spiri ...

(

Whit Tuesday Whit Tuesday (syn. ''Whittuesday'', ''Whitsun Tuesday'') is the Christian holiday celebrated the day after Pentecost Monday, the third day of the week beginning on Pentecost. Pentecost is a movable feast in the Christian calendar dependent up ...

) and first performed it on 30 May 1724. It was probably based on an earlier secular cantata (

BWV 184a Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ ...

). This work, mostly lost, was composed in

Köthen Köthen () is a town in Germany. It is the capital of the district of Anhalt-Bitterfeld in Saxony-Anhalt, about north of Halle. Köthen is the location of the main campus and the administrative centre of the regional university, Anhalt Univers ...

as a

duet A duet (italian language, Italian: ''duo'') is a musical composition for two Performing arts, performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a har ...

cantata for

soprano A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral ...

and

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Wood * Bass or basswood, the wood of the tilia americana tree Music * Bass (sound), describing low-frequency sound or one of several instruments in th ...

with several dance movements. Bach structured the Pentecost cantata in six movements and scored it for three solo voices, a four-part choir and Baroque instrumental ensemble of two flutes, strings and continuo. Unusually for Bach's

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel ...

s, the work is not concluded by a

chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one o ...

: a setting of the final

stanza In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. ...

of the

hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' d ...

"" by Anarg zu Wildenfels is instead in the penultimate position, followed by a chorus. The dance influence from the secular model is reflected in the

passepied The passepied (, "pass-foot", from a characteristic dance step) is a French court dance. Originating as a kind of Breton branle, it was adapted to courtly use in the 16th century and is found frequently in 18th-century French opera and balle ...

-like second movement, the

minuet A minuet (; also spelled menuet) is a social dance of French origin for two people, usually written in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form tha ...

of the fourth, and the

gavotte The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Gap, Hautes-Alpes, Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, accordin ...

of the last.

History and text

Bach composed this cantata for Pentecost Tuesday, the third day of Pentecost. It was likely based on an earlier secular cantata for New Year's Day composed in

(

). The musicologist Szymon Paczkowski suggests two other possible occasions for the secular model: the birthday of Prince Leopold of Anhalt-Coethen on 10 December 1720, and the wedding of the prince and Friderica Henrietta on 11 December 1721. The Bach scholar

Alfred Dürr Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Clas ...

points out many similarities to : both were adapted from secular models, both written for Pentecost in Bach's first year in Leipzig, and both revived in 1731. While the model for the other cantata survived (the congratulatory cantata ), the model for is mostly lost, with only a few instrumental parts extant. It was a duet cantata, with several dance movements. The prescribed readings for the feast day were from the

Acts of the Apostles The Acts of the Apostles (, ''Práxeis Apostólōn''; ) is the fifth book of the New Testament; it tells of the founding of the Christian Church and the spread of The gospel, its message to the Roman Empire. Acts and the Gospel of Luke make u ...

, the

Holy Spirit The Holy Spirit, otherwise known as the Holy Ghost, is a concept within the Abrahamic religions. In Judaism, the Holy Spirit is understood as the divine quality or force of God manifesting in the world, particularly in acts of prophecy, creati ...

in Samaria (), and from the

Gospel of John The Gospel of John () is the fourth of the New Testament's four canonical Gospels. It contains a highly schematic account of the ministry of Jesus, with seven "Book of Signs, signs" culminating in the raising of Lazarus (foreshadowing the ...

, the

Good Shepherd The Good Shepherd (, ''poimḗn ho kalós'') is an image used in the pericope of , in which Jesus in Christianity, Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep. Similar imagery is used in Psalm 23 and Ezeki ...

(). The poet who adapted a text to the existing music is unknown. He possibly kept the wording of the beginning of the opening

recitative Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines ...

