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''Emergency!'' is the debut double album by the American jazz fusion group The Tony Williams Lifetime featuring Williams with guitarist John McLaughlin and organist Larry Young. It was recorded and released in 1969 and was one of the first significant fusion recordings. The album is commonly regarded as an influential album in the
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
, rock, and fusion genres.


Composition

According to jazz scholar Christopher Meeder, the Lifetime eschewed the funk influence of
Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis ado ...
' early fusion music with a mixture of heavy rock drumming and the "light, rapid swing" that was Williams' signature. "''Emergency!'' synthesized the best elements of
free jazz Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventi ...
, modal jazz, and British rock", Meeder wrote, "and added a rhythmic complexity in tracks like 'Via the Spectrum Road,' a blues of sorts in the unusual time signature of 11/8." In Paul Hegarty's opinion, the music was more oriented with
progressive music Progressive music is music that attempts to expand existing stylistic boundaries associated with specific music genre, genres of music. The word comes from the basic concept of ":wiktionary:progress, progress", which refers to advancements thr ...
's rock side rather than its jazz, fusing psychedelic elements while featuring "reprises, crescendos, an oscillation between the simpler time signatures of rock and the more progressive metres of jazz". He cited "Via the Spectrum Road" as an example of how Williams' singing approached the "non-rock, non-jazz softness" of progressive rock pioneer Robert Wyatt. "Via the Spectrum Road" was viewed by Stuart Nicholson as one of the album's most blatant explorations of rock rhythms. "Spectrum", on the other hand, utilized rhythms from
post-bop Post-bop is a jazz term with several possible definitions and usages.Yudkin, Jeremy (2007), p. 125 It has been variously defined as a musical period, a musical genre, a musical style, and a body of music, sometimes in different chronological perio ...
. Composed by McLaughlin, it was first recorded for his 1969 '' Extrapolation'' debut and was regarded by Nicholson as an extension of that album's "free-flowing approach ... but reinforced by the volume and energy associated with rock". A mistake during ''Emergency''s production led Meeder to believe it helped lend a "raw power" to the music: "A cynical engineer used to recording mainstream jazz recorded the band carelessly, allowing the tape to distort, unintentionally adding satisfyingly raw edges to the album."


Release and reception

''Emergency!'' was originally released in 1969 by
Polydor Polydor Limited, also known as Polydor Records, is a British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in ...
/ PolyGram Records, receiving widespread acclaim from major American publications. In a contemporary review for ''
The Village Voice ''The Village Voice'' is an American news and culture publication based in Greenwich Village, New York City, known for being the country's first Alternative newspaper, alternative newsweekly. Founded in 1955 by Dan Wolf (publisher), Dan Wolf, ...
'',
Robert Christgau Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became a ...
hailed Williams as "probably the best drummer in the world" and was astonished by the album, calling it "a frank extrapolation on the most raucous qualities of new thing jazz and wah-wah mannerist rock". '' Coda'' was less enthusiastic, finding it "intriguing" with some "substantial" pieces of music but not as much as other
hard rock Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and Distortion (music), distorted electric guitars. Hard rock began in the mid-1960s with the Garage rock, garage, Psychedelic rock, psychedelic and blues ...
bands attempting the same kind of music, nor as imaginative and coherent as the music Williams, McLaughlin, and Young had made outside the group. The album was later issued on CD by
Polydor Polydor Limited, also known as Polydor Records, is a British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in ...
/ PolyGram Records in 1991 but with a "restoration" remix by Phil Schaap to overcome "Marked sonic problems". The original album mix was reissued on CD for the first time by Verve/ PolyGram Records in 1997. According to J. D. Considine in '' The Rolling Stone Album Guide'' (1992), jazz fusion started on ''Emergency!'' where McLaughlin was first given the chance to combine jazz and rock. In a retrospective review for
AllMusic AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Mus ...
, Leo Stanley said that it "shattered the boundaries between jazz and rock" with its "dense, adventurous, unpredictable soundscapes". Dennis Polkow of the ''
Chicago Tribune The ''Chicago Tribune'' is an American daily newspaper based in Chicago, Illinois, United States. Founded in 1847, it was formerly self-styled as the "World's Greatest Newspaper", a slogan from which its once integrated WGN (AM), WGN radio and ...
'' wrote that in spite of the album's questionable sound quality, the music has an "energy and spirit" that has never been surpassed in fusion. According to Nicholson, recordings like ''Emergency!'' and the 1975
Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis ado ...
LP '' Agharta'' showed jazz rock paralleling
free jazz Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventi ...
by being "on the verge of creating a whole new musical language in the 1960s", suggesting the genre's "potential of evolving into something that might eventually define itself as a wholly independent genre quite apart from the sound and conventions of anything that had gone before." This development was stifled by commercialism, he said, as the genre "mutated into a peculiar species of jazz-inflected pop music that eventually took up residence on FM radio" at the end of the 1970s. '' Mojo'' regarded it as "jazz-rock's equivalent of '' Are You Experienced?''".Anon. (2007). ''Mojo'', Issues 158-161.


Track listing

;Side one # "Emergency" (Williams) – 9:37 # "Beyond Games" (Williams) – 8:19 ;Side two # "Where" (McLaughlin) – 12:11 # "Vashkar" ( Carla Bley) – 5:01 ;Side three # "Via the Spectrum Road" (McLaughlin, Williams) – 7:51 # "Spectrum" (McLaughlin) – 8:52 ;Side four # "Sangria for Three" (Williams) – 13:08 # "Something Spiritual" (Dave Herman) – 5:40 (Mistitled "Something Special" on some CD issues)


Personnel


The Tony Williams Lifetime

* John McLaughlin – electric and acoustic guitars * Tony Williams – drums, vocals * Larry Youngorgan


Production

1969 LP (Polydor) * Ralph J. Gleason – liner notes *Elaine Gongora – cover design * Monte Kay – producer *Jack Lewis – producer *Sid Maurer – art direction, photography *Gene Radice – recording, mixing 1991 CD (Polydor) remix by Phil Schaap *James Isaacs – liner notes *Joseph M. Palmaccio – digital mastering, final editing *Paul Ramey – reissue producer * Phil Schaap – liner notes ("Engineer's Comments & Disclaimer"), restoration, remastering *Richard Seidel – reissue producer 1997 CD (Verve) original album mix *Bill Levenson – executive producer *Gary N. Mayo – remastering *John McDermott – liner notes *Jerry Rappaport – reissue producer *Richard Seidel – executive producer


References


External links

* {{Authority control The Tony Williams Lifetime albums 1969 debut albums Verve Records albums PolyGram albums Albums produced by Monte Kay Psychedelic rock albums by American artists 1960s instrumental albums Jazz-rock albums