, continuing to describe Jesus as the shepherd of his "blissful flock". The librettist included as the penultimate movement of the cantata the final (eighth) stanza of the hymn "" by Anarg zu Wildenfels. Bach first performed ''Erwünschtes Freudenlicht'' in

on 30 May 1724, as a rough adaption of BWV 184a. He performed it there again on 3 June 1727 and 15 May 1731.

Music

Scoring and structure

Bach scored the work for three vocal soloists (

(S),

alto The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in ch ...

(A) and

tenor A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below m ...

(T)), a four-part choir, and a Baroque instrumental ensemble: two transverse flutes (Ft), two

violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...

s (Vl),

viola The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...

(Va), and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

. The duration of the piece has been stated as 25 minutes. Bach structured the cantata in six movements. A chorale movement, which ends most of his cantatas originally conceived for church use, is here penultimate movement, followed by the only chorus. The first movements are for the soloists: recitatives, a duet and an

aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...

. In the following table of the movements, the scoring follows the

Neue Bach-Ausgabe The New Bach Edition (NBE) (; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete Works (''Johann Sebastian ...

. The

keys Key, Keys, The Key or The Keys may refer to: Common uses * Key (cryptography), a piece of information needed to encode or decode a message * Key (instrument), a component of a musical instrument * Key (lock), a device used to operate a lock * ...

and

time signature A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates th ...

s are taken from the book by Bach scholar

, using the symbols for common time (4/4) and ''alla breve'' (2/2). The instruments are shown according to type (winds and strings), while the continuo, playing throughout, is not shown.

Movements

1

The opening recitative, "" (Desired light of joy), is '' accompagnato'', sung by the tenor and accompanied by two flutes. It was possibly not changed from the original cantata for New Year's Day. The "desired light" is illustrated by a rising motif in the flutes which is repeated throughout the movement. Dürr interprets the figure as the flames mentioned in the Pentecost narration. The movement concludes with an

arioso In classical music, arioso (; also aria parlante ) is a category of Solo (music), solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose ...

section.

2

The duet aria is written for soprano and alto voice: "" (Blessed Christians, enraptured flock, come, dwell with Jesus with thankfulness!). It is a

da capo aria The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and orato ...

triple time Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 ( compound) in the upper figure of the time signature, with , a ...

with long

ritornello A ritornello (Italian; "little return") is a recurring passage in Renaissance music and Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century ...

episodes. The musicologist Julian Mincham describes it as "retaining a little more of the spirit of the rustic dance". The Bach scholar

Klaus Hofmann Klaus Hofmann (born 20 March 1939) is a German musicologist who is an expert on the music of Johann Sebastian Bach. Born in Würzburg, Hofmann studied after graduation (1958) from 1958 to 1959 at the University of Erlangen. He then continued his ...

called it a

. The movement was probably already a ''

pastorale Pastorale refers to something of a pastoral nature in music, whether in form or in mood. In Baroque music, a pastorale is a movement of a melody in thirds over a drone bass, recalling the Christmas music of ''pifferari'', players of the traditi ...

'' in the secular model, and suits the image of the Good Shepherd and his flock.

John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach, especially the Bach Cantata Pilgrimage of 2000, performing Church cantata (Bach), Bach's church ...

, who conducted the Bach Cantata Pilgrimage in 2000, believes that the music was actually danced to in the secular version heard in Köthen.

3

The third movement is a secco tenor recitative: "" (So rejoice, you chosen souls!). It also closes as an arioso, ending the movement in D major rather than the C major in which it began.

4

The fourth movement is a tenor aria: "" (Happiness and blessing are prepared to crown the consecrated flock). Paczkowski notes that the movement's text deals with the

second coming of Christ The Second Coming (sometimes called the Second Advent or the Parousia) is the Christian and Islamic belief that Jesus Christ will return to Earth after his ascension to Heaven (which is said to have occurred about two thousand years ago). The ...

, using the symbolism of Shepherd and King, common in the

Near East The Near East () is a transcontinental region around the Eastern Mediterranean encompassing the historical Fertile Crescent, the Levant, Anatolia, Egypt, Mesopotamia, and coastal areas of the Arabian Peninsula. The term was invented in the 20th ...

. It is formally a

trio sonata The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era. Basic structure T ...

for voice, solo violin and continuo, in adapted

ternary form Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples inclu ...

. It is in B minor, the only movement not in a major key. Gardiner describes it as a

5

The penultimate movement is a four-part setting of a chorale stanza: "" (Lord, I hope that you will not leave in any distress). This is unusual for Bach, as typically his church cantatas place the chorale as the final movement.

6

The closing chorus, "" (Good Shepherd, solace of Your followers, leave us Your holy Word alone!), is a

, basically a duet of soprano and bass, expanded by the choir in the

refrain A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the Line (poetry)">line or lines that are repeated in poetry or in music">poetry.html" ;"title="Line (poetry)">line or lines that are repeat ...

s. Bach reused the music of this movement to conclude ''Laßt uns sorgen, laßt uns wachen'', BWV 213, composed for the birthday of Crown Prince Friedrich Christian of Saxony on 5 September 1733.

Recordings

Gächinger Kantorei Gächinger Kantorei (Gächingen Chorale), which uses the old German spelling of its name, the Gaechinger Cantorey, is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutl ...

Bach-Collegium Stuttgart Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and ...

Helmuth Rilling Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakade ...

. ''Die Bach Kantate''.

Hänssler Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by (died 1972) to publish church music. In 1941 the Nazi government shut down the publishing house. It was allowed by the West German authorities to reo ...

, 1977. *

Knabenchor Hannover The Knabenchor Hannover (Hannover Boys' Choir) is a Boys' choir, boys choir founded in 1950 by Heinz Hennig, who served as conductor until the end of 2001. Since 2002, the conductor has been Jörg Breiding. History and music The Knabenchor Hann ...

& Collegium Vocale Gent,

Gustav Leonhardt Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leo ...

. ''J. S. Bach: Das Kantatenwerk · Complete Cantatas / Vol. 42'',

Teldec Teldec (Telefunken-Decca Schallplatten GmbH) is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group. History Teldec was a producer of (first) shellac and (later) vinyl records. The Teldec manufacturing ...

, 1987. *

Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Bar ...

Ton Koopman Antonius Gerhardus Michael "Ton" Koopman (; born 2 October 1944) is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor ...

. ''J.S. Bach: Complete Cantatas Vol. 7''. Erato, 1997. *

Holland Boys Choir Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg ...

/ Netherlands Bach Collegium,

Pieter Jan Leusink Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg (E ...

. ''Bach Edition Vol. 14''. Brilliant Classics, 2000. *

Monteverdi Choir The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conv ...

English Baroque Soloists The English Baroque Soloists is a chamber orchestra playing on authentic performance, period instruments, formed in 1978 by English Conducting, conductor John Eliot Gardiner, Sir John Eliot Gardiner. Its repertoire comprises music from the early B ...

. ''Bach Cantatas Vol. 27''. Soli Deo Gloria, 2000. *

Bach Collegium Japan Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque musi ...

Masaaki Suzuki is a Japanese organist, harpsichordist, conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for whi ...

. ''J.S. Bach: Cantatas Vol. 20''. BIS, 2001.

References

Bibliography

* *

External links

*
Erwünschtes Freudenlicht BWV 184; BC A 88 / Sacred cantata (3rd Day of Pentecost)

Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...

fragment BWV 184a; BC G 8 / Secular cantata (unknown purpose)

*
BWV 184 Erwünschtes Freudenlicht
English translation,

University of Vermont The University of Vermont and State Agricultural College, commonly referred to as the University of Vermont (UVM), is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont, United States. Foun ...

* Luke Dahn
BWV 184.5
bach-chorales.com {{DEFAULTSORT:Erwunschtes Freudenlicht Bwv 184 Church cantatas by Johann Sebastian Bach 1724 compositions